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Private Parts is a 1997 American biographical comedy film produced by Ivan Reitman and directed by Betty Thomas. The film is an adaptation of the autobiographical chapters from the best selling 1993 book of the same name by radio personality Howard Stern, developed from a script written by Len Blum and Michael Kalesniko. It follows Stern's life from boyhood and his rise to success in radio. Stern and several of his radio show staff star as themselves, including newscaster and co-host Robin Quivers, producers Fred Norris and Gary Dell'Abate, and comedian Jackie Martling. The film also stars Mary McCormack, Alison Janney, and Paul Giamatti.

Private Parts
Theatrical release poster
Directed byBetty Thomas
Produced byIvan Reitman
Screenplay by
  • Len Blum
  • Michael Kalesniko
Based onPrivate Parts
by Howard Stern
Starring
  • Howard Stern
  • Robin Quivers
  • Mary McCormack
Narrated byHoward Stern
Music by
  • Rob Zombie
  • The Dust Brothers
  • Porno for Pyros
  • Marilyn Manson
CinematographyWalt Lloyd
Edited byPeter Teschner
Production
company
  • Northern Lights Entertainment
  • Rysher Entertainment
Distributed byParamount Pictures
Release date
  • February 27, 1997 (1997-02-27) (premiere)
  • March 7, 1997 (1997-03-07)
Running time
109 minutes
CountryUnited States
LanguageEnglish
Budget$28 million
Box office$41.2 million

After a proposed film featuring Stern as his superhero character Fartman fell through, development for a new film began in 1994, several months following the release of Private Parts. Stern signed with Rysher Entertainment, who agreed to fund it, and teamed with producer Ivan Reitman who thought a biographical take on Stern's life was best suited for a film. Production was delayed after Stern rejected 22 scripts from several screenwriters until he accepted one developed by Blum and Kalesniko in late 1995. Filming took place in the New York City area and Washington, D.C. from May to November 1996 with a budget of $28 million, during which Stern continued to host his radio show each weekday morning. Numerous celebrities and family members of the radio show staff make cameo appearances in the film. The soundtrack is formed of songs from several rock bands as well as two original tracks featuring Stern performing with Rob Zombie and the Dust Brothers.

Released in the United States on March 7, 1997 by Paramount Pictures, Private Parts ranked at number one on the US box office in its opening weekend with a gross of $14.6 million. It grossed a domestic total of $41.2 million at the end of its theatrical run. It received mostly positive reviews from film critics, a group whom Stern made a conscious effort to please, including the public who did not listen to the radio show or were not fans of his. In 1998, the film was released on DVD and Stern won a Blockbuster Award for Favorite Male Newcomer for his performance. Stern shot additional scenes for a censored version of the film prior to its premiere television broadcast on the USA Network in 1999.

Screenplay

Following his appearance at the MTV Music Video Awards as his superhero character Fartman, radio personality Howard Stern boards his flight home and is seated next to Gloria who is visibly repelled by him. Stern, thinking she sees him as a moron, begins to tell his life story, starting with the verbal abuse he received as a boy from his father Ben. As a youngster, Stern dreams of being on the radio after visiting his father's recording studio and grows up to be a quiet, socially awkward teenager. He decides to work in radio and studies Communications at Boston University. He becomes a DJ at WTBU, the college station, and meets his girlfriend Alison.

After graduating, Howard works at WRNW in Briarcliff Manor, New York and is promoted to program director, which allows him to marry Alison. He leaves after being asked to fire a fellow DJ and moves to WCCC in Hartford, Connecticut, where he befriends DJ Fred Norris. Howard adopts a more casual attitude on the air, becoming more open and upfront. He and Fred attend the premiere of actress Brittany Fairchild's new film. The three leave early for Fairchild's hotel room, where she strips for a bath and convinces Howard and Fred to join in. Brittany's behavior becomes more sexual, and an embarrassed Howard leaves. When Alison finds his wet underwear in their car and believes he has been unfaithful, she leaves him. Howard leaves Hartford for WWWW in Detroit, Michigan and is miserable, but Alison goes to Detroit and forgives him. WWWW then switches to country music, and Howard quits.

