November 2004 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

On the evening of November 7, photographer Sophie Jacobs (Cox) and her attorney boyfriend Hugh (LeGros) go to dinner at a Chinese restaurant. As they travel home afterward, Sophie develops a craving for "something sweet" and stops their car at a convenience store. While Hugh is in the store buying some chocolate for Sophie, an armed man (Carey) arrives and holds up the store, shooting the store clerk, his son, and Hugh dead. He runs away as Sophie arrives.

Sophie sinks into a deep depression, and cannot bring herself to erase Hugh's voice from their apartment's answering machine. She consults her psychiatrist, Dr. Fayn (Dunn), about persistent headaches that she has been suffering from since his death. She tells Dr. Fayn that the headaches started to occur before the incident at the convenience store, and that she had been having an affair with a co-worker, Jesse (Ealy). After Hugh's death Sophie has dinner with her mother, Carol Jacobs (Archer), who accidentally knocks a glass over.

During a college photography class that she teaches, Sophie sets up a slide projector for the students to showcase their best photographs. One slide in the slide show depicts the exterior of the convenience store on the evening of November 7. Sophie contacts Officer Roberts (Offerman), the head of the investigation into the shootings at the convenience store, who is as puzzled as she is as to who is responsible for the photos. Sophie's headaches continue, and she begins to hear strange noises coming from within her apartment building and mysterious voices on the phone. Later, Officer Roberts discovers that the photo of the convenience store was paid for with Sophie's credit card.

The film presents two more different versions of these events, and Sophie must figure out which is real before she loses grip on her sanity, and her life. The second version suggests that Sophie was present at the shootings and was only spared because the shooter ran out of bullets, and the third suggests both Sophie and Hugh were killed. In the words of Cox, her character "goes through three phases. First there's denial. Then she feels guilty and sad about the situation. Then she has to learn to accept it." According to Greg Harrison, the events in the film were Sophie's memories as she and Hugh lay dying on the floor of the convenience store: "Each movement of this memory was her process of coming to terms with the terrible trauma, which was that she was killed for absolutely no reason, and it was some random act of violence she couldn’t confront". He added he felt November was "open-ended" enough that he hoped viewers would "come up with the most beautiful stories themselves that are very different from how I saw it."

The film's original script was written by Benjamin Brand, who had written and sold several unproduced screenplays to studios. Brand had served as an assistant to producer Danielle Renfrew on the film Groove (2000), which Greg Harrison had directed. Brand, Renfrew and Harrison were friends, and were living in their hometown of San Francisco developing separate projects at "mini-major" studios which, according to Renfrew, were "wallowing in development hell". Brand then read a newspaper story about a shooting during the robbery of a store, in which the robber had hidden the body of the proprietor behind the counter and then taken the proprietor's place at the counter as customers came in. Inspired by the story and its setting, as well as experiences in his own life (he had once been a teacher of photography at the Academy of the Arts), Brand wrote a screenplay and presented it to Renfrew and Harrison. They were both impressed; Harrison said it was "fascinating ... kind of an abstract exercise in narrative, which I thought was exciting and bold".

Brand and Harrison worked through several drafts of the script over the following six months. Harrison, who cited the "terrible, terrible" experience of coping with the death of a close friend as one of his personal inspirations for the film, focused their efforts on inserting a more profound element of emotion into the script; in his words they were "trying to express the subjective experience of trauma". Once they and Renfrew were satisfied with their work, the group began pitching the project to various production companies. Renfrew consciously chose to avoid taking the project to major Hollywood studios such as 20th Century Fox or Warner Bros.; instead, she opted for "smaller companies who were interested in doing something off of center". A breakthrough was achieved after a meeting with director Gary Winick, who had established a company in New York City called InDigEnt. The company specialised in backing low-budget films shot on digital video such as Personal Velocity (2002), Tadpole (2002) and Pieces of April (2003). Greg Harrison's debut film Groove had impressed executives at the company, and John Sloss of Cinetic Media said, "November is exactly the kind of sharp and invigorating material that has made InDigEnt what it is".

