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Raging Bull is a 1980 American biographical black-and-white sports drama film directed by Martin Scorsese, produced by Robert Chartoff and Irwin Winkler and adapted by Paul Schrader and Mardik Martin from Jake LaMotta's memoir Raging Bull: My Story. It stars Robert De Niro as Jake LaMotta, an Italian American middleweight boxer whose self-destructive and obsessive rage, sexual jealousy, and animalistic appetite destroyed his relationship with his wife and family. Also featured in the film are Joe Pesci as Joey, LaMotta's well-intentioned brother and manager who tries to help Jake battle his inner demons, and Cathy Moriarty as his wife. The film features supporting roles from Nicholas Colasanto, Theresa Saldana, and Frank Vincent.

Raging Bull
Theatrical release poster by Tom Jung
Directed byMartin Scorsese
Produced by
  • Irwin Winkler
  • Robert Chartoff
Screenplay by
  • Paul Schrader
  • Mardik Martin
Based onRaging Bull: My Story
by Jake LaMotta
Joseph Carter
Peter Savage
StarringRobert De Niro
CinematographyMichael Chapman
Edited byThelma Schoonmaker
Distributed byUnited Artists
Release date
  • November 14, 1980 (1980-11-14) (New York City)
  • December 19, 1980 (1980-12-19) (United States)
Running time
129 minutes
CountryUnited States
LanguageEnglish
Budget$18 million
Box office$23.4 million (North America)

Scorsese was initially reluctant to develop the project, though he eventually came to relate to LaMotta's story. Schrader re-wrote Martin's first screenplay, and Scorsese and De Niro together made uncredited contributions thereafter. Pesci was an unknown actor prior to the film, as was Moriarty, who was suggested for her role by Pesci. During principal photography, each of the boxing scenes was choreographed for a specific visual style and De Niro gained approximately 60 pounds (27 kg) to portray LaMotta in his later post-boxing years. Scorsese was exacting in the process of editing and mixing the film, expecting it to be his last major feature.

Despite receiving mixed initial reviews (and criticism due to its violent content), it went on to garner a high critical reputation, and is now often considered Scorsese's magnum opus and one of the greatest films ever made. The film was nominated for eight Academy Awards including Best Picture and Best Director. The film won two for Best Actor for De Niro, his second Oscar, and Best Editing. In 1990, it became the first film to be selected for preservation in the National Film Registry in its first year of eligibility.

Screenplay

In 1964, an aging, overweight Italian American, Jake LaMotta, practices a comedy routine.

In 1941, LaMotta is in a major boxing match against Jimmy Reeves, where he received his first loss. Jake's brother, Joey LaMotta, discusses a potential shot for the middleweight title with one of his Mafia connections, Salvy Batts. Some time thereafter, Jake spots a fifteen-year-old girl named Vickie at an open-air swimming pool in his Bronx neighborhood. He eventually pursues a relationship with her, even though he is already married. In 1943, Jake defeats Sugar Ray Robinson, and has a rematch three weeks later. Despite the fact that Jake dominates Robinson during the bout, the judges surprisingly rule in favor of Robinson and Joey feels Robinson won only because he was enlisting into the Army the following week. By 1945, Jake marries Vickie.

Jake constantly worries about Vickie having feelings for other men, particularly when she makes an off-hand comment about Tony Janiro, Jake's opponent in his next fight. His jealousy is evident when he brutally defeats Janiro in front of the local Mob boss, Tommy Como, and Vickie. As Joey discusses the victory with journalists at the Copacabana, he is distracted by seeing Vickie approach a table with Salvy and his crew. Joey speaks with Vickie, who says she is giving up on his brother. Blaming Salvy, Joey viciously attacks him in a fight that spills outside of the club. Como later orders them to apologize, and has Joey tell Jake that if he wants a chance at the championship title, which Como controls, he will have to take a dive first. In a match against Billy Fox, after briefly pummeling his opponent, Jake does not even bother to put up a fight. He is suspended shortly thereafter from the board on suspicion of throwing the fight, though he realizes the error of his judgment when it is too late. He is eventually reinstated, and in 1949, wins the middleweight championship title against Marcel Cerdan.

A year later, Jake asks Joey if he fought with Salvy at the Copacabana because of Vickie. Jake then asks if Joey had an affair with her; Joey refuses to answer, insults Jake, and leaves. Jake directly asks Vickie about the affair, and when she hides from him in the bathroom, he breaks down the door, prompting her to sarcastically state that she had sex with the entire neighborhood (including his brother, Salvy, and Tommy Como). Jake angrily walks to Joey's house, with Vickie following him, and assaults Joey in front of his wife and children. After defending his championship belt in a grueling fifteen-round bout against Laurent Dauthuille in 1950, he makes a call to his brother after the fight, but when Joey assumes Salvy is on the other end and starts insulting and cursing at him, Jake says nothing and hangs up. Estranged from Joey, Jake's career begins to decline slowly and he eventually loses his title to Sugar Ray Robinson in their final encounter in 1951.

By 1956, Jake and his family have moved to Miami. After he stays out all night at his new nightclub there, Vickie tells him she wants a divorce (which she has been planning since his retirement) as well as full custody of their kids. She also threatens to call the cops if he comes anywhere near them. He is later arrested for introducing under-age girls to men in his club. He tries and fails to bribe his way out of his criminal case using the jewels from his championship belt instead of selling the belt itself. In 1957, he goes to jail, sorrowfully questioning his misfortune and crying in despair. Upon returning to New York City in 1958, he happens upon his estranged brother Joey, who forgives him, but is elusive.

