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Out 1, also referred to as Out 1: Noli Me Tangere, is a 1971 French film directed by Jacques Rivette. It is indebted to Honoré de Balzac's La Comédie humaine, particularly the History of the Thirteen collection (1833–35). Known for its length of nearly 13 hours, the film is divided into eight parts around 90–100 minutes each.

Out 1
British poster
Directed byJacques Rivette
Suzanne Schiffman (co-director)
Produced byStéphane Tchalgadjieff
Written byJacques Rivette (scenario)
Suzanne Schiffman (scenario)
Honoré de Balzac (inspired by)
StarringJean-Pierre Léaud
Juliet Berto
Michèle Moretti
Michael Lonsdale
Bernadette Lafont
Bulle Ogier
Françoise Fabian
Hermine Karagheuz
Music byJean-Pierre Drouet
CinematographyPierre-William Glenn
Edited byNicole Lubtchansky
Distributed bySunshine Productions
Release date
  • 9 October 1971 (1971-10-09)
Running time
773 minutes
CountryFrance
LanguageFrench

The vast length of Out 1 allows Rivette, like Balzac, to construct multiple loosely connected characters with independent stories whose subplots weave amongst each other and continually uncover new characters with their own subplots. A shorter version of the film exists, and its Spectre subtitle was chosen for the name's ambiguous and various indistinct meanings, while the Noli me tangere ("touch me not") subtitle for the original version is clearly a reference to it being the full-length film as intended by Rivette.

The film's experimentation with parallel subplots was influenced by André Cayatte's two-part Anatomy of a Marriage (1964), while the use of expansive screen time was first toyed with by Rivette in L'amour fou (1969). The parallel narrative structure has since been used in many other notable films, including Krzysztof Kie?lowski's Dekalog and Lucas Belvaux's Trilogie, which includes Un couple épatant, Cavale and Après la vie, to name a few. Each part begins with a title in the form of "from person to person" (usually indicating the first and last characters seen in each episode), followed by a handful of black and white still photos recapitulating the scenes of the prior episode, then concluded by showing the final minute or so (in black and white) of the last episode before cutting into the new episode itself (which is entirely in color).

Out 1 received 13 votes in the 2012 Sight & Sound critics' poll of the greatest films ever made, resulting in a final ranking of 127th.

Screenplay

When asked why the film is called Out 1, Rivette responded, "I chose 'Out' as the opposite of the vogue word 'in', which had caught on in France and which I thought was silly. The action of the film is rather like a serial which could continue through several episodes, so I gave it the number 'One'."

From the starting image of a small group of actors lying down with their legs bent back toward themselves, Rivette again focuses his film on rehearsals for a play, a motif present in both L'amour fou and his debut feature Paris nous appartient (1960); in particular, he extends L'amour fou's relentless reportage-style examination of the continual development of a play under rehearsal (in that case Jean Racine's Andromaque) and its effects on the director and his wife. In the case of Out 1, the two main anchors of the film are two different theater groups each rehearsing a different Aeschylus play (Seven Against Thebes and Prometheus Bound), and the film does not particularly privilege any character within these groups more than any other. External to these two groups, two outsiders peripheral to the theater are featured: Colin (Jean-Pierre Léaud), a young man who believes that there may be a real-life Thirteen group in operation, and Frédérique (Juliet Berto), a young swindler who happens to steal letters which may prove to be communication between members of the Thirteen. Other featured characters include Emilie (Bulle Ogier), who runs a local hangout under the name Pauline and whose husband, Igor, has been missing for six months. Michael Lonsdale plays Thomas, the director of the Prometheus Bound group, and there are cameos by directors Barbet Schroeder and Éric Rohmer, who plays a Balzac professor in a scene of both plot exposition and comic relief.

The first few hours of the film alternate between documentary-style scenes observing the two troupes' rehearsals, Colin soliciting money from cafe patrons as a deaf man by playing irritating harmonica tunes, and Frédérique stealing money through a variety of deceptions. The plot gradually develops when Colin receives three mysterious messages in quick succession containing cryptic references to "the Thirteen" and to Lewis Carroll's The Hunting of the Snark. He quickly connects this to Balzac and begins a quixotic quest to uncover what the messages mean and who the Thirteen are. Sometime afterwards, Frédérique casually interrupts a businessman, Etienne, playing chess against himself at home; when she has the room to herself briefly, she attempts to locate a stash of money but instead steals a collection of letters. Sensing that they refer to some sort of secret society, she attempts to sell them to several of the correspondents in exchange for either money or more information on the group, but fails to gain any information. Only Emilie buys the letters, but only because they refer to her husband.

