Richard III is a 1955 British Technicolor film adaptation of William Shakespeare's historical play of the same name, also incorporating elements from his Henry VI, Part 3. It was directed and produced by Sir Laurence Olivier, who also played the lead role. Featuring many noted Shakespearean actors, including a quartet of actors who later became knights, the film depicts Richard plotting and conspiring to grasp the throne from his brother King Edward IV, played by Sir Cedric Hardwicke. In the process, many are killed and betrayed, with Richard's evil leading to his own downfall. The prologue of the film states that history without its legends would be "a dry matter indeed", implicitly admitting to the artistic licence that Shakespeare applied to the events of the time.
Richard III | |
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Theatrical re-release poster | |
Directed by | Laurence Olivier |
Produced by | Laurence Olivier Alexander Korda (uncredited) |
Written by | Laurence Olivier (uncredited) |
Based on | Richard III by William Shakespeare and stage adaptations by Colley Cibber and David Garrick |
Starring | Laurence Olivier Ralph Richardson Claire Bloom Cedric Hardwicke John Gielgud Laurence Naismith Norman Wooland |
Music by | William Walton |
Cinematography | Otto Heller |
Edited by | Helga Cranston |
Distributed by | London Films |
Release date |
|
Running time | 161 minutes |
Country | United Kingdom |
Language | English |
Budget | £6 million |
Box office | US$2.6 million (USA) £400,000 (GB) |
Of the three Shakespearean films directed by Olivier, Richard III received the least critical praise at the time, although it was still acclaimed. It was the only one not to be nominated for Best Picture at the Academy Awards, though Olivier's acting performance was nominated. The film gained popularity in the USA through a 1966 re-release, which broke box office records in many US cities. Many critics now consider Olivier's Richard III his best screen adaptation of Shakespeare. The British Film Institute has pointed out that, given the enormous TV audience it received when shown in the United States on NBC, Sunday afternoon, March 11, 1956, the film "may have done more to popularise Shakespeare than any other single work".
Screenplay
King Edward IV of England (Sir Cedric Hardwicke) has been placed on the throne with the help of his brother, Richard, Duke of Gloucester (Sir Laurence Olivier). After Edward's coronation in the Great Hall, with his brothers George and Richard watching, he leaves with his wife and sons. Richard contemplates the throne, before advancing towards the audience and then addressing them, delivering a speech that outlines his physical deformities, including a hunched back and a withered arm. He goes on to describe his jealousy over his brother's rise to power in contrast to his lowly position.
He dedicates himself to task and plans to frame his brother, George, Duke of Clarence (Sir John Gielgud), for conspiring to kill the King, and to have George sent to the Tower of London, by claiming George will murder Edward's heirs. He then tells his brother he will help him get out. Having confused and deceived the King, Richard proceeds with his plans after getting a warrant, and enlists two ruffians (Michael Gough and Michael Ripper) to carry out his dirty work: George is murdered, drowned in a butt of wine. Though Edward had sent a pardon to Richard, Richard stopped it passing. Richard goes on to woo and seduce the Lady Anne (Claire Bloom), and though she hates him for killing her husband and father, she cannot resist and ends up marrying him.
Richard then orchestrates disorder in the court, fueling rivalries, and setting the court against the Queen consort, Elizabeth (Mary Kerridge). The King, weakened by exhaustion, appoints his brother, Richard, as Lord Protector, and dies soon after hearing of the death of George. Edward's son, soon to become Edward V (Paul Huson), is met by Richard whilst en route to London. Richard has the Lord Chamberlain, Lord Hastings (Alec Clunes) arrested and executed, and forces the young King, along with his younger brother the Duke of York (Andy Shine), to have a protracted stay at the Tower of London.
With all obstacles now removed, Richard enlists the help of his cousin the Duke of Buckingham (Sir Ralph Richardson) to alter his public image, and to become popular with the people. In doing so, Richard becomes the people's first choice to become the new King.
Buckingham had aided Richard on terms of being given the title of Earl of Hereford and its income, but balks at the idea of murdering the two princes. Richard then asks a minor knight, Sir James Tyrrel (Patrick Troughton), eager for advancement, to have young Edward and the Duke of York killed in the Tower of London. Buckingham, having requested his earldom at Richard's coronation, fears for his life when Richard (angry at Buckingham for not killing the princes) shouts "I am not in the giving vein today!" Buckingham then joins the opposition against Richard's rule.
