Pan%27s Labyrinth full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In a fairy tale, Princess Moanna, whose father is the king of the underworld, visits the human world, where the sunlight blinds her and erases her memory. She becomes mortal and dies. The king believes that eventually, her spirit will return to the underworld, so he builds labyrinths (which act as portals) around the world in preparation for her return.

In 1944 Francoist Spain, protagonist Ofelia travels with her pregnant but sickly mother Carmen to meet Captain Vidal, her new stepfather. Vidal, the son of a famed commander who died in Morocco, believes strongly in Falangism and has been assigned to hunt down republican rebels.

A large stick insect, which Ofelia believes to be a fairy, leads Ofelia into an ancient stone labyrinth, but she is stopped by Vidal's housekeeper Mercedes, who is secretly supporting her brother Pedro and other rebels. That night, the insect appears in Ofelia's bedroom, where it transforms to a fairy and leads her through the labyrinth. There, she meets the faun, who believes she is the reincarnation of Princess Moanna. He gives her three tasks to complete in order for her to acquire immortality and return to her kingdom. Meanwhile, Vidal murders two local farmers detained (erroneously) on suspicion of helping the rebels.

Ofelia completes the first task — retrieving a key from the belly of a giant toad — but becomes worried about her mother, whose condition is worsening. The faun gives Ofelia a mandrake root, which seems to ease Carmen's illness. Accompanied by three fairy guides, Ofelia then completes the second task—retrieving a dagger from the lair of the Pale Man, a child-eating monster. Although she was warned not to consume anything there, she eats two grapes, awakening the Pale Man. He eats two of the fairies and chases Ofelia, but she manages to escape. Infuriated at her disobedience, the faun refuses to give Ofelia the third task.

Vidal interrogates and tortures a captive rebel. He asks Doctor Ferreiro to tend to the captive, whom Ferreiro euthanizes instead. Vidal realizes that Ferreiro is a rebel collaborator and kills him. Simultaneously, Vidal catches Ofelia tending to the mandrake root, which he considers delusional. Carmen agrees and throws the root into the fire. She immediately develops painful contractions and dies giving birth to a son.

Vidal discovers that Mercedes is also a spy. Mercedes and Ofelia secretly leave but are caught. Ofelia, mistaken as a traitor, is locked in her bedroom, while Mercedes is taken to be interrogated and tortured. Mercedes frees herself, stabs Vidal, and rejoins the rebels. The faun returns to Ofelia to give her a chance for the third task and tells her to bring her baby brother into the labyrinth. Ofelia complies and Vidal pursues her as the rebels launch an attack on the outpost.

Ofelia meets the faun at the center of the labyrinth. The faun suggests drawing a few drops of the baby's blood, as completing the third task and opening the portal to the underworld requires the blood of an innocent. Ofelia refuses to harm her brother. Vidal finds Ofelia talking to the faun, whom he cannot see. The faun leaves, and Vidal takes the baby from Ofelia's arms before shooting her.

Vidal returns to the labyrinth's entrance, where he is met by the rebels. Knowing that he will be killed, he hands the baby to Mercedes, demanding that she tell his son the exact time of his father's death. Mercedes says that the child will not even know his father's name, and Pedro shoots and kills Vidal.

Mercedes enters the labyrinth and comforts a motionless but breathing Ofelia. Drops of Ofelia's blood fall down the center of the spiral stone staircase onto an altar. Ofelia, well dressed and uninjured, then appears in a golden throne room. The king of the underworld says that she passed the real final test, which was to choose to spill her own blood rather than that of an innocent. The faun praises Ofelia for her choice, and addresses her as "Her Majesty". The queen of the underworld, her mother, invites Ofelia/Moanna to sit next to her father, and rule at his side. Back in the stone labyrinth (in the real world), Ofelia smiles as she passes.

The epilogue completes the tale of Princess Moanna, stating that she ruled wisely and left quiet traces of her time in the human realm "visible only to those who know where to look."

