Psycho 1960 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

During a lunchtime tryst in a Phoenix, Arizona hotel, a real-estate secretary, Marion Crane, and her boyfriend, Sam Loomis, discuss how they cannot afford to get married because of Sam's debts. After lunch, Marion returns to work, where a client leaves a $40,000 cash payment on a property. Marion's boss asks her to deposit the money in the bank, and allows her to leave work early after she complains of a headache. Once home, she decides to steal the money and drive to Fairvale, California, where Sam lives.

En route to Fairvale, Marion pulls over on the side of the road and falls asleep; she is awakened by a state patrol trooper. Suspicious about her skittish behavior, he follows her as she drives away. Hoping to lose him, Marion stops at a Bakersfield, California automobile dealership and trades in her Ford Mainline, with its Arizona license plates, for a Ford Custom 300 with California tags. The officer sees Marion at the car dealership and eyes her suspiciously as she abruptly drives away.

During a heavy rainstorm, Marion stops for the night at the Bates Motel. The proprietor, Norman Bates, invites her to share a light dinner after she checks in. She accepts his invitation but overhears an argument between Norman and his mother about bringing a woman into their Gothic house, which sits perched above the motel. Instead they eat in the motel parlor, where he tells her about his life with his mother, who is mentally ill and forbids him to have an independent life.

Moved by Norman's story, Marion decides to drive back to Phoenix in the morning to return the stolen money, which she hides in a folded newspaper on the nightstand. As she showers, a shadowy figure stabs her to death with a chef's knife. After seeing blood, Norman panics and runs to Marion's room, where he discovers her body. He cleans up the crime scene, putting Marion's corpse and her possessions—including the stolen money—into the trunk of her car and sinking it in the swamps near the motel.

A week later, Marion's sister Lila arrives in Fairvale and confronts Sam about Marion's whereabouts. Private investigator Milton Arbogast approaches them and confirms that Marion is wanted for stealing the $40,000. He sleuths local hotels and motels, and Norman's evasive and inconsistent answers arouse his suspicion. After hearing that Marion met Norman's mother, he asks to speak with her, but Norman refuses to allow it. Arbogast updates Sam and Lila about his search for Marion and promises to phone again soon. He goes to the Bates' home in search of Norman's mother; as he reaches the top of the stairs, he is murdered.

When Lila and Sam do not hear from Arbogast, Sam visits the motel. He sees a figure in the house whom he assumes is Mrs. Bates, but she ignores his knocking. Lila and Sam go to the local deputy sheriff, who informs them that Mrs. Bates died in a murder-suicide ten years ago. The sheriff concludes that Arbogast lied to Sam and Lila so he could pursue Marion and the money. Convinced that some ill has befallen Arbogast, Lila and Sam make their way to the motel. Norman carries his mother from her room and hides her in the fruit cellar against her will.

At the motel, Sam distracts Norman by engaging in conversation while Lila cases the property and sneaks inside the house. After Sam grills him, Norman becomes agitated, knocks Sam out, and rushes to the house. Lila hides in the cellar, where she finds Mrs. Bates in a chair. Lila turns her around and discovers she is a mummified corpse. Lila screams as Norman runs into the cellar, holding a knife and wearing his mother's clothes and a wig. Before Norman can attack Lila, Sam, having regained consciousness, subdues him.

At the courthouse, a psychiatrist explains that Norman murdered Mrs. Bates and her lover ten years ago out of jealousy. Unable to bear the guilt, he exhumed her corpse and began to treat it as if she were still alive. He recreated his mother in his own mind as an alternate personality, dressing in her clothes and talking to himself in her voice. This "Mother" personality is jealous and possessive: whenever Norman feels attracted to a woman, "Mother" kills her. As "Mother", Norman killed two young girls before stabbing Marion and Arbogast to death. The psychiatrist says the "Mother" personality has taken permanent hold of Norman's mind. While Norman sits in a holding cell, "Mother"'s voice-over protests that the murders were Norman's doing. Marion's car is pulled out of the swamp.