The Seven Against Thebes production takes on a newcomer, Renaud, to assist in the production, but he quickly begins to take over more and more of the creative direction of the piece from Lili, who recedes into the background in disgust. Their fortunes appear high when Quentin wins a million francs at the races, but during the ensemble's celebration, Renaud steals all the cash; the production is cancelled and the members undertake a futile search for Renaud, spreading out all across Paris with a photo of him to try to discover his whereabouts. Thomas brings in old friend Sarah to help work through a creative block on Prometheus Bound, but she instead causes a rift within the group and the play is abandoned after another player leaves for unrelated reasons. It turns out that Thomas's block was largely due to his break-up with Lili after being with her personally and professionally for seven years.

Thomas also is revealed to be a key member of the Thirteen, although the group never really was fully functional and had agreed to go into a period of dormancy two years earlier. Ironically, a chance encounter between Colin and Thomas motivates the latter to suggest reviving the Thirteen to Etienne, who is reluctant because the group never really did anything to begin with. One of the main correspondents in Etienne's letters, Pierre, is frequently discussed but never seen, and is described alternately as sinister and childlike. After reading the contents of the letters sold to her by Frédérique, Emilie prepares packages to be sent to major Parisian newspapers containing photocopies of these letters and purporting to disclose the existence of a scandal involving Pierre setting up Igor. Since Pierre and Igor are both members of the Thirteen, members of the group are forced to reconstitute to prevent the disclosure, and Thomas, Etienne and the ruthless lawyer Lucie de Graffe (Françoise Fabian) meet to discuss what to do.

Frédérique eventually meets up with the young man that her gay friend Honey Moon (Michel Berto) is infatuated with, who turns out to be Renaud; the two become married in a blood ritual, but she suspects that he may be a member of another secret society even more sinister than the Thirteen. After seeing him associate with a local gang, she draws a gun on him, but warns him – causing him to turn around and shoot instantly, killing her.

Colin gives up on the idea of the Thirteen, while it is quietly suggested during a discussion between two other members of the Thirteen, Lucie de Graffe and the cynical professor named Warok (Jean Bouise), that perhaps Pierre was the author of the messages to Colin and has been the invisible hand behind much of the plot, because he misses the Thirteen and wants to either restore it or replace it with young blood like Colin. Several of the characters retreat in the end to Emilie's small seaside house in Normandy called "the Obade" (another Balzacian reference, see "Ferragus"), where she breaks down in front of Sarah, confessing her love for Colin (who had been courting her earlier) and Igor at the same time. Her dilemma is solved at the end, when she receives a call from Igor telling her to meet him in Paris. She and Lili set off for Paris.

Thomas remains behind on the beach at the Obade with two of his actors and has a drunken hysterical episode there, when he pretends to collapse on the sand. His actors are worried and frantically try to revive him. When he reveals his jest, they walk away in disgust and get in the car to go back to Paris. Thomas is left alone on the beach, crying and laughing at the same time, stranded at the Obade and for the first time in the film, part of no group whatsoever. The film then quickly cuts to a completely unrelated shot of Marie, an actress from the Thebes group who still seems to be searching for the missing Renaud and the money he stole. A golden statute of a Greek goddess, perhaps Athena, towers above her. The shot is held for a second before fading out.

