Sin City Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

"The Customer Is Always Right (Part I)"

The Salesman walks onto a penthouse balcony where The Customer looks out over Basin City. He offers her a cigarette and says that she looks like someone who is tired of running and that he will save her. The two share a kiss and he shoots her; she dies in his arms. He says he will never know what she was running from but that he will cash her check in the morning, implying someone had paid him to kill her.

"That Yellow Bastard (Part I)"

On the docks of Sin City, aging police officer John Hartigan tries to stop serial child-killer Roark Junior from raping and killing his fourth known victim, eleven-year-old Nancy Callahan. Junior is the son of Senator Roark, who has bribed the police to cover up his son's crimes. When Hartigan's corrupt partner, Bob, tries to convince Hartigan to walk away, Hartigan knocks him out.

Hartigan, experiencing pain from a bad heart, heads into the warehouse where Roark Junior and several henchmen are holding Nancy. Junior shoots Hartigan in the shoulder and tries to escape. Hartigan catches up and shoots off Junior's ear, hand and genitals. Bob, now recovered, shoots Hartigan in the back. As the sirens approach, Bob leaves and Nancy lies down in Hartigan's lap. Hartigan passes out, reasoning his death is a fair trade for the girl's life.

"The Hard Goodbye"

After a one-night stand, Marv awakens to find Goldie has been killed while he slept. He flees the frame-up as the police arrive, vowing to avenge her death. His parole officer, Lucille, warns him to give up on this mission, believing Marv may have imagined it all due to his "condition". Marv interrogates several informants, working up to a corrupt priest, who reveals that the Roark family was behind the murder. Marv kills the priest but is then attacked by a woman who looks like Goldie, which he dismisses as a hallucination.

Marv goes to the Roark family farm and is subdued by the silent stalker who killed Goldie. He awakens in the basement to find Lucille has been captured after looking into his story. She tells Marv that the killer is a cannibal and that Goldie was a prostitute. He learns that the killer's name is Kevin and escapes. Lucille is killed by the leader of a squad of corrupt cops. Marv kills the cops except for their leader, whom he interrogates. He learns that Cardinal Patrick Henry Roark arranged for Goldie's murder.

Marv goes to Old Town, Sin City's prostitute-run red-light district, to learn more about Goldie and is captured by her twin sister, Wendy, the attacker Marv previously dismissed as a hallucination. Once he convinces Wendy that he is not the killer, the two return to the farm where Marv kills Kevin. He confronts Cardinal Roark, who confesses his part in the murders. Kevin was the cardinal's ward; the two men ate the prostitutes to "consume their souls". Marv kills the cardinal but is then shot and captured by his guards.

Marv is taken to a hospital where cops threaten to kill his mother, to get him to confess to killing Roark, Kevin and their victims. He is sentenced to death in the electric chair. Wendy visits him on death row and thanks him for avenging her sister. Marv is then executed.

"The Big Fat Kill"

Shellie is being harassed by her abusive ex-boyfriend Jackie Boy and his cronies. Her boyfriend Dwight violently warns him to leave Shellie alone. Jackie Boy and his cronies flee to Old Town. Dwight follows and sees them harass Becky, a young prostitute. Gail, the prostitutes' leader and Dwight's on-and-off lover, also witnesses the scene. When Jackie Boy threatens Becky with a gun, Miho, a martial arts expert, kills Jackie Boy and his friends. They realize Jackie Boy is actually Detective Lieutenant Jack Rafferty of the Basin City Police, considered a "hero cop" by the press. If the cops learn how he died, their truce with the prostitutes would end and the mob would be free to wage war on Old Town.

Dwight takes the bodies to a tar pit, where he is attacked by an ex-IRA mercenary hired by mob boss Wallenquist. He nearly drowns in the tar before Miho saves him. The mercenary flees to the sewer with Jackie Boy's severed head but Dwight and Miho retrieve it and return to Old Town. Meanwhile, mob enforcer Manute kidnaps Gail. Becky, threatened with the death of her mother by the mob, betrays the prostitutes. Manute prepares the mob's invasion of Old Town. Dwight trades Jackie Boy’s head for Gail's freedom but the head is stuffed with explosives; Dwight detonates it, destroying the evidence and Gail's captors. The other prostitutes gun down the mercenaries while Becky, almost injured in the fight, escapes.

"That Yellow Bastard (Part II)"

Hartigan is recovering in a hospital when Senator Roark informs him that Junior is in a coma and the Roark legacy is in serious jeopardy. Hartigan will be framed for Junior's crimes; if he tells anyone the truth, they will die. A grateful Nancy promises to write letters every week while he is in prison. Hartigan goes to jail, though he refuses to confess. He receives a weekly letter from Nancy, as promised. After eight years, the letters stop and he receives a severed finger instead. Hartigan confesses to all charges leading to his parole and searches for an adult Nancy, not knowing he is being followed by a deformed, yellow man. He eventually finds her at Kadie's Bar, where she has become an exotic dancer.

He realizes he was set up to lead the yellow man to Nancy and the two escape in Nancy's car. Hiding in the trunk of Hartigan's car, the deformed man returns, revealing himself as Roark Junior, disfigured by years of surgery to regenerate his body parts. Junior attacks Hartigan and takes Nancy to the Roark farm to finish what he started eight years before. Hartigan follows and fakes a heart attack, giving him a chance to kill Junior by emasculating him and beating him to death. Knowing that Senator Roark will never stop hunting them, Hartigan commits suicide to ensure Nancy's safety. Again, he justifies his life for Nancy's as a fair trade.

"The Customer Is Always Right (Part II)"

An injured Becky departs from a hospital, talking on a cell phone with her mother. In the elevator she encounters The Salesman, dressed as a doctor. He offers her a cigarette, calling her by name, and she abruptly ends the call with her mother.

Frank Miller makes a cameo appearance as a priest, while Robert Rodriguez makes a cameo appearance as a member of the SWAT team.

Proof of concept

After his negative personal experience working in Hollywood on RoboCop 2 and 3, Miller was reluctant to release the film rights to his comic books, fearing a similar result. Rodriguez, a long-time fan of the graphic novels, was eager to adapt Sin City for the screen. His plan was to make a fully faithful adaptation, follow the source material closely, and make a "translation, not an adaptation". In hopes of convincing Miller to give the project his blessing, Rodriguez shot a "proof of concept" adaptation of the Sin City story "The Customer Is Always Right" (starring Josh Hartnett and Marley Shelton). Rodriguez flew Miller into Austin to be present at this test shooting, and Miller was very happy with the results. This footage was later used as the opening scene for the completed project, and (according to Rodriguez in the DVD extras) to recruit Bruce Willis and others to the project.

Digital backlot

This is one of the first films along with Sky Captain and the World of Tomorrow, Casshern, and Immortel (Ad Vitam) to be shot primarily on a digital backlot. The film employed the Sony HDC-950 high-definition digital camera, having the actors work in front of a green screen, that allowed for the artificial backgrounds (as well as some major foreground elements, such as cars) to be added later during the post-production stage. Three sets were constructed by hand:

• Kadie's Bar, where all of the major characters make an appearance at least once and also the only location in which all objects are in color.
• Shellie's apartment. The front door and kitchen are real, while bathroom and corridors are artificial.
• The hospital corridor in the epilogue. Although the first shot of walking feet was done on green screen, the corridor in the next shot is real. The background becomes artificial again when the interior of the elevator is shown.