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Onmy?ji (???) is a 2001 Japanese film directed by Y?jir? Takita. It tells of the exploits of famed onmy?ji Abe no Seimei, who meets and befriends bungling court noble, Minamoto no Hiromasa. Together they protect the capital of Heian-ky? against an opposing onmy?ji, D?son, who is secretly plotting the downfall of the emperor.

Onmy?ji
Japanese film poster
Directed byY?jir? Takita
Produced by
  • Kazuya Hamana
  • Tetsuji Hayashi
  • Nobuyuki T?ya
  • Takashi Hirano
  • Wataru Tanaka
  • Yutaka Okawa
Screenplay by
  • Yasushi Fukuda
  • Baku Yumemakura
  • Itaru Era
Based onOnmy?ji
by Baku Yumemakura
Starring
  • Mansai Nomura
  • Hideaki It?
  • Hiroyuki Sanada
Narrated byMasane Tsukayama
Music by
  • Shigeru Umebayashi
  • Isao Tomita
Cinematography
  • Naoki Kayano
  • Tatsuya Osada
Edited by
  • Isao Tomita
  • Nobuko Tomita
Production
companies
  • Tohokushinsha Film Corp.
  • Tokyo Broadcasting System
  • Dentsu
  • Kadokawa Shoten Publishing Co.
  • Toho
Distributed byToho
Release date
  • October 6, 2001 (2001-10-06) (Japan)
Running time
116 minutes
CountryJapan
LanguageJapanese
Box office¥3,010 million

A sequel, Onmy?ji 2, appeared in 2003. Both movies are based on the Onmy?ji series of novels by author Baku Yumemakura, which also inspired a manga series by Reiko Okano.

Screenplay

The Heian period was a time when human beings and various supernatural beings still coexisted with each other, the latter occasionally causing trouble to humans. Practitioners of the art of onmy?d?, the onmy?ji, were held to be able to control and subdue these malevolent entities and other paranormal phenomena, and were thus held in high regard, being employed by the imperial court.

In Heian-ky?, nobleman Minamoto no Hiromasa meets court onmy?ji Abe no Seimei, a mysterious man about whom many rumors have been told. On a dare by some courtiers, Seimei demonstrates his exceptional skills in onmy?d? by killing a butterfly without touching it (i.e. casting a spell on a leaf which then flies and cuts through it).

Hiromasa later visits Seimei at the latter's home, where he sees Seimei's shikigami in human form, one of whom was Mitsumushi, the butterfly he had killed (and subsequently revived) earlier. Seimei joins Hiromasa in inspecting a mysterious gourd growing from a pine tree in Lord Kaneie's house; Seimei reveals the gourd to have been caused by a curse cast by a former lover of Kaneie who committed suicide.

One night, Hiromasa impresses an unseen lady on an oxcart with his flute playing. Unbeknownst to him, this woman is Sukehime, Minister of the Right Fujiwara no Motokata's daughter and one of the current emperor's wives, who is worried that she is losing the emperor's favor as another wife, Lady T?ko, the daughter of Minister of the Left Fujiwara no Morosuke, had just given birth to a baby boy, who is to be the heir to the throne.

Meanwhile, the head onmy?ji of the imperial Bureau of Onmy?, D?son, is secretly plotting to overthrow the emperor by trying to awaken the vengeful spirit of Prince Sawara, who had died 150 years ago. Wrongfully accused of treason by his brother, the Emperor Kanmu, Sawara committed suicide, but not before swearing eternal vengeance on the Son of Heaven (i.e. the emperor). When D?son curses the emperor's newborn son, Prince Atsuhira, to be possessed by an evil spirit, Seimei combats his spells and drives the demon away with the help of Hiromasa and the immortal Lady Aone, who was ordered by Kanmu to guard the burial mound where Prince Sawara's spirit is sealed away.

Hiromasa once again meets Sukehime (again unseen by Hiromasa) on the oxcart. He confesses his feelings for Sukehime, who he calls 'Lady of the Full Moon' (???? Mochizuki no kimi), but Sukehime, who still loves the emperor, rejects his advances.

Both Seimei and Aone are put under arrest by Motokata and accused of cursing the infant prince. They are saved in the nick of time by Morosuke, who points out it is unlawful to kill a court onmy?ji without imperial permission. D?son, who is implied to be behind the allegation, enchants one of the imperial police to attack the two; Aone is severely wounded, but proves to be unharmed due to her immortality.

