Pink Floyd %e2%80%93 The Wall full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Pink is a rock star, one of several reasons behind his apparent depressive and detached emotional state. He is first seen in an unkempt hotel room, motionless and expressionless, watching television while the Vera Lynn recording of "The Little Boy that Santa Claus Forgot" plays. It is later revealed that Pink's father, a British soldier, was killed in action while defending the Anzio bridgehead during World War II, in Pink's infancy.

In a flashback, Pink is a young English boy growing up in the early 1950s. Throughout his childhood, Pink longs for a father figure. He discovers a scroll from "kind old King George" and other relics from his father's military service and death, placing a bullet on the track of an oncoming train. At school, he is caught writing poems in class and humiliated by the teacher who reads a poem which is the song "Money". To the tune of "Another Brick in the Wall (Part 2)", Pink imagines a surrealistically oppressive school system in which children fall into a meat grinder. The children then rise in rebellion and destroy the school, carrying the Teacher away to an unknown fate. Pink is also negatively affected by his overprotective mother. Such traumatic experiences are represented as "bricks" in the metaphorical wall he constructs around himself that divides him from society.

As an adult, Pink eventually marries, but he and his wife soon grow apart. While he is in the United States on tour, Pink learns that his wife is having an affair. He turns to a willing groupie, whom he brings back to his hotel room only to trash it in a fit of violence, terrifying the groupie out of the room.

Pink slowly begins to lose his mind to metaphorical "worms". He shaves all his body hair and, while watching The Dam Busters on television, morphs into a neo-Nazi alter-ego. Pink's manager, along with the hotel manager and some paramedics, discover Pink unresponsive and inject him with drugs to enable him to perform.

Pink fantasizes that he is a dictator and his concert is a neo-Nazi rally. His followers proceed to attack ethnic minorities, and Pink holds a rally in suburban London, singing "Waiting for the Worms". The scene is intercut with images of animated marching hammers that goose-step across ruins. Pink then stops hallucinating and screams "Stop!" He then takes refuge in the toilets at the concert venue, reciting poems.

In a climactic animated sequence, Pink, depicted as a small, almost inanimate rag doll, is on trial, and his sentence is "to be exposed before peers." The judge gives the order to "tear down the wall". Following a prolonged silence, the wall is smashed.

Several children are seen cleaning up a pile of debris after an earlier riot, with a freeze-frame on one of the children emptying a Molotov cocktail.

Concept

In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:

Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars—film stars, rock 'n' roll stars—represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.

Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre.

Development

Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept.

Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion.

Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl's Court from 13–17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as "Hey You" still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall.

Filming

Parker, Waters and Scarfe frequently clashed with each other during production, to the point where the director described the filming as "one of the most miserable experiences of my creative life." Scarfe declared that he would drive to Pinewood Studios carrying a bottle of Jack Daniel's, because "I had to have a slug before I went in the morning, because I knew what was coming up, and I knew I had to fortify myself in some way."

During production, while filming the destruction of a hotel room, Geldof suffered a cut to his hand as he pulled away the Venetian blinds. The footage remains in the film. Also, it was discovered while filming the pool scenes that Geldof did not know how to swim. Interiors were shot at Pinewood Studios, and it was suggested that they suspend Geldof in Christopher Reeve's clear cast used for the Superman flying sequences, but his frame was too small by comparison; it was then decided to make a smaller rig that was a more acceptable fit, and he simply lay on his back.

The war scenes were shot on Saunton Sands in North Devon, which was also featured on the cover of Pink Floyd's A Momentary Lapse of Reason six years later.

The film was shown "out of competition" during the 1982 Cannes Film Festival.