• Anthony Perkins as Norman Bates
• Janet Leigh as Marion Crane
• Vera Miles as Lila Crane
• John Gavin as Sam Loomis
• Martin Balsam as Private Investigator Milton Arbogast
• John McIntire as Deputy Sheriff Al Chambers
• Simon Oakland as Dr. Fred Richman
• Frank Albertson as Tom Cassidy
• Pat Hitchcock as Caroline
• Vaughn Taylor as George Lowery
• Lurene Tuttle as Mrs. Chambers
• John Anderson as California Charlie
• Mort Mills as Highway Patrol Officer
• Francis De Sales as Deputy District Attorney Alan Deats (uncredited)
• George Eldredge as Police Chief James Mitchell (uncredited)
• Ted Knight as Police Guard (uncredited)
• Virginia Gregg, Paul Jasmin, and Jeanette Nolan as the voice of Norma "Mother" Bates (uncredited). The three voices were used interchangeably, except for the last speech, which was performed by Gregg.

Development

Psycho is based on Robert Bloch's 1959 novel of the same name, which was loosely inspired by the case of convicted Wisconsin murderer and grave robber Ed Gein. Both Gein (who lived just 40 miles from Bloch) and the story's protagonist, Norman Bates, were solitary murderers in isolated rural locations. Each had deceased, domineering mothers, had sealed off a room in their home as a shrine to her, and dressed in women's clothes. However, unlike Bates, Gein is not strictly considered a serial killer, having been charged with murder only twice.

Peggy Robertson, Hitchcock's long-time assistant, read Anthony Boucher's positive review of the novel in his "Criminals at Large" column and decided to show the book to her employer, even though studio readers at Paramount Pictures had already rejected its premise for a film. Hitchcock acquired rights to the novel for $9,500 and reportedly ordered Robertson to buy up copies to preserve the novel's surprises. Hitchcock, who had come to face genre competitors whose works were critically compared to his own, was seeking new material to recover from two aborted projects with Paramount, Flamingo Feather and No Bail for the Judge. He disliked stars' salary demands and trusted only a few people to choose prospective material, including Robertson.

Paramount executives balked at Hitchcock's proposal and refused to provide his usual budget. In response, Hitchcock offered to film Psycho quickly and cheaply in black and white using his Alfred Hitchcock Presents television series crew. Paramount executives rejected this cost-conscious approach, claiming their sound stages were booked even though the industry was in a slump. Hitchcock countered he would personally finance the project and film it at Universal-International using his Shamley Productions crew if Paramount would merely distribute. In lieu of his usual $250,000 director's fee he proposed a 60% stake in the film negative. This combined offer was accepted and Hitchcock went ahead in spite of naysaying from producer Herbert Coleman and Shamley Productions executive Joan Harrison.

Novel adaptation

James P. Cavanagh, a writer on the Alfred Hitchcock Presents television series, penned the original screenplay. Hitchcock felt the script dragged and read like a television short horror story, an assessment shared by an assistant. Though Stefano had worked on only one film before, Hitchcock agreed to meet with him; despite Stefano's inexperience, the meeting went well and he was hired.

The screenplay is relatively faithful to the novel, with a few notable adaptations by Hitchcock and Stefano. Stefano found the character of Norman Bates—who, in the book, is middle-aged, overweight, and more overtly unstable—unsympathetic, but became more intrigued when Hitchcock suggested casting Anthony Perkins. Stefano eliminated Bates' drinking, which evidently necessitated removing Bates' "becoming" the Mother personality when in a drunken stupor. Also gone is Bates' interest in spiritualism, the occult and pornography. Hitchcock and Stefano elected to open the film with scenes in Marion's life and not introduce Bates at all until 20 minutes into the film, rather than open with Bates reading a history book as Bloch does. Indeed, writer Joseph W. Smith notes that, "Her story occupies only two of the novel's 17 chapters. Hitchcock and Stefano expanded this to nearly half the narrative". He likewise notes there is no hotel tryst between Marion and Sam in the novel. For Stefano, the conversation between Marion and Norman in the hotel parlor in which she displays a maternal sympathy towards him makes it p