Before the development of the film, Harrison had cast actress Courteney Cox in a Garry Trudeau-scripted ensemble film being developed at Fox Searchlight. Cox was a comic actress widely known for her role on the television sitcom Friends and had participated in only a handful of more serious productions. While the Garry Trudeau project was intended as a comedy, Harrison said he felt Cox was "very capable of drama and was very willing and wanted to transcend her comedic persona" when they had first met. The project did not enter production, but when Harrison began casting for November, Cox became a prime candidate for the lead role. He offered her the part without an audition: "Courteney's biggest challenge is redefining herself ... I knew I could bring something out of her that people haven't seen before", he said. Cox, who said she is more similar to her character in November than her Friends character, Monica Geller, said, "I wanted to make November because it's fascinating, confusing, ambiguous, eerie and makes you think. There aren't that many movies where you leave the theater and want to talk about them". She added, "it was trying to take you through a woman's experience of tragedy and through all the stages. I loved that".

Harrison, Brand and Renfrew intended the film to be set and shot in San Francisco, but problems arose with their proposal. Cox had a commitment to Friends, which was in production in Los Angeles, and the film's production costs did not allow the entire production team to relocate to northern California for the duration for the shoot. The film-makers were forced to shoot in Los Angeles, but Renfrew later expressed no regret in their decision: "We wanted the story to take place in an anonymous urban area. And I think we were successful in doing that".

Production finally began on May 19, 2003, and took place on Cox's days off from her Friends shooting schedule. Renfrew's home in Los Angeles stood in for the apartment of Cox's character in the film. The budget did not allow the luxury of trailers, but with some persuading, neighbouring apartments were converted into staging areas. For her role Cox donned glasses with thick frames, and had her hair cut by seven inches and a grey streak dyed into it. Harrison said, "She's seen in the fashion world as glamorous, a pop icon from Friends, so how to dress her down, and also make her body feel different. I had her wear those clothes around the house to feel like a different person".

The film's cinematographer was Nancy Schreiber, who had never before shot a film on Mini-DV. Harrison intended the shifts between chapters of the film—and Sophie's emotions—to be signalled visually, and he instructed Schreiber to employ different colour casts accordingly. For the opening robbery scenes (which recur throughout the film), Schreiber purchased two Panasonic AG-DVX100 cameras with white balance and color temperature controls. She used them with lighting gels and sodium street lamps that surrounded the real-life convenience store where the crew was shooting to make the image appear green. A similar process was used in the second movement of the narrative, which was bathed in orange to represent Sophie's despair, while white expressed "acceptance" in the film's third and final act. To help achieve a blue colour cast for the first phase of the film ("denial"), Schreiber surrounded the shooting locations with machines that pumped smoke across the set. Cinematographer and Sundance Film Festival judge Frederick Elmes commented of Schreiber's work, "She lit it and used colors in a way that the camera responded. And I don't think that's the kind of thing you do by accident. That's completely designed".

Harrison applauded the speed of Mini-DV for allowing such a short shoot: "We could shoot with multiple cameras at times, which helped us in our schedule". He also cited the advantages Mini-DV had in post-production, estimating that 75%–80% of the visual and sound design processing had been performed on desktop computers. November was shot in fifteen days on a budget of $150,000, and post-production costs were the same – a typical production model for films produced by InDiGent. Of the tight schedule and production costs, Harrison said, "I don't recommend shooting a movie that way and I don't want to do it again to be honest. It's really, really taxing".

Once shooting had wrapped, Harrison entered the editing room and constructed the film over the course of eighteen weeks, occasionally consulting colleagues such as Sarah Flack (editor of The Limey (1999) and Lost in Translation (2003)). Harrison, who had started out in the film industry as an editor, noted the strong involvement of key creative personnel throughout the pre-production, production and post-production stages, and called it "kind of a more holistic approach to post-production". He described the experience of editing the film alone (for the most part) as "brutal" and "exhausting", but he said he was satisfied with his work nonetheless. When asked about the film's seventy-three-minute running time, Renfrew said that Harrison "let the story and the film dictate the length as opposed to trying to force it to be any particular length".

November was included in the Official Selection at the Sundance Film Festival, and received its first public screening there on January 18, 2004. For her work on the film, the festival's Excellence in Cinematography Award went to Nancy Schreiber, who said it was "quite a shock, since it was on mini-dv and we were up against films shot on film". Reviews were generally positive; Guylaine Cadorette said the film was "sure to garner buzz" outside of the fest, while Variety's Todd McCarthy wrote that the film was "a stylistic tour de force dedicated more to constructing a cinematic puzzle than to providing dramatic satisfaction". Producers were reluctant to sell the picture to a distributor quickly, and Roger Friedman of Fox News commented that they "may have overplayed their hand in juggling offers". The film w