  • Achille (Sylvain Corthay): Actor in Prometheus Bound troupe. Accompanies Thomas and Rose to the Obade at the end of the film.
  • Arsenal (Marcel Bozonnet): Actor in Seven Against Thebes troupe. Vaguely knew Renaud and introduced him to the rest of the group. Also known as Nicolas, Papa, or Theo.
  • Balzac specialist (Éric Rohmer): Professor whom Colin contacts (while still pretending to be a deaf man) to attempt to discover some further clues as to the possibility of the existence of the Thirteen in real life.
  • Beatrice (Edwine Moatti): Actress in Prometheus Bound troupe. Is a confidant and possibly lover of Thomas. Engages in a threesome with Thomas and Sarah. Her relationship with the Ethnologist is broken off when he announces his intention to depart for the Basque region for work. This also causes her to leave the troupe.
  • Bergamotte (Bernadette Onfroy): Actress in Prometheus Bound troupe.
  • Colin (Jean-Pierre Léaud): Young outsider who pretends to be a deaf whilst playing a harmonica for money around Parisian cafes. Receives three messages from Pierre, which set him off to try to uncover a real-life "Thirteen" in the vein of the Balzac novels. Falls in love with Pauline after numerous meetings at her store. Makes many connections through his investigations, but ultimately fails to find any cooperative parties and abandons his belief in the Thirteen.
  • Elaine (Karen Puig): Actress in Seven Against Thebes troupe. Alerts Lucie when Lili goes missing for several days (which turns out to be a trip with Emilie to the Obade).
  • Emilie (Bulle Ogier): Member of the Thirteen. Name that Pauline goes by at home. With Lili she murders the courier and hides his body in the basement of the shop. Wife to Igor and mother of two children with him. His disappearance six months earlier causes her to buy Pierre's letters from Frédérique; these refer to the disappearance. Despite Sarah's admonitions, she plans to send photocopies of the letters to newspapers in order to discover what is going on; however, Iris winds up burning them behind her back. Leaves for Obade, where she confesses her love for Colin and Igor to Sarah. Igor calls her not long after and tells her to meet him in Paris. She leaves with Lili. See Pauline.
  • The Ethnologist (Michel Delahaye): Romantic interest of Beatrice. Breaks up with her when he announces his departure to the Basque region for work. Beatrice leaves Prometheus Bound shortly afterwards because of this.
  • Etienne (Jacques Doniol-Valcroze): Member of the Thirteen. Frederique steals his letters during an attempted con and tries to sell them off for money and information about the group. Meets with Thomas to discuss the revival of the group and later with Thomas and Lucie to discuss how to control Emilie's potential contact with newspapers.
  • Faune (Monique Clement): Actress in Prometheus Bound troupe.
  • Frédérique (Juliet Berto): Young petty thief who deceives and exploits men only as long as she needs to get into their wallets. Her only friend and confidant is Honey Moon, a gay barfly played by Juliet Berto's real-life husband Michel Berto. She finds Etienne's letters while looking for his money and takes them instead. Starts calling the correspondents to sell them for money, but begins to try to make sense of the information referring to the Thirteen and also asks for information, particularly from Lucie. Meets Honey Moon's crush, who turns out to be Renaud, and has a blood wedding with him. After suspecting his involvement in a secret society, she follows him and causes him to shoot her dead before he realizes who she is.
  • Georges (unseen): Member of the Thirteen. Lili's current boyfriend.
  • Gian-Reto (Barbet Schroeder): Hanger-on at Pauline's store.
  • Honey Moon (Michel Berto): Gay confidant of Frédérique who borrows money from her, incites her to disrupt black market pornographers. He is infatuated with Renaud, and this eventually leads to Frédérique seeking out Renaud.
  • Igor (unseen): Emilie's husband and father of her two young children. Member of the Thirteen. Been missing since leaving for work six months ago. Discussed in Etienne's letters, some of which Emilie buys from Frédérique. At the film's end Emilie receives a phone call from Igor asking her to meet him in Paris at Warok's.
  • Iris (Ode Bitton): Pregnant nanny of Emilie and Igor's children. Solves their problem by giving to Thomas Emilie's letters to the newspapers which would have revealed the Thirteen and scandalized Pierre.
  • Lili (Michèle Moretti): Director of the Seven Against Thebes troupe, formerly involved with Thomas. May be involved with Quentin. Gradually recedes from the production as Renaud's influence expands. Accidentally takes a picture of Renaud which the troupe uses to try to get someone from the public to identify him. Member of the Thirteen.
  • Lucie (Françoise Fabian): Lawyer with whom Lili renews contact after a long silence. Member of the Thirteen. Correspondent in some of Etienne's letters. Is contacted by Frédérique and meets her, but instead takes some of the letters from her.
  • Marie (Hermine Karagheuz ): Actress in the Seven Against Thebes troupe. Delivers one of Pierre's messages to Colin, which clearly seems to make her a member of the Thirteen. Last character seen in the film, standing next to a Paris monument.
  • Marlon (Jean-François Stevenin): Thug with a criminal history who is an acquaintance of Frédérique. She encounters him in a bar, and he bizarrely beats her, but she pickpockets him during the beating.
  • Max (Louis Julien): Quentin's son. Suggests the Seven Against Thebes troupe use Lili's photograph of Renaud to ask members of the public if they've seen him around.
  • Nicolas (Marcel Bozonnet): Actor in Seven Against Thebes troupe. Vaguely knew Renaud and introduced him to the rest of the group. Also known as Arsenal, Papa, or Theo.
  • Papa (Marcel Bozonnet): Actor in Seven Against Thebes troupe. Vaguely knew Renaud and introduced him to the rest of the group. Also known as Arsenal, Nicolas, or Theo.
  • Pauline (Bulle Ogier): Name that Emilie goes by at her store where local youths hang out. Co

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