Sky Captain And The World Of Tomorrow full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In a technologically-advanced 1939, the zeppelin Hindenburg III moors itself atop the Empire State Building. Aboard the airship is Dr. Jorge Vargas, a scientist who arranges for a package containing two vials to be delivered to Dr. Walter Jennings. The courier looks back while leaving with the vials, to see that Dr. Vargas has vanished.

Polly Perkins, a reporter for The Chronicle, is looking into the disappearances of Vargas and five other renowned scientists. A cryptic message leads her to Radio City Music Hall, against the warnings of her editor, Mr. Paley, where she meets Dr. Jennings during a showing of The Wizard of Oz. He tells her that a Dr. Totenkopf is coming for him next. Suddenly, seemingly indestructible robots attack the city. Clearly outmatched, the authorities call for "Sky Captain" Joe Sullivan, the city's hero and Perkins' ex-lover and the commander of the private air force the Flying Legion.

While Joe engages the robots with his modified Curtiss P-40 pursuit fighter, Perkins photographs from the street with little regard for her personal safety. He eventually manages to disable one robot; the rest leave thereafter. News reports show similar attacks around the globe. The disabled robot is taken back to the Legion's air base so that technology expert Dex can examine it. Polly follows and convinces Joe to reluctantly let her in on the investigation. Her information takes them to the ransacked laboratory of a dying Dr. Jennings, while an assassin escapes. Just before he dies, Jennings gives Polly the two vials and states that they are crucial to Totenkopf's plans. Polly hides the vials and withholds the information from Joe. They return to the Legion's base just before it comes under attack from squadrons of ornithopter drones. Dex tracks the origin of the signal controlling the drones and notes it on a map before his capture.

Joe and Polly find Dex's map and fly to Nepal and then Tibet, where they discover an abandoned mining outpost and meet up with Joe's old friend Kaji. Two guides working for Totenkopf force Polly to turn over the vials, locking the duo in a room full of dynamite. Joe and Polly manage to escape just before the room explodes, knocking them unconscious and destroying most of Polly's film. They wake up together in the mythical Shangri-La. The Tibetan-speaking monks there tell of Totenkopf's enslavement of their people, forcing them to work in the uranium mines. Most were killed by the radiation, but the final survivor provides a clue to where Dr. Totenkopf is hiding. With insufficient fuel to make it there, they run into a Royal Navy flying aircraft carrier commanded by another of Joe's ex-flames, Commander Franky Cook.

Franky leads the attack on Totenkopf's island lair while Joe and Polly enter through an underwater inlet. Joe and Polly find themselves on an island with dinosaur-like creatures, which Polly hesitates to photograph as she has only two shots left. They find a secret subterranean facility in a mountain, where robots are loading animals, as well as the mysterious vials, onto a large "Noah's Ark" rocket. Joe and Polly are detected but Dex, piloting a flying barge, arrives with three of the missing scientists. One of the missing scientists explains that Totenkopf has given up on humanity and seeks to start the world over again: the "World of Tomorrow". The vials are genetic material for a new Adam and Eve. Sky Captain says they should just let Totenkopf go but Dex states that they can't; if the rocket reaches space, the afterburners will ignite the atmosphere and kill everyone on Earth.

As the group attempts to enter Dr. Totenkopf's lair, one scientist is electrocuted by the defense system. A hologram of Totenkopf appears, speaking about his hate for humanity and his plans to rebuild it as a new master race. Dex disables the defenses and the group discovers Totenkopf's mummified corpse inside with a scrap of paper clutched in his hand: "forgive me". He had died 20 years prior, but his machines continued his plan. Joe decides to sabotage the rocket from the inside while the others escape. Polly tries to tag along, but Joe kisses her and then knocks her out. Polly recovers, following Joe and saving him from Dr. Jennings' assassin, a female robot. Joe and Polly then board the rocket. Before the rocket reaches 100km, when its second stage is scheduled to fire and thereby incinerate the Earth, Polly pushes an emergency button that ejects all the animals in escape pods. Joe tries to disable the rocket only to be interrupted by the same assassin robot. He jolts the robot with its electric weapon and then uses it on the controls, disabling the rocket. Joe and Polly use the last pod to save themselves as the rocket safely explodes.

Joe and Polly watch the animal pods splash down around their escape pod, while Commander Cook leads a group of flying aircraft carriers towards them. Polly then uses the last shot on her camera to take a picture of Joe rather than the animal pods. Joe grins and says: "Polly—lens cap."

