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Pink Flamingos is a 1972 American black comedy exploitation crime film directed, written, produced, filmed, and edited by John Waters. It is part of what Waters has labelled the "Trash Trilogy", which also includes Female Trouble (1974) and Desperate Living (1977). The film stars the countercultural drag queen Divine as a criminal living under the name of Babs Johnson, "the filthiest person alive". While living in a trailer with Edie (Edith Massey) and Crackers (Danny Mills)—her mother and son respectively—and companion Cotton (Mary Vivian Pearce), Divine is confronted by the Marbles (David Lochary and Mink Stole), a couple of criminals envious of her reputation. The characters engage in several grotesque, bizarre and explicitly crude situations.

Pink Flamingos
Theatrical release poster
Directed byJohn Waters
Produced byJohn Waters
Written byJohn Waters
Starring
  • Divine
  • David Lochary
  • Mink Stole
  • Mary Vivian Pearce
  • Danny Mills
  • Edith Massey
Narrated byJohn Waters
CinematographyJohn Waters
Edited byJohn Waters
Production
companies
  • Dreamland
  • Saliva Films
Distributed byNew Line Cinema
Release date
  • March 17, 1972 (1972-03-17)
  • April 11, 1997 (1997-04-11) (25th anniversary)
Running time
  • 92 minutes
  • 1997 re-release:
  • 107 minutes
CountryUnited States
LanguageEnglish
Budget$10,000
Box office$7 million

Displaying the tagline "An exercise in poor taste", Pink Flamingos is notorious for its "outrageousness", nudity, profanity, and "pursuit of frivolity, scatology, sensationology and skewed epistemology." As it features a "number of increasingly revolting scenes" that centre on exhibitionism, voyeurism, sodomy, masturbation, gluttony, vomiting, rape, incest, murder, cannibalism and foot fetishism, the film is considered a preliminary exponent of abject art. The film has received a warm reception from film critics and the LGBT community, and has become a cult film.

Screenplay

The notorious criminal Divine lives under the pseudonym "Babs Johnson" with her mentally ill mother Edie, delinquent son Crackers, and traveling companion Cotton. They share a trailer on the outskirts of Phoenix, Maryland, next to a gazing ball and a pair of eponymous plastic pink flamingos. After learning that Divine has been named "the filthiest person alive" by a tabloid paper, jealous rivals Connie and Raymond Marble attempt to usurp her title.

The Marbles run a black market baby ring: they kidnap young women, have them impregnated by their manservant, Channing, and sell the babies to lesbian couples. The proceeds are used to finance a network of dealers selling heroin in inner-city elementary schools. Raymond also earns money by exposing himself — with a large kielbasa sausage or turkey neck tied to his penis — to women and stealing their purses when they flee. One of Raymond's would-be targets, a transgender woman who has not completed gender reassignment surgery, thwarts his scheme by exposing her breast, penis and scrotum, causing Raymond to flee in shock.

The Marbles enlist a spy, Cookie, to gather information about Divine by dating Crackers. In one of the film's most infamous scenes, Cookie and Crackers have sex while crushing a live chicken between them as Cotton looks on through a window. Cookie then informs the Marbles about Babs' real identity, her whereabouts, and her family — as well as her upcoming birthday party.

The Marbles send a box of human feces to Divine as a birthday present with a card addressing her as "Fatso" and proclaiming themselves "the filthiest people alive". Worried her title has been seized, Divine declares whoever sent the package must die. While the Marbles are gone, Channing dresses in Connie's clothes and imitates his employers' overheard conversations. When the Marbles return home, they are outraged to find Channing mocking them, so they fire him and lock him in a closet.

The Marbles arrive at the trailer to spy on Divine's birthday party. Her birthday gifts include poppers, fake vomit, lice shampoo, a pig's head, and a meat cleaver. Entertainers include a topless woman with a snake act and a contortionist who flexes his prolapsed anus in rhythm to the song "Surfin' Bird". The Egg Man, who delivers eggs to Edie daily, confesses his love for her and proposes marriage. She accepts his proposal and he carts her off in a wheelbarrow. Disgusted by the outrageous party, the Marbles call the police, but this backfires when Divine and her guests ambush the officers, hack up their bodies with the meat cleaver, and eat them.

Divine and Crackers head to the Marbles' house, where they lick and rub the furniture, which excites them so much that Divine fellates Crackers. They find Channing and discover two pregnant women held captive in the basement. After Divine and Crackers free the women with a large knife, the women use the knife to emasculate Channing offscreen.

The Marbles burn Divine's beloved trailer to the ground. When they return home their furniture — cursed by being licked by Divine and Crackers — "rejects" them: when they try to sit down, the cushions fly up and throw them to the floor. They also find that Channing has bled to death from his emasculation and the two girls have escaped.

After finding the remains of their burned-out trailer, Divine and Crackers return to the Marbles' home, kidnap them at gunpoint, and bring them to the arson site. Divine calls the local tabloid media to witness the Marbles' trial and execution. Divine holds a kangaroo court and convicts the bound-and-gagged Marbles of "first-degree stupidity" and "assholism". Cotton and Crackers recommend a sentence of execution, so the Marbles are tied to a tree, coated in tar and feathers, and shot in the head by Divine.

Divine, Crackers, and Cotton enthusiastically decide to move to Boise, Idaho, site of a homosexual scandal from 1955 to 1957. Spotting a small dog defecating on the sidewalk, Divine scoops up the feces with her hand and puts them in her mouth — proving, as the voice-over narration by Waters states, that Divine is "not only the filthiest person in the world, but is also the world's filthiest actress".

