Sense And Sensibility Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

On his deathbed, Mr. Dashwood tells his son from his first marriage, John, to take care of his second wife and three daughters, Elinor, Marianne, and Margaret, since they will inherit nothing. John promises to do so. John's greedy and snobbish wife Fanny convinces him to give his half sisters nothing financially; John and Fanny immediately install themselves in the large house, forcing the Dashwood ladies to look for a new home.

Fanny invites her brother Edward Ferrars to stay with them. Elinor and Edward soon form a close friendship, but Fanny tells Mrs. Dashwood that Edward would be disinherited if he married someone of no importance with no money.

Sir John Middleton, Mrs. Dashwood's cousin, offers her a small cottage house on his estate, Barton Park in Devonshire. She and her daughters move in and are frequent guests at Barton Park. The Dashwoods meet the older Colonel Brandon, who falls in love with Marianne at first sight. However, Marianne considers him incapable of feeling love or inspiring it in another.

One afternoon, Marianne takes a walk with Margaret and slips and falls in the rain. She is carried home by the dashing John Willoughby, with whom Marianne falls in love. They spend a great deal of time together, but on the morning she expects him to propose marriage to her, he instead leaves hurriedly for London.

Sir John's mother-in-law, Mrs. Jennings, invites her daughter and son-in-law, Mr. and Mrs. Palmer, to visit. They bring with them Lucy Steele. Lucy confides in Elinor that she and Edward have been engaged secretly for five years.

Mrs. Jennings takes Lucy, Elinor, and Marianne to London where they meet Willoughby at a ball. He greets Marianne uncomfortably and barely acknowledges their acquaintance, and they soon learn he is engaged to the extremely wealthy Miss Grey. Marianne becomes inconsolable. Colonel Brandon later explains to Elinor that Willoughby seduced and abandoned his ward Beth, the illegitimate daughter of his former love. When Willoughby's aunt and benefactress Lady Allen learned of his behavior, she disinherited him and so he chose to marry for money.

Lucy is invited to stay with John and Fanny. Lucy, believing she has a friend in Fanny, confides her clandestine engagement to Edward and is thrown out of the house. Edward's mother demands that he break off the engagement. When he refuses, she arranges to have his fortune transferred to his younger brother, Robert. On hearing this, Colonel Brandon offers Edward the parish on his estate, feeling sympathy for the unfortunate but honorable Edward.

On their way home to Devonshire, Elinor and Marianne stop for the night at the country estate of the Palmers, who live near Willoughby's estate. Marianne cannot resist going to see the estate and becomes gravely ill walking in torrential rain. Colonel Brandon finds her in the rain and brings her home. Elinor stays at her side until she recovers, and the sisters return home. Colonel Brandon and Marianne begin spending time together as Marianne has a new appreciation for him. She admits to Elinor that even if Willoughby had chosen her, she was no longer convinced that love would have been enough to make him happy.

The Dashwoods soon learn that Miss Steele has become Mrs. Ferrars and assume she is married to Edward. Later when Edward visits their house, they learn that Miss Steele jilted him in favor of his brother Robert. Edward proposes to and marries Elinor. Edward becomes a vicar under the patronage of Colonel Brandon, whom Marianne marries. Willoughby is seen watching their wedding from a distance, and then rides away.

Conception and adaptation

In 1989, Lindsay Doran, the new president of production company Mirage Enterprises, was on a company retreat brainstorming potential film ideas when she suggested the Jane Austen novel Sense and Sensibility to her colleagues. It had been adapted three times, most recently in a 1981 television serial. Doran was a longtime fan of the novel, and had vowed in her youth to adapt it if she ever entered the film industry. She chose to adapt this particular Austen work because there were two female leads. Doran stated that "all of books are funny and emotional, but Sense and Sensibility is the best movie story because it's full of twists and turns. Just when you think you know what's going on, everything is different. It's got real suspense, but it's not a thriller. Irresistible." She also praised the novel for possessing "wonderful characters ... three strong love stories, surprising plot twists, good jokes, relevant themes, and a heart-stopping ending."

Prior to being hired at Mirage, the producer had spent years looking for a suitable screenwriter – someone who was "equally strong in the areas of satire and romance" and could think in Austen's language "almost as naturally as he or she could think in the language of the twentieth century." Doran read screenplays by English and American writers until she came across a series of comedic skits, often in period settings, that actress Emma Thompson had written. Doran believed the humour and style of writing was "exactly what been searching for." Thompson and Doran were already working together on Mirage's 1991 film Dead Again. A week after its completion, the producer selected Thompson to adapt Sense and Sensibility, although she knew that Thompson had never written a screenplay. Also a fan of Austen, Thompson first suggested they adapt Persuasion or Emma before agreeing to Doran's proposal. The actress found that Sense and Sensibility contained more action than she had remembered, and decided it would translate well to drama.

Thompson spent five years writing and revising the screenplay, both during and between shooting other films. Believing the novel's language to be "far more arcane than in later books," Thompson sought to simplify the dialogue while retaining the "elegance and wit of the original." She observed that in a screenwriting process, a first draft often had "a lot of good stuff in it" but needed to be edited, and second drafts would "almost certainly be rubbish ... because you get into a panic." Thompson credits Doran for "help me, nourish me and mentor me through that process ... I learned about screenwriting at her feet."

Thompson's first draft was more than three hundred handwritten pages, which required her to reduce it to a more manageable length. She found the romances to be the most difficult to "juggle", and her draft received some criticism for the way it presented Willoughby and Edward. Doran later recalled the work was criticized for not getting underway until Willoughby's arrival, with Edward sidelined as backstory. Thompson and Doran quickly realised that "if we didn't meet Edward and do the work and take that twenty minutes to set up those people ... then it wasn't going to work." At the same time, Thompson wished to avoid depicting "a couple of women waiting around for men"; gradually her screenplay focused as much on the Dashwood sisters' relationship with each other as it did with their romantic interests.

With the draft screenplay, Doran pitched the idea to various studios in order to finance the film, but found that many were wary of the beginner Thompson as the screenwriter. She was considered a risk, as her experience was as an actress who had never written a film script. Columbia Pictures executive Amy Pascal supported Thompson's work, and agreed to sign as the producer and distributor.

As Thompson mentioned on the BBC program QI in 2009, at one point in the writing process a laptop failure almost lost the entire work. In panic Thompson called fellow actor and close friend Stephen Fry, the host of QI and a self-professed "geek". After seven hours, Fry was able to recover the documents from the device.

Lee's hire

Taiwanese director Ang Lee was hired as a result of his work in the 1993 family comedy film The Wedding Banquet, which he co-wrote, produced, and directed. He was not familiar with Jane Austen. Doran felt that Lee's films, which depicted complex family relationships amidst a social comedy context, were a good fit with Austen's storylines. She recalled, "The idea of a foreign director was intellectually appealing even though it was very scary to have someone who didn't have English as his first language." The producer sent Lee a copy of Thompson's script, to which he replied that he was "cautiously interested". Fifteen directors were interviewed, but according to Doran, Lee was one of the few who recognised Austen's humour; he told them he wanted the film to "break people's hearts so badly that they'll still be recovering from it two months later."