Again in 1964, Jake now refers to the "I coulda been a contender" scene from the 1954 film On the Waterfront, complaining that his brother should have been there for him but is also keen enough to give himself some slack. After a stagehand informs him that the auditorium where he is about to perform is crowded, Jake starts to chant "I'm the boss" while shadowboxing.

  • Robert De Niro as Jake LaMotta
  • Joe Pesci as Joey LaMotta
  • Cathy Moriarty as Vickie LaMotta
  • Nicholas Colasanto as Tommy Como
  • Theresa Saldana as Lenora LaMotta (Joey's wife)
  • Frank Vincent as Salvy Batts
  • Johnny Barnes as Sugar Ray Robinson
  • Martin Scorsese as Barbizon stagehand (voice only)

Development

Raging Bull came about when De Niro read the autobiography upon which the film is based on the set of The Godfather Part II. Although disappointed by the book's writing style, he became fascinated by the character of Jake LaMotta. He showed the book to Martin Scorsese on the set of Alice Doesn't Live Here Anymore in the hope that he would consider the project. Scorsese repeatedly turned down the opportunity to sit in the director's chair, claiming he had no idea what Raging Bull was about, even though he had read some of the text. Never a sports fan, when he found out what LaMotta used to do for a living, he said, "A boxer? I don't like boxing...Even as a kid, I always thought that boxing was boring... It was something I couldn't, wouldn't grasp." His overall opinion of sport in general is, "Anything with a ball, no good." The book was then passed onto Mardik Martin, the film's eventual co-screenwriter, who said "the trouble is the damn thing has been done a hundred times before—a fighter who has trouble with his brother and his wife and the mob is after him". The book was even shown to producers Robert Chartoff and Irwin Winkler by De Niro, who were willing to assist only if Scorsese agreed. After nearly dying from a drug overdose, Scorsese agreed to make the film, not only to save his own life but also to save his career. Scorsese began to relate very personally to the story of Jake LaMotta, and in it he saw how the boxing ring can be "an allegory for whatever you do in life”, which for him paralleled moviemaking, “you make movies, you’re in the ring each time.”

 
Robert De Niro in training with the real Jake LaMotta

Preparation for the film began with Scorsese shooting some 8mm color footage featuring De Niro boxing in a ring. One night when the footage was being shown to De Niro, Michael Chapman, and his friend and mentor, the British director Michael Powell, Powell pointed out that the color of the gloves at the time would have only been maroon, oxblood, or even black. Scorsese decided to use this as one of the reasons to film Raging Bull in black and white. Other reasons would be to distinguish the film from other color films around the time and to acknowledge the problem of fading color film stock—an issue Scorsese recognized. Scorsese went to two matches at Madison Square Garden to aid his research, picking up on minor but essential details such as the blood sponge and later, the blood on the ropes (which would later be used in the film). According to the brief comments on the inlay card of the Raging Bull DVD, Scorsese was not—and still is not—a fan of sports or boxing, which he describes as boring. When he saw the blood-soaked sponges being dipped in a bucket, he recalls thinking to himself, 'And they call this sport.'

Screenplay

Under the guidance of Chartoff and Winkler, Mardik Martin was asked to start writing the screenplay. According to De Niro, under no circumstances would United Artists accept Martin's script. The story was based on the vision of journalist Pete Hamill of a 1930s and 1940s style, when boxing was known as "the great dark prince of sports". De Niro was unimpressed when he finished reading the first draft, however. Taxi Driver screenwriter Paul Schrader was swiftly brought in to rewrite the script around August 1978. Some of the changes that Schrader made to the script included a rewrite of the scene with the uncooked steak and inclusion of LaMotta seen masturbating in a Florida cell. The character of LaMotta's brother, Joey, was finally added, previously absent from Martin's script. United Artists saw a massive improvement on the quality of the script. However, its chief executives, Steven Bach and David Field, met with Scorsese, De Niro, and producer Irwin Winkler in November 1978 to say they were worried that the content would be X-rated material and have no chance of finding an audience.

According to Scorsese, the script was left to him and De Niro, and they spent two-and-a-half weeks on the island of Saint Martin extensively re-building the content of the film. The most significant change would be the entire scene when LaMotta fixes his television and then accuses his wife of having an affair. Other changes included the removal of Jake and Joey's father; the reduction of organized crime's role in the story and a major re-write of LaMotta's fight with Tony Janiro. They were also responsible for the end sequence where LaMotta is all alone in his dressing room quoting the "I could have been a contender" scene from On the Waterfront. An extract of Richard III had been considered but Michael Powell thought it would be a bad decision within the context of an American film. According to Steven Bach, the first two screenwriters (Martin and Schrader) would receive credit, but since there was no payment to the writer's guild on the script, De Niro and Scorsese's work would remain uncredited.

Casting

One of Scorsese's trademarks was casting many actors and actresses new to the profession. De Niro, who was already committed to play Jake LaMotta, began to help Scorsese track down unfamiliar names to play his on-screen brother, Joey, and wife, Vikki. The role of Joey LaMotta was the first to be cast. De Niro was watching a low budget television film called The Death Collector whe

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