Primer Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Two engineers – Aaron and Abe – supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect: objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A') in a continuously repeating sequence, such that objects can leave the field in the present, or at some previous point.

Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this box to travel six hours into his own past—as part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the box, waits inside the box for six hours (thus going back in time six hours), and becomes Future-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the self-storage facility housing the box. At the end of the overlap-timespan, Original-Abe enters the box and ceases to exist.

Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities – Abe cautious and controlling, Aaron impulsive and meddlesome – put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend, Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some unknown point in the future, Granger entered the "box", with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and enters a secret second box (the "failsafe box," built before the experiment begun and kept continuously running), traveling back four days to prevent the experiment's launch.

Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.

The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.

The epilogue reveals that multiple "box-aware" versions of Aaron are still alive and circulating – at least one Future-Aaron has shared his knowledge with Original-Aaron, via discussions, voice-recordings, and an unsuccessful physical altercation. Future-Abe watches over Original-Abe, going to painstaking extremes to keep him unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of a warehouse-sized box.

• Shane Carruth as Aaron
• David Sullivan as Abe
• Casey Gooden as Robert
• Anand Upadhyaya as Phillip
• Carrie Crawford as Kara
• Samantha Thomson as Rachel Granger
• Brandon Blagg as Will

Carruth cast himself as Aaron after having trouble finding actors who could "break ... the habit of filling each line with so much drama". Most of the other actors are either friends or family members.

Although one of the more fantastic elements of science fiction is central to the film, Carruth's goal was to portray scientific discovery in a down-to-earth and realistic manner. He notes that many of the greatest breakthrough scientific discoveries in history have occurred by accident, in locations no more glamorous than Aaron's garage.

Whether it involved the history of the number zero or the invention of the transistor, two things stood out to me. First is that the discovery that turns out to be the most valuable is usually dismissed as a side-effect. Second is that prototypes almost never include neon lights and chrome. I wanted to see a story play out that was more in line with the way real innovation takes place than I had seen on film before.

Carruth has said he intended the central theme of the film to be the breakdown of Abe and Aaron's relationship, as a result of their inability to cope with the power afforded them by this technological advancement:

First thing, I saw these guys as scientifically accomplished but ethically, morons. They never had any reasons before to have ethical questions. So when they're hit with this device they're blindsided by it. The first thing they do is make money with it. They're not talking about the ethics of altering your former self.

• Aaron and Abe start the film by attempting to create a device to somehow counter the effects of gravity. They have plans for such a device from another development team, but wish to improve on the viability of the design. Their main approach to achieve this is to discard the coolant bath for the required superconductors. They instead increase the transition temperature of the superconductor to "something more usable". The time machine makes use of the property of superconductors called the Meissner effect, which "knock out the interior magnetic field".
• Aaron and Abe require palladium to build their machine. This is the reason they take the catalytic converter containing a small amount of palladium from a car.
• The principles of time travel in the film are inspired by Feynman diagrams. Carruth explained: "Richard Feynman has some interesting ideas about time. When you look at Feynman diagrams , there's really no difference between watching an interaction happen forward and backward in time."

While writing the script, Carruth studied physics to help him make Abe and Aaron's technical dialogue sound authentic. He took the unusual step of eschewing contrived exposition, and tried instead to portray the shorthand phrases and jargon used by working scientists. This philosophy carried over into production design. The time machine itself is a plain gray box, with a distinctive electronic "hum" created by overlaying the sounds of a mechanical grinder and a car engine, rather than by using a processed digital effect. Carruth also set the story in unglamorous industrial parks and suburban tract homes.

Carruth chose to deliberately obfuscate the film's plot to mirror the complexity and confusion created by time travel. As he said in a 2004 interview: "This machine and Abe and Aaron's experience are inherently complicated so it needed to be that way in order for the audience to be where Abe and Aaron are, which was always my hope."

Filming

Principal photography took place over five weeks, on the outskirts of Dallas, Texas. The film was produced on a budget of only USD$7,000, and a skeleton crew of five. Carruth acted as writer, director, producer, cinematographer, editor, and music composer. He also stars in the film as Aaron, and many of the other characters are played by his friends and family. The small budget required conservative use of the Super 16mm filmstock: the carefully limited number of takes resulted in an extremely low shooting ratio of 2:1. Every shot in the film was meticulously storyboarded on 35mm stills. Carruth created a distinctive flat, overexposed look for the film by using fluorescent lighting, non-neutral color temperatures, high-speed film stock, and filters.

After shooting, Carruth took two years to fully post-produce Primer. He has since said that this experience was so arduous that he almost abandoned the film on several occasions.

Music

The entire film score was created by Carruth. On October 8, 2004, the Primer score was released on Amazon and iTunes.

Distribution

Carruth secured a North American distribution deal with THINKFilm after the company's head of theatrical distribution, Mark Urman, saw the film at the 2004 Sundance Film Festival. Although he and Carruth made a "handshake agreement" during the festival, Urman reported that the actual negotiation of the deal was the longest he had ever been involved with, in part due to Carruth's specific demands over how much control over the film he would retain. The film went on to take $424,760 at the box office.

Critical reception

Primer received positive reception from critics. Review aggregator Metacritic rated it a 68 while Rotten Tomatoes rated it a "Fresh" 73%, stating "Dense, obtuse, but stimulatin