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Requiem for a Dream is a 2000 American psychological drama film directed by Darren Aronofsky and starring Ellen Burstyn, Jared Leto, Jennifer Connelly, and Marlon Wayans. The film is based on the novel of the same name by Hubert Selby, Jr., with whom Aronofsky wrote the screenplay.

Requiem for a Dream
Theatrical release poster
Directed byDarren Aronofsky
Produced by
  • Eric Watson
  • Palmer West
Screenplay by
  • Hubert Selby, Jr.
  • Darren Aronofsky
Based onRequiem for a Dream
by Hubert Selby, Jr.
Starring
  • Ellen Burstyn
  • Jared Leto
  • Jennifer Connelly
  • Marlon Wayans
Music byClint Mansell
CinematographyMatthew Libatique
Edited byJay Rabinowitz
Production
company
  • Thousand Words
  • Protozoa Pictures
Distributed byArtisan Entertainment
Release date
  • May 14, 2000 (2000-05-14) (Cannes)
  • October 27, 2000 (2000-10-27) (US)
  • November 3, 2000 (2000-11-03) (Canada)
Running time
101 minutes
CountryUnited States
LanguageEnglish
Budget$4.5 million
Box office$7.4 million

The film depicts four different forms of drug addiction, which lead to the characters' imprisonment in a world of delusion and reckless desperation that is subsequently overtaken by reality, thus leaving them as hollow shells of their former selves.

Requiem for a Dream was screened out of competition at the 2000 Cannes Film Festival and received positive reviews from critics upon its U.S. release. Burstyn was nominated for the Academy Award for Best Actress for her performance.

Screenplay

During the summer in Brighton Beach, Brooklyn, widow Sara Goldfarb spends her time watching infomercials. Meanwhile, her son, Harry, occasionally pawns her television set to fund his, his girlfriend Marion, and his best friend Tyrone's drug use.

After Sara receives a call that she has won a spot on a television game show, she becomes excited about attending it. To fit back into her red dress, the favorite of her deceased husband Seymour, she attempts to lose weight through unsuccessful diets. At the recommendation of a friend, she visits an unscrupulous physician who prescribes her a regimen of weight-loss amphetamines. She begins losing weight, and is excited by how much energy she has.

Harry and Tyrone plan to sell heroin to make enough to live off; that summer, their small-time dealing business thrives. Harry and Marion plan to open up a dress shop for Marion's designs, and Tyrone dreams of escaping the ghetto to make his mother proud. Sara and her friends wait expectantly every day for the game show invitation to arrive. With the extra money, Harry stops by to tell his mother he ordered her a new television set, but when he implores her to get off the amphetamines, she confesses that the only thing she has to live for anymore is the dream of looking glamorous on a television stage, and the extra attention she receives now from her friends.

As Sara’s tolerance for the amphetamines increases, she craves the high she once had, while becoming frantic about the invitation. When she increases her dosage she develops amphetamine psychosis. During a drug deal, Tyrone is caught in a shootout between the two rival gangs. He attempts to flee the scene, but is arrested. Harry has to use most of their earned money to post bail. The local supply of heroin becomes restricted, and they are unable to find any for either use or sale. Eventually, Tyrone hears of a large shipment coming, but the price is doubled and the minimum high. Harry, desperate, suggests Marion ask her psychiatrist, Arnold, for money in exchange for sex, straining their relationship. When the drug buy goes bad, Harry returns empty-handed to Marion. He departs after giving her the number of a pimp, Big Tim, who trades heroin for sex. Harry and Tyrone decide that to put their business back on track, they will drive to Florida to buy directly from the wholesaler there.

After a series of horrifying hallucinations, Sara flees her apartment for the office of the casting agency in Manhattan, to confirm when she will be on TV. She is taken away by ambulance and committed to a psychiatric ward where she is subjected to degrading treatments. When none work, the physician induces a barely lucid Sara to approve electroconvulsive therapy.

On the drive to Miami, Harry and Tyrone visit a hospital because of Harry's increasingly infected needle injection sites. The doctor notices the symptoms of drug abuse, and Harry and Tyrone are arrested. Back in New York, a desperate Marion has sex with the pimp to get heroin. Recognizing her addiction, he entices her with a bigger score of heroin if she returns that weekend for a party. Tyrone is taunted by racist prison guards whilst enduring manual labor. Harry’s infected arm is amputated. Sara undergoes violent electroshock therapy. Marion is humiliated as the subject of a graphic sex show.

When Sara's friends come to the hospital to visit, they are distraught by her almost vegetative state. Harry wakes emotionally distraught after the amputation, knowing that Marion will not be visiting him. Tyrone thinks of his mother in prison and suffers from drug withdrawal. Marion comes home from the show and lies on her sofa, clutching her score of heroin. Sara dreams that she is on television, and has won the grand prize, with Harry as the guest of honor.

  • Ellen Burstyn as Sara Goldfarb
  • Jared Leto as Harry Goldfarb
  • Jennifer Connelly as Marion Silver
  • Marlon Wayans as Tyrone C. Love
  • Christopher McDonald as Tappy Tibbons
  • Mark Margolis as Mr. Rabinowitz
  • Louise Lasser as Ada
  • Marcia Jean Kurtz as Rae
  • Sean Gullette as Arnold, Marion's psychiatrist
  • Keith David as Big Tim, Marion's pimp
  • Dylan Baker as Southern Doctor
  • Ajay Naidu as Mailman
  • Ben Shenkman as Dr. Spencer
  • Hubert Selby, Jr. as Laughing guard
  • Darren Aronofsky (uncredited) as Visitor

The film rights to Hubert Selby, Jr.'s book were optioned by Scott Vogel for Truth and Soul Pictures in 1997 prior to the release of Aronofsky's film ?.

The bathtub scene in the film was inspired by Satoshi Kon's 1997 anime film Perfect Blue.

The majority of reviewers characterized Requiem for a Dream in the genre of "drug movies", along with films like The Basketball Diaries, Trainspotting, Spun, and Fear and Loathing in Las Vegas.

However, Aronofsky has said:

Requiem for a Dream is not about heroin or about drugs… The Harry-Tyrone-Marion story is a very traditional heroin story. But putting it side by side with the Sara story, we suddenly say, 'Oh, my God, what is a drug?' The idea that the same inner monologue goes through a person's head when they're trying to quit drugs, as with cigarettes, as when they're trying to not eat food so they can lose 20 pounds, was really fascinating to me. I thought it was an idea that we hadn't seen on film and I wanted to bring it up on the screen.

In the book, Selby refers to the "American Dream" as amorphous and unattainable, a compilation of the various desires of the story's characters.

As in his previous film, ?, Aronofsky uses montages of extremely short shots throughout the film (sometimes termed a hip hop montage). While an average 100-minute film has 600 to 700 cuts, Requiem features more than 2,000. Split-screen is used extensively, along with extremely tight closeups. Long tracking shots (including those shot with an apparatus strapping a camera to an actor, called the Snorricam) and time-lapse photography are also prominent stylistic devices.

To portray the shift from the objective, community-based narrative to the subjective, isolated state of the characters' perspectives, Aronofsky alternates between extreme closeups and extreme distance from the action and intercuts reality with a character's fantasy. Aronofsky aims to subjectivize emotion, and the effect of his stylistic choices is personalization rather than alienation. The camera serves as a vehicle for exploring the characters' states of mind, hallucinations, visual distortions, and corrupted sense of time.

The film's distancing itself from

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