Taking advantage of Sukehime's jealousy against T?ko, D?son uses his powers to turn her into a namanari (a woman halfway to becoming an oni) that harasses both T?ko and the newborn Atsuhira. Seimei uses onmy?d? to transform straw effigies into the likenesses of the Emperor and the infant prince. Sukehime arrives and assaults the effigies, thinking them to be the real emperor and Atsuhira. The emperor, moved by a waka poem she recites (the same poem Hiromasa hears the lady on the oxcart recite earlier), speaks out loudly, breaking Seimei's spell. Hiromasa, recognizing Sukehime to be his 'Lady of the Full Moon', steps in to accost her.

Sukehime briefly comes back to her senses when Seimei removes a paper talisman attached to her back, but D?son doubles his efforts, and she completely transforms into an oni. When Hiromasa sacrifices himself by allowing her to bite on his arm, Sukehime comes back to her senses once more and kills herself with Hiromasa's tachi. In her final moments, Sukehime - now a human once more - begs to hear Hiromasa's flute one last time.

Seimei shoots an arrow with the paper talisman towards the sky, ordering the curse to go back to its sender. The arrow, now on fire, lands in D?son's secret lair, burning it to the ground. D?son, swearing vengeance on Seimei, finally releases the spirit of Prince Sawara from its confinement in the burial mound. Sawara's ghost enters D?son's body and summons a horde of vengeful spirits to attack Heian-ky?. Aone reveals to Seimei that he and Hiromasa are foretold by the stars to become the two protectors of the city: one cannot survive without the other. She, Seimei and Mitsumushi then go off in search of Hiromasa.

D?son makes his way to the imperial palace. Hiromasa tries to stop him in his tracks, but he is no match for his superhuman abilities; he is mortally wounded when D?son throws back an arrow Hiromasa shot towards him. Seimei and Aone find him, but it is too late. Aone suggests that Seimei resurrect Hiromasa by performing the rite of Taizan-fukun, the Chinese god of the dead (????? Taizan-fukun no matsuri), offering to sacrifice her immortality and life to do so.

Hiromasa, brought back to life by the ritual, and Seimei go to face D?son. Aone's spirit, speaking through Hiromasa's body, convinces Sawara to give up his hatred. While Sawara at first refuses to do so, he is finally moved by the prospect of being with Aone - who was the prince's lover during his lifetime - forever; he then passes peacefully with Aone into the afterlife. Although now without Sawara's spirit to empower him, D?son resumes the fight. Seimei, using his wits, traps D?son within a magical barrier. Finally admitting defeat, D?son slashes his throat with the sword from Sawara's burial mound.

At the end of the movie, Seimei and Hiromasa drink sake together in Seimei's house. Hiromasa teases Seimei for crying when he died and reflects on what Seimei said to him earlier: that the human heart can turn one into a demon or a buddha. Seimei tells Hiromasa that he is a 'very good man'; Hiromasa answers, "So are you." The two share a laugh together.

