One Million Years B.c. full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Akoba (Robert Brown) leads a hunting party into the hills to search for prey. One member of the tribe traps a warthog in a pit, and then Akoba's son Tumak (John Richardson) kills it. The tribe brings it home for dinner and Tumak is later banished to the harsh desert because of a fight over a piece of meat with Akoba. After surviving many dangers such as a giant iguana, ape men, Brontosaurus and a giant spider, he collapses on a remote beach, where he is spotted by "Loana the Fair One" (Raquel Welch) and her fellow fisher-women of the Shell tribe. They are about to help him when an Archelon (which is three times the size of the actual prehistoric Archelon) makes its way to the beach. Men of the Shell tribe arrive and drive it back into the sea. Tumak is taken to their village, where Loana tends to him. Scenes follow emphasising that the Shell tribe is more advanced and more civilized than the Rock tribe. They have cave paintings, music, delicate jewelry made from shells, agriculture, and rudimentary language;– all things Tumak seems to have never before encountered.

When the tribe women are fishing, an Allosaurus attacks. The tribe flees to their cave, but in the panic, a small girl is left trapped up a tree. Tumak seizes a spear from Ahot (Jean Wladon), a man of the Shell tribe, and rushes forward to defend her. Emboldened by this example, Loana runs out to snatch the child to safety, and Ahot and other men come to Tumak's aid, one of the men being killed before Tumak is finally able to kill the dinosaur. In the aftermath, a funeral is held for the dead men – a custom which Tumak disdains. Leaving the funeral early, he re-enters the cave, and attempts to steal the spear with which he had killed the Allosaurus. Ahot, who had taken back the spear, enters and is angered by the attempted theft, and a fight ensues. The resulting commotion attracts the rest of the tribe, who unite to cast Tumak out. Loana leaves with him, and Ahot, in a gesture of friendship, gives him the spear over which they had fought.

Meanwhile, Akoba leads a hunting party into the hills to search for prey but loses his footing while trying to take down a ram. Tumak's brother Sakana (Percy Herbert) tries to kill their father to take power. Akoba survives, but is a broken man. Sakana is the new leader. While this is happening, Tumak and Loana run into a battle between a Ceratosaurus (as with the Archelon, the Ceratosaurus is twice the size as the actual creature) and a Triceratops; the Triceratops eventually wins, charging its opponent and leaving it stunned. The outcasts wander back into the Rock tribe's territory and Loana meets the tribe, but again there are altercations. The most dramatic one is a fight between Tumak's current love interest Loana and his former lover "Nupondi the Wild One" (Martine Beswick). Loana wins the fight but refuses to strike the killing blow, despite the encouragement of the other members of the tribe. Meanwhile, Sakana resents Tumak and Loana's attempts at incorporating Shell tribe ways into their culture.

While the cave people are swimming – seemingly for the first time, and inspired by Loana's example – they are attacked by a female Pteranodon. In the confusion, Loana is snatched into the air by the creature, and dropped bleeding into the sea, when a giant thieving Rhamphorhynchus intervenes. Loana manages to stagger ashore while the two pterosaurs battle and then falls down. Tumak arrives but is only greeted by the sounds of the victorious Rhamphorhynchus eating the Pteranodon's young, actually believing it is eating Loana.

Tumak initially believes her dead. Sakana then leads a group of like-minded fellow hunters in an armed revolt against Akoba. Tumak, Ahot and Loana (who had staggered back to her tribe after the Pteranodon dropped her into the sea), and other members of the Shell tribe arrive in time to join the fight against Sakana. In the midst of a savage hand-to-hand battle, a volcano suddenly erupts: the entire area is stricken by earthquakes and landslides that overwhelm both tribes. As the film ends, Tumak, Loana, and the surviving members of both tribes emerge from cover to find themselves in a ruined, near-lunar landscape. They all set off – now united – to find a new home.

