Road To Bali full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

George (Bing Crosby) and Harold (Bob Hope), American song-and-dance men performing in Melbourne, Australia, leave in a hurry to avoid various marriage proposals. They end up in Darwin, where they take jobs as deep sea divers for a prince. They are taken by boat to an idyllic island on the way to Bali, Indonesia. They vie for the favors of exotic (and half-Scottish) Princess Lala (Dorothy Lamour), a cousin of the Prince (Murvyn Vye). A hazardous dive produces a chest of priceless jewels, which the Prince plans to claim as his own.

After escaping from the Prince and his henchmen, the three are shipwrecked and washed up on another island. Lala is now in love with both of the boys and can't decide which to choose. However, once the natives find them, she learns that in their society, a woman may take multiple husbands, and declares she will marry them both. While the boys are prepared for the ceremony, both thinking the other man lost, plans are changed. She's being unwillingly wed to the already much-married King (Leon Askin), while the boys end up married to each other.

Displeased with the arrangement, a volcano god initiates a massive eruption. After fleeing, the three end up on yet another beach where Lala chooses George over Harold. An undaunted Harold conjures up Jane Russell from a basket by playing a flute. Alas, she, too, rejects Harold, which means George walks off with both Lala and Jane. A lonesome Harold is left on the beach, demanding that the film shouldn't finish and asking the audience to stick around to see what's going to happen next.

• Bing Crosby as George Cochran
• Bob Hope as Harold Gridley
• Dorothy Lamour as Princess Lala McTavish
• Murvyn Vye as Prince Ken Arok
• Peter Coe as Gung
• Ralph Moody as Bhoma Da
• Leon Askin as King Ramayana
• Carolyn Jones as Eunice
• Michael Ansara as Guard
• Harry Cording as Verna's father

Cameo appearances

Among the celebrities who made token "gag" appearances in this film are bandleader Bob Crosby (Bing's brother), Humphrey Bogart, by way of a clip from The African Queen, Jerry Lewis, Dean Martin, and Jane Russell, as her character from the 1952 film Son of Paleface. The cameo by Martin and Lewis was part of a 'comedy trade' whereby they made an appearance in this movie while Hope and Crosby appeared in Martin and Lewis's Scared Stiff the following year. Martin and Lewis also made films for Paramount at the time.

Development

Road to Bali was the first Road to... picture since 1947's Road to Rio, and was known during production as The Road to Hollywood. It was the sixth film in the series, the next to last, as well as the final Road film in which Dorothy Lamour's role would be the female lead. Nine years later, The Road to Hong Kong instead featured Joan Collins, with a cameo by Lamour. Filming started on April 21, 1952 and continued until July of the same year.

Road to Bali was a co-production of Bing Crosby Enterprises, Hope Enterprises and Paramount.

Filming

The giant squid that threatens Bob Hope in an underwater scene was previously seen attacking Ray Milland in the Paramount production Reap the Wild Wind (1942), directed by Cecil B. DeMille. The erupting volcano climax was taken directly from the Paramount production Aloma of the South Seas (1941), also starring Lamour.

Writing

In keeping with the film's initial setting of Melbourne, Australia, many of the jokes contain references to Argyle socks, Australian opera singer Dame Nellie Melba, Tasmanian-born Errol Flynn, and a dance routine featuring Scottish bagpipes.

As with the other Road movies, Bob Hope breaks the "fourth wall" several times to make side comments to the audience. For example, as the music for a song sung by Bing Crosby begins, Hope looks to the camera and says, "He's gonna sing, folks. Now's the time to go out and get the popcorn."

Crosby breaks the fourth wall after Hope "notices" the audience is paying attention when he's about to tell Crosby how he escaped from the giant squid. Hope and Crosby walk away from the camera and Hope tells his story in exaggerated pantomime (out of earshot). Crosby then walks back toward the audience and shrugs at the camera, indicating Hope's description was indecipherable.

Sets

Hope Enterprises owned one-third of the film and Bob Hope wrote about this in his book This Is on Me. "There are other pleasant things about owning part of a picture. In the Road to Bali there was a beach scene for which tons of beautiful white sand had been trucked in from Pebble Beach. I had just put in a one-hole golf course at my house on Moorpark Street in North Hollywood. I had four sand traps standing empty, with nothing in them in which my friends could leave their hoof prints. When I saw that sand a light switched on in my head. “We own two-thirds of this sand, don’t we?” I asked. “Sure,” Bing said. “Why?” “Well,” I replied, “I’d like some of it for my course at home.” When he said, “Why not?” I called the prop man and said, “Take ten truck-loads of this sand out to my house when we’re done with it.” “No dice,” he said. “This is Paramount’s sand.” Bing and I had another talk with the boys in the front office. As a result, part of the Road to Bali is in my back yard.

The New York premiere of the film took place at the Astor Theatre on January 29, 1953.

Bosley Crowther of The New York Times was very enthusiastic in his review of January 30, 1953. "...it is apparent that this veteran and camera-scarred team is the neatest, smoothest combo of comics now working the fun side of the screen. Apart, they may be very funny or clever or quaint or what you will, according to where you are sitting and what sort of picture they’re in. But together, and in a “Road” picture, with the consequent freedom of style and reckless impulse that goes with it, they are pretty nigh nonpareil. At least, that’s the word of this reviewer who spent a small part of yesterday falling out of a seat at the Astor while desperately clutching his sides. The reason? Quite simply, “Road to Bali” is a whoopingly hilarious film, full of pure crazy situations and deliciously discourteous gags, all played with evident relish and split-second timing by the team."

Variety was more cautious having seen a preview and their comments may have resulted in the removal of a couple of scenes. "Bing Crosby, Bob Hope and Dorothy Lamour are back again in another of Paramount’s highway sagas, this time in Technicolor, with nonsensical amusement it’s only destination. That end is reached eventually, but the road isn’t a smooth highway and the entertainment occasionally falters. Overall, however, it serves its intended purpose satisfactorily and the grossing prospects are okay...Hal Walker’s direction