Passion 1982 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Jerzy is a Polish director, making a film at a studio in Switzerland which contains a series of tableaux vivants. His producer László is impatient because there is no apparent story to the film and Jerzy keeps delaying and cancelling shoots, repeatedly citing difficulties with the lighting. During the filming, Jerzy gets involved with two local women: Isabelle, an earnest young factory worker with a stutter, and Hanna, the worldly German owner of the motel where the crew are staying. Hanna is married to Michel, a difficult man with a chronic cough who owns the factory where Isabelle works.

Isabelle is fired from her job and attempts to organize her fellow workers to strike – not for her sake, but for their own. The film crew is meanwhile recruiting factory workers as extras for the tableaux that Jerzy is shooting. Jerzy continues to search for the right lighting in the studio and to try to manage an increasingly unruly group of extras. At the same time he is trying to continue his relationship with Hanna, with whom he has shot some test footage that the two review together while discussing the intersection of love and work. Jerzy is also taken with Isabelle, who also wants to merge love and work. She tries to get Jerzy involved with her cause and to make meaningful connections with the film crew, asking them why films never show people working.

Finally, Isabelle and Jerzy have an intimate encounter and Isabelle gives up her virginity. She accepts a payoff from Michel, her fellow workers having abandoned their half-hearted attempt at a strike. László secures more money for the film but Jerzy feels the tug of the dramatic events of the Solidarity movement in Poland and of his family back there. Feeling unable to complete the project, he leaves for Poland without either Isabelle or Hanna but instead with a waitress from the motel. Isabelle and Hanna connect up with each other and also decide to go to Poland.

• Jerzy Radziwilowicz - Jerzy
• Isabelle Huppert - Isabelle
• Hanna Schygulla - Hanna
• Michel Piccoli - Michel
• László Szabó – László
• Myriem Roussel – One of the nude models
• Sophie Loucachevsky - Sophie

Though the original paintings which the tableaux vivants portray are frozen in space and time and can be studied at leisure in two dimensions, in silence, the film makes them three-dimensional. The camera moves around the actors, who move in and out of position, the lighting varies and recorded classical music plays. However, viewers are given no chance to appreciate any of the tableaux in any depth because only partial views are shown for relatively brief moments.

Rembrandt

The Night Watch is intercut with views of Isabelle working in the factory. There is discussion over what story the painting is telling, or whether it has no story at all, over its intricate construction, and over the source and intensity of its lighting. These three themes echo throughout Passion, which has continuing arguments over the significance of plot, the relationships between characters, and the inadequacies of artificial light (symbolising the artificiality of cinema itself).

Goya

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  The Parasol

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  The Third of May 1808

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  La Maja Desnuda

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  The Family of Charles IV

Accompanied by the Introitus of Mozart's Requiem, elements of four Goya paintings are shown. At first only the woman from the apparently innocent pastoral scene of The Parasol can be seen, who then walks towards the firing squad in Third of May 1808 and is enmeshed in the horrors of war. In the background can be glimpsed La Maja Desnuda, exuding sexual allure, while actors are getting ready for Charles IV of Spain and His Family. Inserted are shots of Isabelle asleep in her apartment.

Ingres

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  The Valpinçon Bather

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  The Turkish Bath

Paintings of nude women in Turkish baths, such as The Valpinçon Bather and The Turkish Bath, are only recreated in fragments, interrupted by episodes in the motel and in the factory. The naked actresses in the studio continue the theme of desire, typified by the Naked Maja, while the outside scenes reprise the world of work. When Jerzy is not content with the lighting, as usual, the producer asks him what is «the right light». He responds by plunging the studio into darkness, to show that it is a place where lighting can never match reality, and draws a comparison between Hanna, a woman open to the light, and Isabelle who is opaque. However, Jerzy does persuade Isabelle to be one of the naked models.

Delacroix

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  The Entry of the Crusaders in Constantinople

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  Jacob wrestling with the Angel

In these tableaux, which recreate the Entry of the Crusaders in Constantinople and Jacob wrestling with the Angel, there is a high degree of movement. Knights on horseback circle restlesly around the set of the Greek city, while Jerzy himself becomes part of the scene when he begins a wrestling match with the actor playing the Angel.

El Greco

Set to Fauré’s Requiem, the tableau of the Assumption of the Virgin has parallel scenes in the motel involving Jerzy and Isabelle, who admits she is still a virgin.

Watteau

The Embarkation for Cythera is only shown in disjointed fragments, after it becomes evident that the film is never going to be completed, and the camera stays far away, giving a dispassionate documentary air to the empty ship and isolated couples. Significantly, it is the only tableau in the open air exploiting natural light.