• Raquel Welch as Loana
• John Richardson as Tumak
• Percy Herbert as Sakana
• Robert Brown as Akhoba
• Martine Beswick as Nupondi
• Jean Wladon as Ahot

The exterior scenes were filmed on Lanzarote and Tenerife in the Canary Islands in the middle of winter. The film features the Echium wildpretii plant, as a homage to Tenerife's unique endemic flora. However, the plants are set in scenes filmed on the Lanzarote beach. In actuality, this plant only flowers from May to June. It is found in Tenerife mountain zones higher than 1,600 m (5,200 ft). As there were no active volcanoes in the Canary Islands, the studio had to construct a 6–7 ft (2 meter) high volcano on the Associated British Picture Corporation's studio back lot. The eruption, lava explosions and lava flows were composed of a mixture of wallpaper paste, oatmeal, dry ice and red dye. Harryhausen filmed the dinosaur visuals in his personal studio in London.

The film was written by Brian Clemens, with script polishing by Harold Pinter, Edward Albee, and Tom Stoppard.

As the Shell people are attacked by a giant turtle, the women call it Archelon which is the real scientific name for the animal. The film uses three live creatures: a green iguana, a warthog and a tarantula (a cricket can be seen at the tarantula's side). Ray Harryhausen was asked repeatedly about these unanimated creatures, and he confessed they were his idea. At the time, he felt the use of real creatures would convince the audience that all of what they were about to see was indeed real.

Shortly after, Tumak encounters a dinosaur skeleton, which helped build audience anticipation for further dinosaur encounters. This supposedly massive skeleton was actually only about 12 inches in length, made of plaster and shot against a blue backing and matted into the foreground.

The scene where the Allosaurus attacks the village is similar to one in the original film. Shortly after the creature appears it plucks a man out of the water. They used an actor suspended on wires and Harryhausen positioned an animated model man over the actor, on the rear projection plate; thus it seemed as if the live actor was being eaten. Another technically complex scene in this part of the film was when a man fighting the Allosaurus is trapped under a shelter: the dinosaur grabs a support and collapses it. The team used a full-size shelter rigged to collapse at that point during the action. Harryhausen then placed a miniature part in the creature's mouth which, when all lined up on the rear projection plate, blended in perfectly. The final significant scene in this sequence is when Tumak impales the creature on a spear from below. John Richardson, the actor who played Tumak, held nothing in the long shots and pretended to have a pole in his hands, but he did hold a pole in the close-up shots. A miniature pole was built and used for the long shots. It was placed in the studio in front of Richardson's hands, and then Ray animated the Allosaurus suspended on wires in front of John, on top of the miniature pole.

The Pteranodon sequence took much time to create, primarily because of how hard it would be to make a model pterosaur pick up a real woman. However the solution was simple: Instead of using a large crane on location, the crew had Raquel Welch fall behind a rock, and then the model Pteranodon swoops down and flies off with a model of Welch, which was substituted during the single second in which she is behind the rock and not visible. Later, when the creature takes her to its nest, the nest was matted into the scene atop a real rock face by double printing the film. For the Pteranodon and Rhamphorhynchus fight scene, when she is dropped into the water, Harryhausen and the crew released her from two dummy rubber Pteranodon claws and while the real Welch fell onto a mattress, the film cut to a long shot of the Welch model suspended on wires.

Robert Brown (Akhoba) wears makeup similar to that worn by Lon Chaney, Jr. in the same role in the 1940 version, One Million B.C.

Originally Hammer offered the role of Loana to Ursula Andress. When Andress passed on the project due to commitments and salary demands, a search for a replacement resulted in the selection of Welch. Welch, who had finished doing Fantastic Voyage for Fox, was under contract to the studio (who held US distribution rights for the film) and was told by studio President Richard Zanuck that she would be loaned out to Hammer for the production. Although reluctant, Welch said that the selling point was the chance to spend six to eight weeks of filming in London (while shooting interiors) during the height of its "swinging" period.

Fur bikini

Welch wore a bikini made of