Howard starts at WWDC in Washington, D.C. in 1981 and meets his news anchor Robin Quivers, whom he encourages to riff with him on the air. They refuse orders from boss Dee Dee for constantly breaking format. One of their antics, in which Howard assists a female caller to reach orgasm, almost gets him fired until a ratings boost forces Dee Dee to keep him and hire Fred to the team. Meanwhile, Alison announces her pregnancy, but it ends in miscarriage. Although they cheer each other up by joking about it, Howard makes light of the situation on the air, which greatly upsets Alison.

With Alison pregnant again, Howard gets his dream offer to work in New York City at WNBC, where he has the chance to become a nationwide success. However, upper management at NBC hired Howard not realizing what his show was like until they see a news report about him. Program director Kenny "Pig Vomit" Rushton offers to keep Howard in line or he will force him to quit. Howard, Fred, and Robin ignore Kenny's restrictions on content until a risque Match Game with comedian Jackie Martling causes Rushton to fire Robin. The show fails in her absence and her replacement quits after Howard's interview with an actress who swallows a kielbasa sausage. Robin is eventually brought back, but Howard's antics continue with a naked woman in the studio, resulting in Kenny cutting off the broadcast. Howard gets the show back on the air and gets into a physical altercation with Kenny in his office.

In 1985, Howard becomes number one at WNBC and Kenny tries to gain Howard's friendship but is turned down flat. Howard thanks his fans with an outdoor concert by AC/DC. During the performance, Alison is rushed to hospital and gives birth to a daughter. Back on the flight, it is revealed that Howard has told his story to Gloria and believes he could get her, but stays "loyal" to Alison. He meets Alison at the airport and his daughters run to greet him.

During the end credits, Stuttering John rants about his absence in the film. Mia Farrow then presents an Academy Award for Best Actor for Howard at the awards ceremony, who appears as Fartman once again, but Howard falls from mid air and the audience applauds. Kenny now manages a shopping mall in Alabama and blames Howard for his downfall. During his outbursts, his swearing is drowned out by jackhammer noises.

  • Howard Stern as himself/narrator
    • Bobby Boriello as 7-year-old Howard
    • Michael Maccarone as 12-year-old Howard
    • Matthew Friedman as 16-year-old Howard
  • Robin Quivers as herself
  • Mary McCormack as Alison Stern
  • Fred Norris as himself
  • Paul Giamatti as Kenny "Pig Vomit" Rushton
  • Carol Alt as Gloria
  • Allison Janney as Dee Dee
  • Michael Murphy as Roger Elick
  • Jenna Jameson as Mandy
  • Richard Portnow as Ben Stern
  • Kelly Bishop as Ray Stern
  • Sasha Martin as Emily Beth Stern
  • Sarah Hyland as Debra Jennifer Stern
  • Reni Santoni as Vin Vallesecca
  • Melanie Good as Brittany Fairchild
  • Leslie Bibb as the WNBC Page/Tour Guide
  • Camille Donatacci Grammer as Camille the Card Girl
  • Edie Falco as Alison's friend
  • Amber Smith as Julie
  • Janine Lindemulder as Camp Director's Wife
  • Michael Gwynne as Duke of Rock
  • Paul Hecht as Ross Buckingham
  • James Murtaugh as Payton
  • Alison Stern (Stern's then wife) as WNBC receptionist
  • Nancy Sirloni, (Martling’s then wife) as extra in the film festival scene, seated in front of Stern
  • Allison Furman-Norris (Norris' wife) as a WNBC receptionist
  • Theresa Lynn as Orgasm Woman
  • Althea Cassidy as The Kielbasa Queen
As themselves and cameo appearances
  • Gary Dell'Abate
  • Jackie Martling
  • David Letterman
  • Mia Farrow
  • Crackhead Bob
  • Nicole Bass
  • AC/DC (Brian Johnson, Angus Young, Malcolm Young, Phil Rudd, Cliff Williams)
  • "Stuttering John" Melendez
  • Ozzy Osbourne
  • Dee Snider
  • Tiny Tim
  • John Stamos
  • Flavor Flav
  • John Popper
  • Slash
  • Ted Nugent
  • MC Hammer