  • John Waters (narrator) as Mr. J
  • Divine as Divine / Babs Johnson
  • David Lochary as Raymond Marble
  • Mink Stole as Connie Marble
  • Mary Vivian Pearce as Cotton
  • Danny Mills as Crackers
  • Edith Massey as Edie
  • Cookie Mueller as Cookie
  • Channing Wilroy as Channing
  • Paul Swift as The Egg Man
  • Susan Walsh as Suzie
  • Linda Olgierson as Linda
  • Pat Moran as Patty Hitler
  • Steve Yeager as Nat Curzan
  • George Figgs as Bongo player
  • Elizabeth Coffey as Chick with a dick

Divine's friend Bob Adams described the trailer set as a "hippie commune" in Phoenix, Maryland, and noted that their living quarters were in a farmhouse without hot water. Adams added that ultimately Divine and Van Smith decided to sleep at Susan Lowe's home in Baltimore, and that they would awake before dawn to apply Divine's makeup before being driven to the set by Jack Walsh. "Sometimes Divy would have to wait out in full drag for Jack to pull the car around from back, and cars full of these blue-collar types on their way to work would practically mount the pavement from gawking at him," Adams said.

Divine's mother, Frances, later said she was surprised that her son was able to endure the "pitiful conditions" of the set, noting his "expensive taste in clothes and furniture and food".

Shot on a budget of only $10,000, Pink Flamingos is an example of Waters' style of low-budget filmmaking inspired by New York underground filmmakers like Kenneth Anger, Andy Warhol, and brothers Mike and George Kuchar. Stylistically, it takes its cues from "exaggerated seaport ballroom drag-show pageantry and antics" with "classic '50s rock-and-roll kitsch classics." Waters' idiosyncratic style—also characterized by its "homemade Technicolor" look, the result of high amounts of indoor paint and make-up—was dubbed the "Baltimore aesthetic" by art students at Providence. Waters' rough editing added "random Joel-Peter Witkin-esque scratches and Stan Brakhage-moth-wing-like dust marks" to the film, apart from sound delays between shots. Waters has stated that Armando Bo's 1969 Argentine film Fuego influenced not only Pink Flamingos, but his other films: "If you watch some of my films, you can see what a huge influence Fuego was. I forgot how much I stole. ... Look at Isabel's makeup and hairdo in Fuego. Dawn Davenport, Divine's character in Female Trouble, could be her exact twin, only heavier. Isabel, you inspired us all to a life of cheap exhibitionism, exaggerated sexual desires and a love for all that is trash-ridden in cinema."

Music

The film used a number of mainly single B-sides and a few hits of the late 1950s/early 1960s, sourced from John Waters' record collection, and without obtaining rights. After rights were obtained, a soundtrack CD coincided with the 25th anniversary release of the film on DVD in 1997.

The song "Happy, Happy Birthday, Baby" is used as a replacement for "Sixteen Candles", which appeared in the original 1972 cut of the film; for the 1997 reissue, "Sixteen Candles" could not be used in the film or the soundtrack due to copyright problems. The original release had also used a brief excerpt of Igor Stravinsky's The Rite of Spring, which was removed for the re-release.

The film had its premiere in late 1972 at the third Annual Baltimore Film Festival, held on the campus of the University of Baltimore, where it sold out tickets for three successive screenings; the film had aroused particular interest among fans of underground cinema following the success of Multiple Maniacs, which had begun to be screened in cities such as New York, Philadelphia, and San Francisco.

 
The Joyce Theater in 2009; this building formerly housed the Elgin Theater, where Pink Flamingos was screened as a midnight movie in the early 1970s.

Being picked up by the then-small independent company New Line Cinema, Pink Flamingos was later distributed to Ben Barenholtz, the owner of the Elgin Theater in New York City. At the Elgin Theater, Barenholtz had been promoting the midnight movie scene, primarily by screening Alejandro Jodorowsky's acid western film El Topo (1970), which had become a "very significant success" in "micro-independent terms". Barenholtz felt that being of an avant-garde nature, Pink Flamingos would fit in well with this crowd, subsequently screening it at midnight on Friday and Saturday nights.

The film soon gained a cult following of filmgoers who would repeatedly come to the Elgin Theatre to watch it, a group Barenholtz would characterize as initially composed primarily of "downtown gay people, more of the hipper set", but, after a while Barenholtz noted that this group eventually broadened, with the film becoming popular with "working-class kids from New Jersey who would become a little rowdy," too. Many of these cult cinema fans learned all of the lines in the film, and would recite them at the screenings, a phenomenon which would later become associated with another popular midnight movie of the era, The Rocky Horror Picture Show (1975).

Ban

The film was initially banned in Switzerland and Australia, as well as in some provinces in Canada and Norway. The film was eventually released uncut on VHS in Australia in 1984 with a X rating, but distribution of the video has since been discontinued. The 1997 version was cut by the distributor to achieve an R18+ after it was also refused classification. No submissions of the film have been made since, but it has been said that one of the reasons for which it was banned (as a film showing unsimulated sex cannot be rated X in Australia if it also features violence, so the highest a film such as Pink Flamingos could be rated is R18+) would now not apply, given that the depiction of unsimulated sex was passed within the R18+ rating for Romance in 1999, two years following Pink Flamingos' re-release.

Home media

Pink Flamingos was released on VHS and Betamax in 1981, and the re-release in 1997 by New Line Home Video became the second best-selling VHS for its week of release. The film was released in the John Waters Collection DVD box set along with the original NC-17 version of A Dirty Shame, Desperate Living, Female Trouble, Hairspray, Pecker, and Polyester. The film was also released in

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