Rushmore Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Max Fischer (Schwartzman), an eccentric 15-year-old, is a scholarship student at Rushmore Academy, a private school in Houston. He is both Rushmore's most extracurricularly active and least scholarly student. He spends nearly all of his time on elaborate extracurricular activities, dramatically affecting his grades. He also has a feud with the school's headmaster, Dr. Guggenheim.

At a school assembly, Max meets Herman Blume (Murray), a disillusioned industrialist who finds his operation of a multimillion-dollar company to be tedious. He is upset that his marriage is failing and the two sons he's putting through Rushmore are impolite and obnoxious brats spoiled by their mother. Herman comes to like Max, and the two become good friends. Max is impressed by Herman's success, while Herman is interested in Max's confident persona.

Max also develops an obsession with Rosemary Cross (Williams), a widowed teacher who arrives at Rushmore as a new first grade instructor. She joined Rushmore after the death of her husband, who was a former student. While she initially tolerates Max and his attempts to pursue her, Rosemary becomes increasingly worried by his obvious infatuation. Along the way, Blume attempts to convince Max that Rosemary is not worth the trouble, only to fall for Rosemary himself. The two begin dating without Max's knowledge.

After Max attempts to break ground on an aquarium without the school's approval, he is expelled from Rushmore. He is then forced to enroll in his first public school, Grover Cleveland High. Max's attempts to engage in outside activities at his new school have mixed results. A fellow student, Margaret Yang, tries to befriend Max, but he acts hostile towards her. Rosemary and Blume attempt to support him in his new school.

Eventually, Max's friend Dirk discovers the relationship between Rosemary and Blume and informs Max as payback for a rumor Max started about his mother. Max and Blume go from being friends to mortal enemies, and they engage in back-and-forth acts of revenge. Max informs Blume's wife of her husband's affair, thus ending their marriage. Max then puts bees in Blume's hotel room, leading to Blume breaking Max's bicycle with his car. Max is eventually arrested for cutting the brakes on Blume's car.

Max eventually gives up and meets Blume at his mother's grave. He explains that revenge no longer matters because even if he wins, Rosemary would still love Blume. Max becomes depressed and stops attending school. He becomes reclusive and works as an apprentice at his father's barber shop. One day, Dirk stops by the shop to apologize to Max and bring him a Christmas present. Dirk suggests Max see his old headmaster in the hospital, knowing Blume will be there. Max and Blume meet and are courteous. Blume tells Max that Rosemary broke up with him due to her still being in love with her dead husband. Max begins to apply himself in school again, and he also develops a friendship with Margaret, whom he casts in one of his plays.

Max takes his final shot at Rosemary by pretending to be injured in a car accident, soliciting her affection. When she discovers that Max's injuries are fake, he is rebuffed again. Max makes it his new mission to win Rosemary back for Blume. His first attempt is unsuccessful, but then he invites both Herman and Rosemary to the performance of a play he wrote, making sure they will be sitting together. In the end, she and Blume appear to reconcile. Max and Margaret also become a couple.

• Jason Schwartzman as Max Fischer
• Bill Murray as Herman Blume
• Olivia Williams as Rosemary Cross
• Seymour Cassel as Bert Fischer
• Brian Cox as Dr. Nelson Guggenheim
• Mason Gamble as Dirk Calloway
• Sara Tanaka as Margaret Yang
• Connie Nielsen as Mrs. Calloway
• Luke Wilson as Dr. Peter Flynn
• Stephen McCole as Magnus Buchan
• Kumar Pallana as Mr. Littlejeans
• Alexis Bledel as Student

With Rushmore, Wes Anderson and Owen Wilson wanted to create their own "slightly heightened reality, like a Roald Dahl children's book". Like Max Fischer, Wilson was expelled from his prep school, St. Mark's School of Texas, in the tenth grade, while Anderson shared Max's ambition, lack of academic motivation, and had a crush on an older woman. Anderson and Wilson began writing the screenplay for Rushmore years before they made Bottle Rocket. They knew that they wanted to make a film set in an elite prep school, much like St. Mark's, which Owen had attended along with his two brothers, Andrew and Luke (Luke being the sole graduate), and St. John's School in Houston, Texas which Anderson had attended. The film also featured M. B. Lamar High School. According to the director, "One of the things that was most appealing to us was the initial idea of a 15-year-old kid and a 50-year-old man becoming friends and equals". Rushmore was originally going to be made for New Line Cinema but when they could not agree on a budget, Anderson, Wilson and producer Barry Mendel held an auction for the film rights in mid-1997 and struck a deal with Joe Roth, then-chair of Walt Disney Studios. He offered them a $10 million budget.