Richard, now fearful because of his dwindling popularity, raises an army to defend his throne and the House of York against the House of Lancaster, led by the Earl of Richmond Henry VII of England (Sir Stanley Baker), at Bosworth Field. Before the battle, however, Buckingham is captured and executed.
On the eve of the battle, Richard is haunted by the ghosts of all those he has killed in his bloody ascent to the throne, and he wakes up screaming. Richard composes himself, striding out to plan the battle for his generals, and gives a motivational speech to his troops.
The two forces engage in battle, with the Lancastarians having the upper hand. Lord Stanley (Laurence Naismith), whose loyalties had been questionable for some time, betrays Richard, and allies himself with Henry. Richard sees this and charges into the thick of battle, side-by-side with his loyal companion Sir William Catesby (Norman Wooland) to kill Richmond and end the battle quickly. Eventually Richard spots Richmond and they briefly engage in a duel before being interrupted by Stanley's men. Richard and Catesby are able to escape the oncoming forces, but, in doing so, Richard is knocked off his horse, loses his cherished crown, and becomes separated from Catesby, who is off seeking rescue. Searching desperately for Richmond, whom he has lost sight of, Richard cries out: "A horse! A horse! My kingdom for a horse!" Catesby finds the king and offers him withdrawal, but Richard refuses to flee. Catesby is then killed by Richmond's men without Richard noticing. Richard then spots Lord Stanley, and engages him in single combat. Before a victor can emerge, the Lancastarian troops charge Richard, and fatally wound him. The wounded murderous king convulses in spasms, offering his sword to the sky, and eventually dies of his wounds. Stanley orders Richard's body to be taken away and then finds Richard's crown in a thorn bush. He then proceeds to offer it to Henry, leaving the crown of England in safe hands once again.
Olivier cast only British actors. Since the film was financed by Alexander Korda and produced by his London Films, obtaining the required actors was not difficult, as many actors were contractually obliged to London Films. As with most films with ensemble casts, all the players were billed on the same tier. However, Olivier played the title character and occupies the majority of screen time.
When casting the supporting roles, Olivier chose to fortify the already impressive cast with seasoned veterans, such as Laurence Naismith, and with promising newcomers, such as Claire Bloom and Stanley Baker. For the murderers, Olivier originally wanted John Mills and Richard Attenborough. However, Mills thought the idea might be regarded as "stunt casting", and Attenborough had to pull out because of a scheduling conflict. The film's marketers in the US picked up on the fact that the cast included four knights (Olivier, Richardson, Gielgud and Hardwicke) and used this as a selling point. The four members of the cast who had already achieved British knighthood were all listed as "Sir...." in the film credits.
The House of York
- Sir Laurence Olivier as Richard, Duke of Gloucester (later King Richard III), the malformed brother of the King, who is jealous of his brother's new power, and plans to take it for himself. Olivier had created his interpretation of the Crookback King in 1944, and this film transferred that portrayal to the screen. This portrayal earned Olivier his fifth Oscar nomination, and is generally considered to be one of his greatest performances; some consider it his best performance in a Shakespeare play.
- Sir Cedric Hardwicke as King Edward IV of England, the newly crowned King of England, who, with the aid of his brother, Richard, has secured his position by wresting it from Henry VI of the House of Lancaster. This marked his only appearance in a film version of a Shakespeare play. He was 62 at the time of the film, whereas Edward died at the age of 40.
- Sir John Gielgud as George, Duke of Clarence, brother of Richard and of the new King. Gielgud's standing as the great stage Shakespearean of the decades immediately preceding Olivier's career was a cause of a certain enmity on the part of Olivier, and it was known that he disapproved of Gielgud's "singing" the verse (i.e. reciting it in an affected style that resembles singing). Gielgud's casting in this film can be seen as a combination of Olivier's quest for an all-star cast, and the fact that Olivier had rejected Gielgud's request to play the Chorus in Olivier's 1944 adaptation of Henry V.
