Of Gods And Men Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

The film opens with a quotation from the Book of Psalms, Psalm 82:6–7: "I have said, Ye are gods; and all of you are children of the most High. But ye shall die like men, and fall like one of the princes." The monks' peaceful routine of prayer, medical assistance, and community interaction is soon interrupted by the threat of an Islamic fundamentalist group. When their elected leader, Christian (Lambert Wilson), declines the protection of the corrupt civil authority, the monks divide amongst themselves on the question of whether to stay or flee Algeria. Before a decision is reached, a group of fundamentalists, led by Ali Fayattia, enters the monks' compound in force on Christmas Eve and demands their doctor and his medical supplies. Christian refuses their requests and cites the Quran as proof of the monks' goodwill. With a mixture of surprise and respect, Fayattia leaves the compound and grants it his protection until his capture, torture and death at the hands of government forces. Despite the growing danger, the monks come to consensus on the moral importance of maintaining their committed lives with, and ministry to, the local population, even when faced with violence and death. Ultimately, the terrorists seize most of the monks during a nighttime raid and hold them hostage. As the captive monks trudge a snowy path towards a grim fate, the film concludes with the spiritual testament of Prior Christian de Chergé, bravely written in the face of death.

• Lambert Wilson as Christian
• Michael Lonsdale as Luc
• Olivier Rabourdin as Christophe
• Philippe Laudenbach as Célestin
• Jacques Herlin as Amédée
• Loïc Pichon as Jean-Pierre
• Xavier Maly as Michel
• Jean-Marie Frin as Paul
• Abdelhafid Metalsi as Nouredine
• Sabrina Ouazani as Rabbia
• Abdallah Moundy as Omar
• Olivier Perrier as Bruno
• Farid Larbi as Ali Fayattia
• Adel Bencherif as the terrorist

In 1996, seven French Trappist monks from the monastery of Tibhirine, Algeria, were kidnapped and found beheaded. The Armed Islamic Group of Algeria claimed full responsibility for the incident. However, according to documents from French secret services, it is possible that the killings were a mistake carried out by the Algerian army during a rescue attempt.

A scholarly book on the events was published in 2002, John W. Kiser's The Monks of Tibhirine: Faith, Love, and Terror in Algeria.

The film project was initiated by Etienne Comar in 2006, when the tenth anniversary of the incident made it a topic again in French media. Comar, a film producer by profession and a Catholic, had been fascinated by the monks since the earliest news of the abduction, but felt that their death had overshadowed what he thought was really interesting: why they had decided to stay in Algeria despite the ongoing Algerian Civil War. Comar contacted Xavier Beauvois in 2008 after having written a draft, and together they continued to work on the screenplay. The two researched, met with theologians, and during a break Beauvois chose to live for six days at the Tamié Abbey in Savoie. Some inspiration was taken from writings by two of the Tibhirine monks, Christian de Chergé and Christophe Lebreton. Franco-American monastic consultant Henry Quinson was asked to correct and add historical and liturgical content for further authenticity. The script was later sent to relatives of the deceased monks, most of whom reacted positively to the project.

The financing coincided with the revelation of the Algerian army's possible involvement in the incident, which once again sparked an interest for the story from media and the public. Production was led by Why Not Productions with Armada Films and France 3 as co-producers. Financial support was granted by the CNC. The budget was €4 million euro.

As preparation for their roles, François Polgar, the former assistant director of the choir of the Paris Opera, former director of Le Chœur de Radio France and director of The Paris Boys Choir, trained for a month the actors who were to play monks in the Cistercian and Gregorian chants. Each actor also spent a week living as a monk at the Tamié Abbey. The actors used different approaches to their individual roles. Lambert Wilson primarily used Christian de Chergé's writings to develop a subjective perception of the monk's personality. Xavier Maly, a non-Catholic, prepared himself by praying every day for a month. Jean-Marie Frin based his interpretation partially on a home video from Paul Favre-Miville's vow. Michael Lonsdale on the other hand preferred to rely on instinct, and did not prepare much at all.

Filming started in early December 2009 in Meknes, Morocco, and ended two months later. The main filming location was the Benedictine monastery of Toumliline, which had stood unused and unattended for more than 40 years. The film team, under production designer Michel Barthélémy, renovated the monastery so it would resemble the location of the actual events. Quinson who had assisted with the screenplay was also present on the set as an advisor. Attention was paid to extras' clothing and Arabic intonation so that they would look and sound Algerian and not Moroccan.

The film premiered on 18 May 2010 in competition at the 63rd Cannes Film Festival. It was the second time a film directed by Beauvois was selected for the festival; he had previously won the 1995 Jury Prize for Don't Forget You're Going to Die. Of Gods and Men was released in France on 8 September through Mars Distribution. It was launched on 252 screens, which after two weeks had been increased to 424, and further during the third week to 442. Artificial Eye released it in the United Kingdom on 3 December 2010. Sony Pictures Classics acquired the distribution rights for the United States, Australia and New Zealand.

Critical response

Review aggregation website Rotten Tomatoes gives the film a score of 93% based on reviews from 112 critics, with an average score of 8.1/10. The site's consensus reads, "Patient and restrained, Of Gods and Men asks deep, profound questions that will linger in the audience's mind long after the movie." Metacritic gave the film a weighted score of 86/100, based on 29 reviews, which it ranks as "universal acclaim". Le Monde's Isabelle Regnier wrote: "We can, we must, even, consider this film as a profession of faith. But it is in the cinema where Beauvois always has placed his own, and where he places it here more than ever. Confident in the talent of his cinematographer, Caroline Champetier, ... he signs a powerful and stripped mise en scène ... Relying on the arid majesty of the Atlas' landscapes (Moroccan for the filming), the milky purity of monks' robes, the rhythm of the ritual, Xavier Beauvois plays with the tracking shots with a breathtaking mastery". Didier Péron of the left-wing newspaper Libération was positive overall, but remarked: "Of Gods and Men would no doubt have lost in grandeur and lyricism ... what it would have gained in political content if it had specifically questioned the place of the monks and the profound role of their unctuous paternalism versus a failing state and among a deprived population."

In the United Kingdom, Tom Dawson of Total Film gave the film four stars out of five, and Tim Robey rated it three out of five in The Daily Telegraph. Both critics praised the performances of Wilson and Lonsdale. Dawson called the film a "masterful drama", and Robey wrote: "It's a grave and thoughtful film, and certainly not a bad one, for all my twinges of scepticism about how deep its insights really go." Robey's main complaint concerned the ending of the film: "There's one serious mistake, in a picture that's almost passive-aggressively careful in most of its scenes: a last supper, while the monks sip wine, look at each other in silent, welling close-ups, and Tchaikovsky's Swan Lake overture crescendoes over the top. Those last three words are operative – Beauvois could hardly milk this emotional catharsis more coercively if he came down the aisles handing out tissues." Dawson on the other hand approved of the scene's manner: "The Last Supper-style sequence, where the monks listen to Swan Lake and share red wine, is particularly affecting." Radio critic Mark Kermode gave an extremely positive review of the film, later ranking it as the 2nd best film of 2010.

Box office

362,671 tickets were sold during the first five days of the French theatrical run. This can be compared to the director's last film, The Young Lieutenant,