Ren And Stimpy full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

The series centers on Ren Höek (voiced by John Kricfalusi in seasons 1–2; Billy West in seasons 3–5), a short-tempered, "asthma-hound" Chihuahua, and Stimpson J. "Stimpy" Cat (also voiced by Billy West), a 3-year-old dimwitted and happy-go-lucky cat. The duo fill various roles from episode to episode, including outer-space explorers, Old West horse thieves, and nature-show hosts, and are usually at odds with each other in these situations. While the show was sometimes set in the present day, the show's crew tended to avoid "contemporary" jokes about current events. The show extensively features off-color and absurdist humor, and slapstick.

The show features a host of supporting characters. Some appear only in one episode, while others recur and occasionally appear in different roles. They may either be part of the storyline, or make cameo appearances with little bearing on the plot. Some, such as Mr. Horse, are exclusively cameo-based, spontaneously appearing as a running gag.

Conception

According to animator William Wray, John Kricfalusi created the characters Ren and Stimpy in 1978 for "personal amusement" while studying at Sheridan College in Ontario, Canada. He was inspired to create Ren by an Elliott Erwitt photograph, printed on a postcard, called "New York City, 1946", showing a sweatered chihuahua at a woman's feet. Stimpy's design was inspired by a Tweety Bird cartoon called A Gruesome Twosome where the cats in the animation had big noses.

When Nickelodeon approached Kricfalusi, he presented three shows, among them a variety show titled Your Gang or Our Gang with a live action host presenting different cartoons, each cartoon parodying a different genre. Ren and Stimpy were pets of one of the children in Your Gang, serving as a parody of the "cat and dog genre". The network's vice president of animation production Vanessa Coffey was dissatisfied with the other projects but did like Ren and Stimpy, singling them out for their own series. Production of the series' pilot episode began in 1989 after Kricfalusi pitched and sold The Ren & Stimpy Show to Nickelodeon. The pilot was produced by Kricfalusi's Los Angeles-based animation company, Spümcø, and screened at film festivals for several months before the show was announced in Nickelodeon's 1991 cartoons line-up.

Spümcø (1991–1993)

The series premiered on August 11, 1991 alongside Doug and Rugrats. Spümcø continued to produce the show for the next two years while encountering issues with Nickelodeon's Standards and Practices. The show was known for its lack of early merchandising; according to Wray, the initial lack of merchandise was "the unique and radical thing" about The Ren & Stimpy Show, as no toy company planned ahead for any merchandise for the show, and Nickelodeon did not want to use "over-exploitive" merchandising.

Kricfalusi described his early period with Nickelodeon as being "simple", as he got along with Coffey, the sole executive of the program. When another executive was added, he wanted to alter or discard some of the Ren & Stimpy episodes, but Kricfalusi says the episodes stayed intact since he did a "trade" with Coffey: he would have some "really crazy" episodes in exchange for some "heart-warming" episodes. Kricfalusi also said that the program was the "safest project ever worked on" while explaining the meaning of "safe" as "spend a third of what they spend now per picture, hire proven creative talent, and let them entertain." He estimated Spümcø's run of The Ren & Stimpy Show cost around $6 million to produce.

The relationship between Kricfalusi and Nickelodeon deteriorated to the point where Kricfalusi would communicate with Nickelodeon only through his lawyer. News outlets and several of the series' staff ascribe the tension to episodes not being delivered in a timely manner. Author Andy Mangels, writing for Wizard magazine, commented that "Kricfalusi's lax treatment of deadlines pissed off not only the networks, but his loyal viewers as well." However, some of the delays were attributed to Nickelodeon's prolonged approval process and withdrawal of approval from scenes and episodes that had been previously approved. Another point of contention was the direction of the series. Kricfalusi cites the episode "Man's Best Friend" as the primary reason for his dismissal; the character George Liquor is depicted in the episode as an abusive father figure, and Nickelodeon did not want the show to be so frightening and dramatic.^:15

Games Animation (1993–1995)

Nickelodeon terminated Kricfalusi's contract in late September 1992 and offered him the position of consultant for Ren & Stimpy, but he refused to "sell out". The network moved production from Spümcø to its newly founded animation studio, Games Animation, which later became Nickelodeon Animation Studios. Bob Camp replaced Kricfalusi as director, while West, having refused Kricfalusi's request to leave along with him, voiced Ren in addition to Stimpy.

Fans and critics felt this was a turning point in the show, with the new episodes being a considerable step down from the standard of those that preceded them. Ted Drozdowski, resident critic of The Boston Phoenix, stated that "the bloom faded on Ren & Stimpy." Animation historian Michael Barrier writes that while the creators of the Games episodes used bathroom humor jokes that were similar to those used by Kricfalusi, they did not "find the material particularly funny; they were merely doing what was expected."

The series ended its original run on December 16, 1995, with "A Scooter for Yaksmas", although one episode from the final season, "Sammy and Me/The Last Temptation", remained unaired. Almost a year later, the episode aired on Nickelodeon's sister network, MTV, on October 20, 1996.

Process

The animation production methods used in The Ren & Stimpy Show were similar to those found in Golden Age cartoons of the early 20th century, where a director supervised the entire process. These methods are in contrast to animation production methods in the 1980s, where there was one director for animation and a different director for voice actors, and the cartoons were created with a "top-down" approach to tie in with toy production.

Animator Vincent Waller compared working on Ren & Stimpy and SpongeBob SquarePants in an interview: "Working on Ren and Stimpy and SpongeBob was very similar. They're both storyboard-driven shows, which means they give us an outline from a premise after the premise has been approved. We take the outline and expand on it, writing the dialogue and gags. That was very familiar." According to Kricfalusi, Ren & Stimpy reintroduced the layouts stage, and reemphasized the storyboard stage. Eventually, the production staff drew larger storyboard panels, which allowed for the stories to be easily changed according to reactions from pitch meetings, and for new ideas to be integrated.

Animation

The show's aesthetics draw on Golden Age cartoons, particularly those of animator Bob Clampett from the 1940s in the way the characters' emotions powerfully distort their bodies. The show's style emphasizes unique expressions, intense and specific acting, and strong character poses. One of the show's most notable visual trademarks is the detailed paintings of gruesome close-ups, along with the blotchy ink stains that on occasion replace the standard backgrounds, "reminiscent of holes in reality or the vision of a person in a deep state of dementia". This style was developed from Clampett's Baby Bottleneck, which features several scenes with color-cards for backgrounds. The show incorporated norms from "the old system in TV and radio" where the animation would feature sponsored products to tie in with the cartoon, however in lieu of real advertisements, it featured fake commercial