Casting

Anderson and Wilson wrote the role of Mr. Blume with Bill Murray in mind but doubted they could get the script to him. Murray's agent was a fan of Anderson's first film, Bottle Rocket, and urged the actor to read the script for Rushmore. Murray liked it so much that he agreed to work for scale, which Anderson estimated to be around $9,000. The actor was drawn to Anderson and Wilson's "precise" writing and felt that a lot of the film was about "the struggle to retain civility and kindness in the face of extraordinary pain. And I've felt a lot of that in my life". Anderson created detailed storyboards for each scene but was open to Murray's knack for improvisation.

Cast directors considered 1,800 teenagers from the United States, Canada, and Britain for the role of Max Fischer before finding Jason Schwartzman. In October 1997, approximately a month before principal photography was to begin, a casting director for the film met the 17-year-old actor at a party thanks to Schwartzman's cousin, filmmaker Sofia Coppola. He came to his audition wearing a prep-school blazer and a Rushmore patch he had made himself. Anderson almost did not make the film when he could not find an actor to play Max but felt that Schwartzman "could retain audience loyalty despite doing all the crummy things Max had to do". Anderson originally pictured Max, physically, as Mick Jagger at age 15, to be played by an actor like Noah Taylor in the Australian film Flirting - "a pale, skinny kid". When Anderson met Schwartzman, he reminded Anderson much more of Dustin Hoffman and decided to go that way with the character. Anderson and the actor spent weeks together talking about the character, working on hand gestures and body language.

Principal photography

Filming began in November 1997. On the first day of principal photography, Anderson delivered his directions to Murray in a whisper so that he would not be embarrassed if the actor shot him down. However, the actor publicly deferred to Anderson, hauled equipment, and when Disney denied the director a $75,000 shot of Max and Mr. Blume riding in a helicopter, Murray gave Anderson a blank check to cover the cost, although ultimately the scene was never shot.

At one point, Anderson toyed with the idea of shooting the private school scenes in England and the public school scenes in Detroit in order to "get the most extreme variation possible," according to the director. Instead, the film was shot in and around Houston, Texas where Anderson grew up. His high school alma mater, St. John's School, was used for the picturesque setting of Rushmore Academy. Lamar High School in Houston was used to depict Grover Cleveland High School, the public school. In real life, the two schools are across the street from each other. Richard Connelly of the Houston Press said that the Lamar building "was ghetto'd up to look like a dilapidated inner-city school." Many scenes were also filmed at North Shore High School. The film's widescreen, slightly theatrical look was influenced by Roman Polanski's Chinatown. Anderson also cites The Graduate and Harold and Maude as cinematic influences on Rushmore.

Cinematography

Rushmore uses the unique style of cinematography that Wes Anderson has become well known for. The film has a singular sense of colour, focusing mainly on blues, greens, and reds in order to create a heightened reality. The montage sequence near the beginning of the film is strongly influenced by the rapid transitions used by French New Wave filmmakers. The shot of Max in the go-cart also resembles a photograph by Jacques Henri Lartigue. This montage sequence was almost cancelled by Disney executives as it was not believed that these short singular shots were required in regard to the budget and time frame the film was restricted by. Therefore, the sequence was shot quickly whenever the crew were at a suitable location.

Anderson has come to be known as an auteur for this distinct style and frequent collaborations with the same actors and production members. Devin Orgeron claims that Anderson’s auteurship is interesting in his consistent "cinematic and extracinematic confrontation with the very question of auteurship". In Anderson's films, and especially Rushmore, the protagonist is a "flawed but ultimately redeemable" auteur. However, in both the protagonists' and Anderson's ties to their communities, an idea of "collective auteurship" is proffered.

In the film, Anderson frequently employs the visual device of a stage, or stage curtains, to present the action. Rachel Joseph speculates that there is a link between these "screened stages" and the theme of mourning, for this "framed theatricality ... parallels the grieving process of reenacting and repeating the traumatic". She also draws a connection between this style of presentation and the "cinema of attractions" that Tom Gunning theorised.

Wes Anderson originally intended for the film's soundtrack to be entirely made up of songs by The Kinks, feeling the music suited Max's loud and angry nature, and because Max was initially envisioned to be a British exchange student. However, while Anderson listened to a compilation of other British Invasion songs on the set, the soundtrack gradually evo