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Seven Days in May is a 1964 American political thriller film about a military-political cabal's planned takeover of the United States government in reaction to the president's negotiation of a disarmament treaty with the Soviet Union. The picture was directed by John Frankenheimer; starring Burt Lancaster, Kirk Douglas, Fredric March, and Ava Gardner; with the screenplay written by Rod Serling based on the novel of the same name by Fletcher Knebel and Charles W. Bailey II, published in September 1962.

Seven Days in May
Theatrical release poster
Directed byJohn Frankenheimer
Produced byEdward Lewis
Screenplay byRod Serling
Based onthe novel by
Fletcher Knebel
& Charles W. Bailey II
StarringBurt Lancaster
Kirk Douglas
Fredric March
Ava Gardner
Music byJerry Goldsmith
CinematographyEllsworth Fredricks
Edited byFerris Webster
Production
company
Seven Arts Productions
John Frankenheimer - Joel Productions Inc.
Distributed byParamount Pictures
Release date
  • February 12, 1964 (1964-02-12) (Washington, DC)
Running time
118 minutes
CountryUnited States
LanguageEnglish
Budget$2.2 million
Box office$3,650,000 (rentals)

Screenplay

The book was written in late 1961 and into early 1962, during the first year of the Kennedy administration, reflecting some of the events of that era. In November 1961, President John F. Kennedy accepted the resignation of vociferously anti-Communist General Edwin Walker who was indoctrinating the troops under his command with personal political opinions and had described former President Harry S. Truman, former United States Secretary of State Dean Acheson, former First Lady Eleanor Roosevelt and other recent still-active public figures as Communist sympathizers. Although no longer in uniform, Walker continued to be in the news as he attempted to run for Governor of Texas and made speeches promoting strongly right-wing views. In the film version of Seven Days in May, Fredric March, portraying the narrative's fictional President Jordan Lyman, mentions General Walker as one of the "false prophets" who were offering themselves to the public as leaders. (John F. Kennedy assassin Lee Harvey Oswald purportedly fired rifle shots into the home of General Walker in April 1963.)

As they collaborated on the novel, Knebel and Bailey, who were primarily political journalists and columnists, also conducted interviews with another controversial military commander, the newly appointed Air Force Chief of Staff, Curtis LeMay, who was angry with Kennedy for refusing to provide air support for the Cuban rebels in the Bay of Pigs Invasion.

President Kennedy had read Seven Days in May shortly after its publication and believed the scenario as described could actually occur in the United States. According to Frankenheimer in his director's commentary, production of the film received encouragement and assistance from Kennedy through White House Press Secretary Pierre Salinger, who conveyed to Frankenheimer Kennedy's wish that the film be produced and that, although the Pentagon did not want the film made, the President would arrange to be visiting Hyannis Port for a weekend when the film needed to shoot outside the White House.

The story is set in the early 1970s, ten years in the future at the time of the film's 1964 release, and the Cold War is still a problem (in the 1962 book, the setting was May 1974 after a stalemated war in Iran). U.S. President Jordan Lyman has recently signed a nuclear disarmament treaty with the Soviet Union, and the subsequent ratification by the U.S. Senate has produced a wave of dissatisfaction, especially among Lyman's opposition and the military, who believe the Soviets cannot be trusted.

A Pentagon insider, United States Marine Corps Colonel "Jiggs" Casey (the Director of the Joint Staff), stumbles on evidence that the Joint Chiefs of Staff, led by the charismatic Air Force General James Mattoon Scott, intend to stage a coup d'etat to remove Lyman and his cabinet in seven days. Under the plan, a secret Army unit known as ECOMCON (Emergency COMmunications CONtrol) will seize control of the country's telephone, radio, and television networks, while Congress is prevented from implementing the treaty. Although personally opposed to Lyman's policies, Casey is appalled by the plot and alerts Lyman, who gathers a circle of trusted advisors to investigate: Secret Service White House Detail Chief Art Corwin, Treasury Secretary Christopher Todd, advisor Paul Girard, and Senator Raymond Clark of Georgia.

Casey uses the pretense of a social visit to General Scott's former mistress to ferret out potential secrets that can be used against Scott, in the form of indiscreet letters. Meanwhile, the alcoholic Clark is sent to Fort Bliss near El Paso, Texas, to locate the secret base, and Girard leaves for the Mediterranean to obtain a confession from Vice Admiral Barnswell, who declined to participate in the coup. Girard gets the confession in writing, but is killed when his return flight crashes, while Clark is taken captive when he reaches the secret base. However, Clark convinces the base's deputy commander, Colonel Henderson, a friend of Casey's and not party to the coup, to help him escape. They reach Washington, DC, but Henderson is abducted during a moment apart from Clark.

Lyman calls Scott to the White House to demand that he and the other plotters resign. Scott initially denies the existence of the plot, but then tacitly admits to it while denouncing the treaty. Lyman argues that a coup in America would prompt the Soviets to make a preemptive strike. Scott maintains that the American people are behind him. Lyman is on the verge of confronting Scott with the letters obtained from Scott's mistress when he decides against it and allows Scott to leave.

Scott meets the other three Joint Chiefs, demanding they stay in line and reminding them that Lyman does not seem to have concrete evidence of their plot. Somewhat reassured, the others agree to continue the plan to appear on television and radio simultaneously on the next day to denounce Lyman. However, Lyman first holds a press conference, at which he demands the men's resignations. As he is speaking, Barnswell's hand-written confession, recovered from the plane crash, is handed to him. Copies are given to Scott and the other plotters, who have no choice but to call off the coup. The film ends with an address by Lyman to American people on the country's future.