- Sir Ralph Richardson as the Duke of Buckingham, a corrupt official, who sees potential for advancement in Richard's plans and eventually turns against him when Richard ignores his wishes. Richardson was a lifelong friend of Olivier's. At first, Olivier wanted Orson Welles as Buckingham, but felt an obligation towards his longtime friend. (Olivier later regretted this choice, as he felt that Welles would have added an element of conspiracy to the film.)
- Paul Huson as Edward, Prince of Wales (later, for a brief while, King Edward V), the eldest son of the King, who holds many strong beliefs, and wishes one day to become a Warrior King.
- Andy Shine as the Duke of York, the younger son of Prince Edward.
- Helen Haye as the Duchess of York, the mother of the King. Haye worked regularly for Alexander Korda. Her character's role is severely cut in the film from the play.
- Pamela Brown as Mistress Shore, the King's mistress. Her character is only mentioned in Shakespeare's play, never seen.
- Alec Clunes as The Lord Hastings (Lord Chamberlain), a companion and friend of Richard who is accused of conspiracy by Richard and is abruptly executed.
- Laurence Naismith as The Lord Stanley. Stanley has a certain dislike for Richard and is not totally willing in his co-operation with him. Stanley eventually betrays Richard at Bosworth and engages him in a one-on-one duel.
- Norman Wooland as Sir William Catesby, Esmond Knight as Sir Richard Ratcliffe, John Laurie as Lord Francis Lovell, Patrick Troughton as Sir James Tyrrell, and John Phillips as John, Duke of Norfolk, all loyal companions of Richard.
The House of Lancaster
- Mary Kerridge as Queen Elizabeth, Queen Consort of Edward. Kerridge did not make many screen appearances, though she did sometimes work for Alexander Korda. Her role has also been reduced from Shakespeare's original.
- Clive Morton as The Lord Rivers, brother of the Queen Consort. Morton was a British actor who mainly played supporting roles on screen.
- Dan Cunningham as The Lord Grey, youngest son of the Queen Consort and stepson of the King. Cunningham's role in Richard III was one of his few screen appearances.
- Douglas Wilmer as the Marquess of Dorset, eldest son of the Queen Consort and stepson of the King.
- Claire Bloom as The Lady Anne, a widow and an orphan thanks to the acts of Richard, though she cannot resist his charms and eventually becomes his wife.
- Stanley Baker, appropriately cast as the young Welshman, Henry, Earl of Richmond (later Henry VII, first of the House of Tudor). Henry, who is Richard's enemy, and Lord Stanley's stepson, claims his right to the throne, and briefly duels Richard at Bosworth.
Background
Of Olivier's three Shakespeare films, Richard III had the longest gestation period: Olivier had created and been developing his vision of the character Richard since his portrayal for the Old Vic Theatre in 1944. After he had made Shakespeare films popular with Henry V and Hamlet, the choice of Richard III for his next adaptation was simple, as his Richard had been widely praised on stage. For the stage production, Olivier had modelled some of the crookback king's look on a well-known theatrical producer at the time, Jed Harris, whom Olivier called "the most loathsome man I'd ever met". Years later Olivier discovered that Walt Disney had also used Harris as his basis for the Big Bad Wolf in the film The Three Little Pigs. Alexander Korda, who had given Olivier his initial roles on film, provided financial support for the film.
Screenplay
Most of the dialogue is taken straight from the play, but Olivier also drew on the 18th century adaptations by Colley Cibber and David Garrick, including Cibber's line, "Off with his head. So much for Buckingham!". Like Cibber and Garrick, Olivier's film opens with material from the last scenes of Henry VI, Part III, to introduce more clearly the situation at the beginning of the story.
A key change in the story involved the seduction of Anne. It is split into two scenes instead of one, and an element of perversity is added—whereas in the original play she is following a coffin with the corpse of her father-in-law, in this film the coffin contains the corpse of her husband. John Cottrell has been quoted as saying this makes "the young widow's seduction even more daring and revolting than it is in the original, and Anne's capitulation" in the second part after a passionate kiss "a new and neurotic twist". This is accomplished by cutting lines, changing lines, and changing the sequence of some lines.
Olivier makes other small and subtle additions in the stage directi
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