• Jude Law as Joseph Sullivan/Sky Captain: He commands a private air force known as the Flying Legion. His personal aircraft is a modified Curtiss P-40. In 2002, producer Jon Avnet showed Law the teaser trailer and the actor was very impressed by what he saw. He remembers, "All I got at that early stage was that he'd used pretty advanced and unused technology to create a very retrospective look." Avnet gave him the script to read and some preliminary artwork to look at. Law said "What was clear was also that at the center was a really great cinematic relationship, which you could put into any genre and it would work. You know, the kind of bickering . I always like to call it The African Queen meets Buck Rogers." Avnet wanted to work with Law because he knew that the actor had "worked both period, who worked both having theatrical experience, who worked on blue screen, who hadn't hit yet as a major action star." The actor had just finished filming Cold Mountain (2003) and was intrigued at going from filming on real locations to working on a movie done completely on a soundstage. Sky Captain would be one of three Jude Law films released by Paramount Pictures in 2004, along with the remake of Alfie (2004) and Lemony Snicket's A Series of Unfortunate Events (2004). It also was one of six overall Jude Law films released that year.
• Gwyneth Paltrow as Polly Perkins, reporter for the New York Chronicle. Law believed so much in Conran's movie that he became one of the producers and used his clout to get Paltrow involved. Once she had been suggested for the role, Law did not remember "any other name coming up. It just seems that she was perfect. She was as enthusiastic about the script and about the visual references that were sort of put to her, and jumped on board." Paltrow said in an interview, "I thought that this is the time to do a movie like this where it's kind of breaking into new territory and it's not your basic formulaic action-adventure movie."
• Angelina Jolie as Commander Francesca “Franky” Cook: She commands a Royal Navy flying aircraft carrier. Jolie had just arrived from the set of Lara Croft: Tomb Raider – The Cradle of Life (2003) and agreed to work on the movie for three days. Despite her small role, she reportedly had conducted hours of interviews with fighter pilots in order to absorb their jargon and get a feel for the role.
• Giovanni Ribisi as Dex, ace mechanic of the Flying Legion. Ribisi met with Avnet and, initially, was not sure that he wanted to do the movie but after seeing the teaser trailer, he signed on without hesitation.
• Michael Gambon as Editor Paley, editor of the Chronicle newspaper in New York
• Omid Djalili as Kaji, former comrade-in-arms from the Flying Legion
• Bai Ling as The Mysterious Woman, Totenkopf's henchwoman, who is also a gynoid.
• Julian Curry as Dr. Jorge Vargas, a missing scientist
• Trevor Baxter as Dr. Walter Jennings, a missing scientist
• Peter Law as Dr. Kessler, a missing scientist
• Laurence Olivier as Dr. Totenkopf, the mysterious mad scientist and supervillain; Olivier had been deceased for nearly 13 years at the time of filming, and was depicted in the film via computer manipulation of video and audio from when he was a young actor.
• Khan Bonfils as one of the double-agent guides working for Totenkopf (identified in the credits as "Creepy"; the other guide is "Scary")

Peter Law, who plays Dr. Kessler, is the father of Jude Law. The novelization written by Kevin J. Anderson gives the full names for Dex and Editor Paley as Dexter Dearborn and Morris Paley.

Kerry Conran grew up on films and comic books of the 1930s and 1940s. He and his brother, Kevin, were encouraged by their parents to develop their creative side at a young age. Kerry studied at a feeder program for Disney animators at CalArts, and became interested in 2-D computer animation. While there, he realized that it was possible to apply some of the techniques associated with animation to live-action. Conran had been out of film school for two years and was trying to figure out how to make a movie. He figured that Hollywood would never take a chance on an inexperienced, first-time filmmaker, so he decided to make the movie himself.

Influences

Conran was influenced by the designs of Norman Bel Geddes, an industrial designer who did work for the 1933 Chicago World’s Fair and designed exhibits for the 1939 New York World's Fair. Geddes also designed an Airliner Number 4 that was to fly from Chicago to London.

Another key influence was Hugh Ferriss, one of the designers for the 1939 World’s Fair who designed bridges and huge housing complexes. He was an American delineator (one who creates perspective drawings of buildings) and architect. In 1922, skyscraper architect Harvey Wiley Corbett commissioned Ferriss to draw a series of four step-by-step perspectives demonstrating the architectural consequences of the 1916 Zoning Resolution. These four drawings would later be used in his 1929 book The Metropolis of Tomorrow (Dover Publications, 2005, ISBN 0-486-43727-2).

Regarding the 1939 New York World's Fair itself and its futuristic theme of the World of Tomorrow, Conran noted: "... obviously the title refers to the World Expo and the spirit of that was looking at the future with a sense of optimism and a sense of the whimsical, you know, something that we've