Notorious 1946 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In April 1946, Alicia Huberman (Ingrid Bergman), the American daughter of a convicted Nazi spy, is recruited by government agent T. R. Devlin (Cary Grant) to infiltrate an organization of Nazis who have moved to Brazil after World War II. When Alicia refuses to help the police, Devlin plays recordings of her fighting with her father and insisting that she loves America.

While awaiting the details of her assignment in Rio de Janeiro, Alicia and Devlin fall in love, though his feelings are complicated by his knowledge of her promiscuous past. When Devlin gets instructions to persuade her to seduce Alex Sebastian (Claude Rains), one of her father's friends and a leading member of the group, Devlin fails to convince his superiors that Alicia is not fit for the job. Devlin is also informed that Sebastian once was in love with Alicia. Devlin puts up a stoic front when he informs Alicia about the mission. Alicia concludes that he was merely pretending to love her as part of his job.

Devlin contrives to have Alicia meet Sebastian at a riding club. He recognizes her and invites her to dinner where he says that he always knew they would be reunited. Sebastian quickly invites Alicia to dinner the following night at his home, where he will host a few business acquaintances. Devlin and Captain Paul Prescott of the US Secret Service (Louis Calhern) tell Alicia to memorize the names and nationalities of everyone there. At dinner, Alicia notices that a guest becomes agitated at the sight of a certain wine bottle, and is ushered quickly from the room. When the gentlemen are alone at the end of the dinner, this guest apologizes and tries to go home, but another of the Nazi group insists on driving him (to his death).

Soon Alicia reports to Devlin, "You can add Sebastian's name to my list of playmates." When Sebastian proposes, Alicia informs Devlin; he coldly tells her to do whatever she wants. Deeply disappointed, she marries Sebastian.

After she returns from her honeymoon, Alicia is able to tell Devlin that the key ring her husband gave her lacks the key to the wine cellar. That, and the bottle episode at the dinner, lead Devlin to urge Alicia to hold a grand party so he can investigate. Alicia secretly steals the key from Sebastian's ring, and Devlin and Alicia search the cellar. Devlin accidentally breaks a bottle; inside is black sand (later proven to be uranium ore). Devlin takes a sample, cleans up, and locks the door as Sebastian comes down for more champagne. Alicia and Devlin kiss to cover their tracks. Devlin makes an exit. Sebastian realizes that the cellar key is missing – yet overnight it is returned to his key ring. When he returns to the cellar, he finds the glass and sand from the broken bottle.

Now Sebastian has a problem: he must silence Alicia, but cannot expose her without revealing his own blunder to his fellow Nazis. When Sebastian discusses the situation with his mother (Leopoldine Konstantin), she suggests that Alicia "die slowly" by poisoning. They poison her coffee and she quickly falls ill. During a visit from Sebastian's friend Dr. Anderson, Alicia realizes both where the uranium has been mined and what is causing her sickness. (Sebastian and his mother prevent Dr. Anderson from drinking from Alicia's cup). Alicia collapses and is taken to her room, where the telephone has been removed and she is too weak to leave.

Devlin is alarmed when she fails to appear at their next rendezvous and sneaks into Alicia's quarters, where she tells him that Sebastian and his mother poisoned her. After confessing his love for her, Devlin carries her out of the mansion in full view of Sebastian's co-conspirators. Sebastian goes along with Devlin's story that Alicia must go to the hospital. Outside, Sebastian begs to go with them, knowing that the Nazis suspect the truth, but Devlin and Alicia drive away, leaving Sebastian to face his deadly fellows.

Cast notes

Biographer Patrick McGilligan writes that "Hitchcock rarely managed to pull together a dream cast for any of his 1940s films, but Notorious was a glorious exception." Indeed, with a story of smuggled uranium as a backdrop, "he romantic pairing of Grant and Bergman promised a box office bang comparable to an atomic blast."

Not everyone saw it that way, however, most notably the project's original producer David O. Selznick. After he sold the property to RKO to raise some quick cash, Selznick lobbied hard to get Grant replaced with Joseph Cotten; the United States had just dropped atomic bombs on Japan and Selznick argued that the first film out about atomic weaponry would be the most successful—and Grant was not available for three months. Selznick also believed that Grant would be difficult to manage and make high salary demands, but most telling of all—Selznick owned Cotten's contract. Hitchcock and RKO production executive William Dozier invoked a clause in the project sale contract, blocked Selznick's attempts, and Grant was signed to play opposite Bergman by late August 1945.

Hitchcock had wanted Clifton Webb to play Alexander Sebastian. Selznick pressed for Claude Rains in typical Selznick memo-heavy style: "Rains offers 'an opportunity to build the gross of Notorious enormously... .o not lose a day trying to get the Rains' deal nailed down.'" Whether they were thinking in Selznick's box office terms or in more artistic ones, Dozier and Hitchcock agreed, and Rains' performance transformed Sebastian into a classic Hitchcock villain: sympathetic, nuanced, in some ways as admirable as the protagonist. The final major casting decision was Mme. Sebastian, Alex's mother. "The spidery, tyrannical Nazi matron demanded a stronger, older presence", and when attempts to obtain Ethel Barrymore and Mildred Natwick fell through, German actor Reinhold Schünzel suggested Leopoldine Konstantin to Hitchcock and Dozier. Konstantin had been one of pre-war Germany's greatest actresses. Notorious was Konstantin's only American film appearance, and "one of the unforgettable portraits in Hitchcock's films".

Alfred Hitchcock's cameo appearance, a signature occurrence in his films, takes place at the party in Sebastian's mansion. At 1:04:43 (1:01:50 on European DVDs and 64:28 of the edited cut) into the film, Hitchcock is seen drinking a glass of champagne as Grant and Bergman approach. He sets his glass down and quickly departs.

Preproduction

Notorious started life as a David O. Selznick production, but by the time it hit American screens in August 1946, it bore the RKO studio's logo. Alfred Hitchcock became the producer, but as on all his subsequent films, he limited his screen credits to "Directed by" and his possessive credit above the title.

Its first glimmer occurred some two years previously, in August 1944, over lunch between Hitchcock and Selznick's story editor, Margaret McDonell. Her memo to Selznick said that Hitchcock was "very anxious to do a story about confidence tricks on a grand scale Ingrid Bergman the woman... Her training would be as elaborate as the training of a Mata Hari." Hitchcock continued his conversation a few weeks later, this time dining at Chasen's with William Dozier, an RKO studio executive, and pitching it as "the story of a woman sold for political purposes into sexual enslavement". By this time, he had one of the single-word titles he preferred: Notorious. The pitch was convincing: Dozier quickly entered into talks with Selznick, offering to buy the property and its personnel for production at RKO.

Dozier's interest rekindled Selznick's, which up to that point had only been tepid. Perhaps what started Hitchcock's mind rolling was "The Song of the Dragon", a short story by John Taintor Foote which had appeared as a two-part serial in the Saturday Evening Post in November 1921; Selznick, who owned the rights to it, had passed it on to Hitchcock from his unproduced story file during the filming of Spellbound. Set during World War I in New York, "The Song of the Dragon" told the tale of a theatrical producer approached by federal agents, who want his assistance in recruiting an actress he once had a relationship with to seduce the leader of a gang of enemy saboteurs. Although the story was a nominal starting point that "offered some inspiration, the final narrative was pure Hitchcock".

Hitchcock travelled to England for Christmas 1944, and when he returned, he had an outline for Selznick's perusal. The producer approved development of a script, and Hitchcock decamped for Nyack, New York for three weeks of collaboration with Ben Hecht, whom he had just w