Unbilled speaking roles (in order of appearance)

  • Malcolm Atterbury (Horace, president's physician: "Why, in God's name, do we elect a man president and then try to see how fast we can kill him?")
  • Jack Mullaney ("All properly decoded in four point oh fashion and respectfully submitted by yours truly, Lieutenant junior grade, Dorsey Grayson.")
  • Charles Watts (Stu Dillard, Washington insider: "Oh, Senator, pardon me, come along, I want you to meet the wife of the Indian ambassador.")
  • John Larkin (Colonel John Broderick, one of the conspirators: "Well, well, well, if it isn't my favorite jarhead himself, Jiggs Casey.")
  • Colette Jackson (Girl speaking to Senator Clark in Charlie's Bar, near secret base in Texas: "You wonder what the country's comin' to. All those boys sittin' up in the desert never seein' no girls. Why, they might as well be in stir.")
  • John Houseman (Vice Admiral Farley C. Barnswell, declined conspirator: "I'm sorry, sir. I can only recount to you the situation as it occurred. I signed no paper. He took nothing with him.")
  • Rodolfo Hoyos Jr. (Captain Ortega, commander at airplane crash site in Spain: "There were only two American nationals on board — a Mrs. Agnes Buchanan from Philadelphia, Pennsylvania and a Mister Paul Girard. His destination was Washington.")
  • Fredd Wayne (Henry Whitney, official from the American embassy in Spain: "You find any effects of the Americans? Anything at all?")
  • Tyler McVey (General Hardesty, another conspirator: "Barney Rutkowski, Air Defense. He's screaming bloody murder about those twelve troop carriers dispatched to El Paso.")
  • Ferris Webster (General Barney Rutkowski: "There's some kind of a secret base out there, Mr. President, and I think I should have been notified of it.")

Character names

Other than the billing, "Also starring Ava Gardner as Eleanor Holbrook" (Scott's mistress), none of the other characters are identified by name in the credits, thus although Kirk Douglas' "Jiggs Casey" and Andrew Duggan's "Mutt Henderson" are described in the book as having the given names of "Martin" and "William", respectively, those names are never mentioned in the film. Also, while Rod Serling's screenplay names the head of the White House Secret Service as "Art Corwin", in the film he is only referred to as "Art" or "Arthur". The surname "Corwin" was a tribute to the radio drama writer Serling described as his idol, Norman Corwin, while the given name "Art" was a nod to Serling's personal favorite, Art Carney, who played a fictionalized version of Serling in Serling's autobiographical 1959 Playhouse 90 drama, "The Velvet Alley", as well as the reincarnated Santa Claus, "Henry Corwin", in "The Night of the Meek", Serling's 1960 Christmas episode of The Twilight Zone.

Cast members whose participation has been noted in various sources

  • At the 35th Academy Awards on April 8, 1963, while Seven Days in May was still in its pre-production and casting stages, What Ever Happened to Baby Jane?'s Victor Buono was one of the four unsuccessful nominees vying for Best Supporting Actor. His name appears on a list of actors engaged for the production, but there is no confirmation of his actual participation in the filming.
  • On September 17, 1963, as Seven Days in May was in initial production days, ABC showcased the premiere episode of its new TV series, The Fugitive, which prominently featured one-armed bit player Bill Raisch in the iconic, non-speaking, intermittent role of the killer. He is also listed among those who were scheduled to play a part in the filming, but whether he ultimately did has not been confirmed. Raisch was previously used by Kirk Douglas for a notorious scene in his 1960 film epic Spartacus in which, playing a Roman soldier, Raisch had a specially-fitted prosthetic arm chopped off in battle. Douglas engaged him again for a dramatic fight scene in his 1962 modern-day western Lonely Are the Brave.
  • Although he cannot be discerned in the release version of Seven Days in May, minor supporting actor Leonard Nimoy, who gained stardom three years later, in 1966, as Star Trek's Mr. Spock, likewise appears in the production company's casting list among the unbilled actors whose services were retained for this film.

Kirk Douglas and director John Frankenheimer were the moving forces behind the filming of Seven Days in May; the film was produced by Edward Lewis through Douglas's company Joel Productions and Seven Arts Productions. Frankenheimer wanted the screenwriter to be a partner in the production, and Rod Serling agreed to this arrangement. Douglas agreed to star in it, but he also wanted his frequent co-star Burt Lancaster to star in the film as well. Douglas enticed Lancaster to join the film by offering him the meatier role of General Scott, the film's villain, while Douglas agreed to take the role of Scott's assistant. Lancaster's involvement almost caused Frankenheimer to back out, since he and Lancaster had butted heads on Birdman of Alcatraz two years earlier. Only Douglas's assurances that Lancaster would behave kept the director on the project. Ironically, Lancaster and Frankenheimer got along well during the filming, while Douglas and the director had a falling-out. Frankenheimer was also very happy with Lancaster's performance, and noted in the long scene toward the end between Lancaster and March, probably his all-time favourite directed scene, that Lancaster was "perfect" in his delivery and that no other actor could have done it better. Most of the actors in the film Frankenheimer had worked with previously, a directorial preference. Frankenheimer, in the DVD commentary for the film, stated that he would not have made the movie any differently decades later and that it was one of the films he was most satisfied with. He saw it as a chance to "put a nail in the coffin of McCarthy".

Many of Lancaster's scenes were shot later on as he was recovering from hepatitis. The filming took 51 days and according to the di

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