Persuasion 1995 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

The film opens by cutting back and forth between scenes of a naval ship carrying Admiral Croft (John Woodvine), and a buggy carrying Mr. Shepherd (David Collings) and his daughter Mrs. Clay (Felicity Dean) to Kellynch Hall. Shepherd and Clay are accosted by creditors due to the debts owed by the residence's owner, Sir Walter Elliot (Corin Redgrave), while Croft discusses the end of the Napoleonic Wars with fellow men of the navy. Sir Walter, a vain foppish baronet, is faced with financial ruin unless he retrenches. Though Sir Walter initially opposes the idea, he eventually agrees to temporarily move to Bath while the hall is let; the idea came from Shepherd, family friend Lady Russell (Susan Fleetwood), and Sir Walter's second eldest daughter, the intelligent Anne (Amanda Root).

Anne is visibly upset upon learning that the new tenant of Kellynch Hall will be Admiral Croft, who is the brother-in-law of Frederick Wentworth (Ciarán Hinds)—a naval captain she was persuaded to reject in marriage eight years previously because of his lack of prospects and connections. Wentworth is now wealthy from serving in the Wars, and has returned to England, presumably to find a wife. Later, Anne expresses to Lady Russell her unhappiness at her family's current financial predicament, and her past decision to reject the captain's proposal of marriage. Anne visits her other sister Mary (Sophie Thompson), a hypochondriac who has married into a local farming family. Anne patiently listens to the various complaints confided in her by each of the Musgrove family; this includes Mary's husband Charles, sisters-in-law Louisa (Emma Roberts) and Henrietta (Victoria Hamilton), and parents-in-law Mr and Mrs Musgrove (Roger Hammond and Judy Cornwell).

Captain Wentworth comes to dine with the Musgroves, but Anne avoids going when she volunteers to nurse Mary's injured son. The following morning at breakfast, Anne and Mary are suddenly met briefly by Wentworth, the first time he and Anne have seen each other since she rejected him. Anne later hears that Wentworth thought her so altered that he "would not have known again". Louisa and Henrietta begin to pursue marriage with Wentworth, as the family is unaware of his and Anne's past relationship. Hurt and rejected by Anne's refusal years before, Wentworth appears to court Louisa, much to Anne's chagrin. Later, Wentworth learns Anne also was persuaded by Lady Russell to refuse Charles' offer of marriage, after which Charles instead proposed to Mary.

Anne, Wentworth, and the younger Musgroves go to Lyme and visit two of Wentworth's old naval friends, Captain Harville (Robert Glenister) and Captain Benwick (Richard McCabe). While there, Louisa rashly jumps off a staircase in the hopes Wentworth will catch her, sustaining a head injury. Afterwards, Anne goes to Bath to stay with her father and sister. Sir Walter and Elizabeth reveal they have repaired their relationship with a previously disreputable cousin, Mr. Elliot (Samuel West), the heir to the Elliot baronetcy and estate. Anne is introduced to him, and they realise they briefly saw each other in Lyme. Much to Lady Russell's pleasure, Mr. Elliot begins to court Anne, but she remains uncertain of his true character. Meanwhile, Louisa has recovered and become engaged to Captain Benwick. Wentworth arrives in Bath and encounters Anne on several occasions, though their conversations are brief.

Anne learns from an old friend, Mrs. Smith (Helen Schlesinger), that Mr. Elliot is bankrupt and only interested in marrying Anne to help ensure his inheritance from her father. Anne also is told that Mr. Elliot wishes to keep the baronet from possibly marrying Mrs. Clay to produce a male heir. Soon after, Wentworth overhears Anne talking with Captain Harville about the constancy of a woman's love, and writes her a letter declaring that he still cares for her. Anne quickly finds him and the two happily walk off down a street, arm in arm. That night at a party, Wentworth announces his intention to marry Anne, much to Mr. Elliot's consternation. The final scene shows Wentworth and Anne on a naval ship, happy to be together.

Conception and adaptation

The filming of Persuasion coincided with a sudden resurgence of Jane Austen adaptations, as it was one of six such productions released during the mid-1990s. The media dubbed the phenomenon "Austenmania". While it was common for a successful adaptation to lead to the production of others, this surge in Austen's popularity involved many simultaneous projects—Persuasion's production, for instance, coincided with the TV serial Pride and Prejudice and the feature film Sense and Sensibility. Despite the surge, film scholar Andrew Higson and others argue that there is little evidence that the various producers—who were employed by different companies—communicated when conceiving their adaptations.

The idea for a film version of the 1817 Austen novel Persuasion began with the English producer Fiona Finlay, who had wanted to create an adaptation for several years. The novel had last been adapted by ITV in a 1971 serial starring Ann Firbank. Finlay felt that the "very romantic" story was one "everyone can relate to. There's something very touching about long-lost love". She approached the writer Nick Dear about adapting it for television; Finlay had enjoyed his contributions to theatre, particularly his play about William Hogarth, The Art of Success. Dear first suggested they try one of Austen's other works—either Sense and Sensibility or Pride and Prejudice—but agreed to adapt Persuasion after reading it. Dear considered the novel—the author's last completed work—a maturer story than the others.

Dear later wrote that Persuasion was superficially "a love story in the Cinderella mould" but it was also one of "realism and truthfulness", particularly in telling the story of two people separated and then reunited. He spent two years working on a script, and found this task difficult for several reasons. First, he needed to find a structure that would be faithful to the novel. Second, his protagonist barely spoke for the first half, and "therefore can't motor the action along as a central character conventionally does". Adapting Austen's wit was another challenge; much could not be used "because it's almost all in the author's voice telling us about characters, with a certain wit or lightness that came from the characters themselves. It's a craft job, interpreting the novel for oneself and then finding a film language for it".

An experienced theatre and serial director, Roger Michell was chosen to direct Persuasion, in what was to be his first feature film. As a young child, Michell had been an admirer of Austen's, which set him apart from his male classmates. "I was the only boy in my class who took Austen as a special paper", he said. His attraction to Persuasion was based on his belief that it was Austen's most emotional and poignant novel, as well as her most autobiographical. He described the work as an "erotic love story which is full of sexual yearning". While directing, Michell sought to emphasise contrasts in Austen's story, seen for instance between "the chilly formality of Kellynch Hall and the warm, wet feel of Uppercross". The Royal Navy was another point of interest, as officers like Wentworth would often have returned to society wealthy and full of stories. The director wished to depict the integration of cultures, as naval officers came back with "an informality of behaviour and language which was in marked contrast to what was there before".

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