Origins

In the early 1990s, Stern experienced a rise in popularity as a radio and television personality. He struck a deal with New Line Cinema in 1992 to produce a film based on his superhero character Fartman, which he devised in July 1981 when he hosted mornings at WWDC in Washington, D.C. He first announced the film, which Stern claimed "came from nowhere ... top of my head", during an appearance on The Tonight Show with Jay Leno. That November, Variety reported that screenwriter J. F. Lawton was hired to write and direct the film titled The Adventures of Fartman. The film, which was budgeted between $8–$11 million, was expected to go into production in May 1993 with David Permut assigned as producer under his Permut Presentations banner. According to Lawton, The Adventures of Fartman revolved around the superhero and his alter ego, a magazine publisher in the mold of Screw magazine's Al Goldstein. On June 28, 1993, Lawton revealed more information for Time. "There's a lot of nudity, some harsh language, a lesbian love scene, and the main character works for an underground sex magazine. We told New Line Cinema the plot, and they said, 'Yeah, it sounds great. But can't we make it PG-13?'" Soon after, Stern became unhappy with the idea of making a PG-rated film and had disputes with New Line Cinema over the merchandising rights. Coupled with the quality of the scripts being drafted, the project was shelved in 1993 before the production could begin. Its cancellation affected Stern, who became depressed as "I'd gone on air and said, 'I'm going to make a movie.' I sort of felt like a liar. I looked like I had failed."

Development

 
Ivan Reitman, producer of the film.

A film project remained inactive until the release of Stern's first book, the part memoir and part commentary Private Parts, in October 1993. It became the fastest selling book in publisher Simon & Schuster's history after five days of release. In the following months, Stern entered an agreement with film and television content management company Rysher Entertainment, who wished to fund a film based on the book. This led to Stern working with Rysher founder Keith Samples, Paramount producer David Kirkpatrick, director John G. Avildsen in September 1994 and, in August 1994, screenwriter Peter Torokvei, who was hired to complete a "production rewrite" of a script already prepared. Torokvei claimed a set of line producers, production secretary, and film coordinators had "seemed to be in place" upon his arrival to New York City, but the project underwent the first of several delays over the film's story. Torokvei completed a draft, but it was not signed off. Stern, who had the power of final script approval, went on to reject around 22 subsequent revisions, sometimes from day to day, as he grew dissatisfied with their content. Torokvei estimated he had worked on as many as five redrafts with Stern, adding: "On any given scene we did the day before, would say, 'That's old,' or 'That's boring.' He wanted to freshen the scenes every day. I'd have to remind him that it had worked the day before". In one abandoned version, Stern recalled a scene that had former radio show regular Richard Simmons "in a tutu in my house chasing my children and saying he can't baby-sit them. How fucking ridiculous." Around this time, Kirkpatrick had mentioned a film with as many as 75 cameo appearances, including Arnold Schwarzenegger and radio show regular Jessica Hahn. In addition to Torokvei, assistance over the scripts were developed by Michael Kalesniko, co-author of Private Parts Larry "Ratso" Sloman, Laurice Elehwany, and Rick Copp. Following several script rejections, Avildsen ceased his involvement with the film by November 1994. Kirkpatrick claimed Avildsen wished for a "story of an underdog taking on the issue of free speech—a man against the system, whereas Kirkpatrick had the idea of a film "in the tradition of Help! (1965) an

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