• Ivana Baquero as Ofelia / Princess Moanna, a child who comes to believe she is the reincarnation of a princess from the underworld. Del Toro said he was nervous about casting the lead role, and that finding the 10-year-old Spanish actress was purely accidental. (The film was shot from June–October 2005, when she was 11.) "The character I wrote was initially younger, about 8 or 9, and Ivana came in and she was a little older than the character, with this curly hair which I never imagined the girl having. But I loved her first reading, my wife was crying and the camera woman was crying after her reading and I knew hands down Ivana was the best actress that had shown up, yet I knew that I needed to change the screenplay to accommodate her age." Baquero says that Del Toro sent her lots of comics and fairy tales to help her "get more into the atmosphere of Ofelia and more into what she felt". She says she thought the film was "marvelous", and that "at the same time it can bring you pain, and sadness, and scariness, and happiness".
• Sergi López as Captain Vidal, Ofelia's new stepfather and a Falange officer. Del Toro met with López in Barcelona, a year and a half before filming began, to ask him to play Vidal. In parts of Spain, López was considered a melodramatic or comedic actor, and the Madrid-based producers told Del Toro, "You should be very careful because you don't know about these things because you're Mexican, but this guy is not going to be able to deliver the performance"; del Toro replied "Well, it's not that I don't know, it's that I don't care". Of his character, López said: "He is the most evil character I've ever played in my career. It is impossible to improve upon it; the character is so solid and so well written. Vidal is deranged, a psychopath who is impossible to defend. Even though his father's personality marked his existence—and is certainly one of the reasons for his mental disorder—that cannot be an excuse. It would seem to be very cynical to use that to justify or explain his cruel and cowardly acts. I think it is great that the film does not consider any justification of fascism."
• Maribel Verdú as Mercedes, Vidal's housekeeper. Del Toro selected Verdú to play the compassionate revolutionary because he "saw a sadness in her which he thought would be perfect for the part".
• Doug Jones as the Faun and the Pale Man. As the Faun, Jones guides Ofelia to the fantasy world. As the Pale Man, he plays a grotesque monster with an appetite for children. Jones had previously worked with del Toro on Mimic and Hellboy, and said the director sent him an email saying, "You must be in this film. No one else can play this part but you." Jones responded enthusiastically to an English translation of the script, but then found out the film was in Spanish, which he did not speak. Jones says he was "terrified" and del Toro suggested learning the script phonetically, but Jones rejected this, preferring to learn the words himself. He said, "I really, really buckled down and committed myself to learning that word for word and I got the pronunciation semi-right before I even went in," using the five hours a day he spent getting the costume and make-up on to practice the words. Del Toro later decided to dub Jones with the voice of Pablo Adán, "an authoritative theatre actor", but Jones's efforts remained valuable because the voice actor was able to match his delivery with Jones's mouth movements. Jones's dual casting is intended to suggest that the Pale Man (along with the toad) is either a creation of the Faun, or the Faun himself in another form.
• Ariadna Gil as Carmen / Queen of the Underworld, Ofelia's mother and Vidal's wife.
• Álex Angulo as Doctor Ferreiro, a doctor in the service of Vidal, but an anti-Francoist.
• Manolo Solo as Garcés, one of Vidal's lieutenants.
• César Vea as Serrano, one of Vidal's lieutenants.
• Roger Casamajor as Pedro, Mercedes' brother and one of the rebels.
• Federico Luppi as King of the Underworld, Ofelia's father
• Pablo Adán as Narrator / Voice of Faun

Influences

The idea for Pan's Labyrinth came from Guillermo del Toro's notebooks, which he says are filled with "doodles, ideas, drawings and plot bits". He had been keeping these notebooks for twenty years. At one point during production, he left the notebook in a taxi in London and was distraught, but the cabbie returned it to him two days later. Though he originally wrote a story about a pregnant woman who falls in love with a faun, Sergi López said that del Toro described the final version of the plot a year and a half before filming. Lopez said that "for two hours and a half he explained to me all the movie, but with all the details, it was incredible, and when he finished I said, 'You have a script?' He said, 'No, nothing is written'". López agreed to act in the movie and received the script one year later; he said that "it was exactly the same, it was incredible. In his little head he had all the history with a lot of little detail, a lot of characters, like now when you look at the movie, it was exactly what he had in his head".

Del Toro got the idea of the faun from childhood experiences with "lucid dreaming". He stated on The Charlie Rose Show that every midnight, he would wake up, and a faun would gradually step out from behind the grandfather's clock. Originally, the faun was supposed to be a classic half-man, half-goat faun fraught with beauty. But in the end, the faun was altered into a goat-faced creature almost completely made out of earth, moss, vines, and tree bark. He became a mysterious, semi-suspicious relic who gave both the impression of trustworthiness and many signs that warn someone to never confide in him at all.

Del Toro has said the film has strong connections in theme to The Devil's Backbone and should be seen as an informal sequel dealing with some of the issues raised there. Fernando Tielve and Íñigo Garcés, who played the protagonists of The Devil's Backbone, make cameo appearances as unnamed guerrilla soldiers in Pan's Labyrinth. Some of the other works he drew on for inspiration include Lewis Carroll's Alice books, Jorge Luis Borges' Ficciones, Arthur Machen's The Great God Pan and The White People, Lord Dunsany's The Blessing of Pan, Algernon Blackwood's Pan's Garden and Fra