  • Mansai Nomura as Abe no Seimei (????): An exceptionally talented onmy?ji whose very origins are shrouded in mystery. Although an onmy?ji of the imperial court, he initially shows little regard for it or Heian-ky? itself, preferring instead to stay home with his shikigami and drink sake, yet eventually finds himself fulfilling his destined role as the capital's protector along with Hiromasa.
  • Hideaki It? as Minamoto no Hiromasa (???): A nobleman in the court with a bumbling personality skilled in playing the flute. Although wary of onmy?ji at first, he eventually becomes close friends with Seimei, being destined to become the guardian of Heian-ky? along with him.
  • Eriko Imai as Mitsumushi (??): A butterfly killed by Seimei as a display of his power and subsequently brought back to life. She now serves him as one of his shikigami.
  • Hiroyuki Sanada as D?son (??): The head of the Bureau of Onmy? (??? Onmy?-ry?), he secretly plots the downfall of the imperial line and attempts to use the vengeful spirit of Prince Sawara to further his goals.
  • Ittoku Kishibe as the Emperor (? Mikado): Loosely based on the historical Emperor Murakami (reigned 946–967), who was the reigning emperor in the year the story takes place (944 CE). The emperor's newborn son and heir is named 'Atsuhira' (??) in the film, which is actually the name of a later emperor (Go-Ichij?, reigned 1016-1036). The historical son and successor of Murakami, Emperor Reizei, was named 'Norihira' (??).
  • Ken'ichi Yajima as Fujiwara no Morosuke (????): The Emperor's Minister of the Left. The historical Morosuke was in reality Emperor Murakami's Minister of the Right.
  • Akira Emoto as Fujiwara no Motokata (????): The Emperor's Minister of the Right, who, at D?son's instigation falsely accuses Seimei of cursing the newborn Prince Atsuhira (which was actually D?son's doing). The historical Motokata had been a Dainagon under Murakami.
  • Sachiko Kokubu as T?ko (??): The Emperor's consort and Morosuke's daughter who bears him Prince Atsuhira. Based on the historical Fujiwara no Anshi (aka Yasuko).
  • Yui Natsukawa as Sukehime (??): Motokata's daughter and one of the Emperor's wives. Her son, Prince Hirohira, was originally supposed to be the heir to the throne; the birth of Atsuhira, however, caused her to be sidelined. She is enamored by Hiromasa's flute playing; Hiromasa, in turn, falls in love with her, unaware of her true identity. D?son later takes advantage of her jealousy against T?ko and Atsuhira to turn her into an oni.
  • Masato Hagiwara as Prince Sawara (???? Sawara-shinn?): An imperial prince who died swearing vengeance on the imperial throne 150 years before the story takes place. D?son seeks to awaken and harness his spirit in order to depose the current emperor.
  • H?ka Kinoshita as Emperor Kanmu (???? Kanmu-tenn?): Prince Sawara's elder brother who charged him with treason, driving Sawara to suicide. Fear of Sawara's restless spirit led Kanmu to move the capital from Nagaoka-ky? to Heian-ky? and to pacify Sawara's ghost by sealing it inside a burial mound.
  • Ky?ko Koizumi as Aone (??): A woman who was Prince Sawara's lover in life. Rendered immortal by consuming the flesh of a mermaid 150 years ago, she was appointed by Kanmu to ensure that Sawara's spirit will never reawaken.
  • Ken'ichi Ishii as Fujiwara no Kaneie (????): A nobleman who finds a gourd growing out of a pine tree in his house, which was actually the manifestation of a curse laid by a jilted lover of his who had killed herself.
  • Kenji Yamaki as Tachibana no Ukon (???): Captain of the imperial police force, the Kebiishi (????), who arrests Seimei. He is later seen fighting his men who have been possessed by spirits summoned by D?son.
  • Hitomi Tachihara as Ayako (??): Another one of the Emperor's wives worried that he is spending more time with T?ko.
  • Ni'ichi Shinhashi as Nagamasa (??)
  • Kenjir? Ishimaru as Kanmu's head onmy?ji
  • Masane Tsukayama as Narrator

Dub cast

  • Terrence Stone: Abe no Seimei
  • Brandon Jones: Minamoto no Hiromasa
  • Steve Kramer: D?son
  • Simon Prescott: Emperor
  • Richard Cansino: Fujiwara no Morosuke
  • Tom Wyner: Fujiwara no Motokata
  • Helen Storm: T?ko
  • Mona Marshall: Sukehime
  • Tony Oliver: Prince Sawara
  • Kari Wahlgren: Aone
  • Bob Papenbrook: Tachibana no Ukon
  • Jim Taggert: Nagamasa

Onmy?ji was released theatrically in Japan on October 6, 2001 where it was distributed by Toho. The film was a commercial success grossing ¥3,010,000,000 ($36,567,313) becoming the 4th highest earning Japanese production of 2001. The film was also giving a limited theater release in North America where it grossed $16,234 in 3 theaters.

It was released in the United States on April 18, 2003 under the title Onmyoji - The Yin Yang Master. It was followed by the sequel Onmy?ji 2 in 2003.

The film won the awards for Best Sound Recording and the Mainichi Film Concours and Best Sound at the Japanese Academy Awards.

  • Tokyo: The Last Megalopolis: A blockbuster fantasy film which, along with its source novel Teito Monogatari, are widely credited with starting the "onmy?ji boom" in Japanese popular culture.
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