Nixon is a 1995 American epic historical drama film directed by Oliver Stone, produced by Clayton Townsend, Stone and by Andrew G. Vajna. The film was written by Stone, Christopher Wilkinson and by Stephen J. Rievele. The film tells the story of the political and personal life of former U.S. President Richard Nixon, played by Anthony Hopkins.
Nixon | |
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Theatrical release poster | |
Directed by | Oliver Stone |
Produced by | Clayton Townsend Oliver Stone Andrew G. Vajna |
Written by | Stephen J. Rivele Christopher Wilkinson Oliver Stone |
Starring |
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Music by | John Williams |
Cinematography | Robert Richardson |
Edited by | Hank Corwin Brian Berdan |
Production company | Hollywood Pictures Illusion Entertainment Group Cinergi Pictures |
Distributed by | Buena Vista Pictures |
Release date |
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Running time | 192 minutes |
Country | United States |
Language | English |
Budget | $44 million |
Box office | $13.7 million |
The film portrays Nixon as a complex and, in many respects, admirable, though deeply flawed, person. Nixon begins with a disclaimer that the film is "an attempt to understand the truth based on numerous public sources and on an incomplete historical record."
The cast includes Anthony Hopkins, Joan Allen, Annabeth Gish, Marley Shelton, Powers Boothe, J. T. Walsh, E. G. Marshall, James Woods, Paul Sorvino, Bob Hoskins, Larry Hagman, and David Hyde Pierce, plus cameos by Ed Harris, Joanna Going, and political figures such as President Bill Clinton in TV footage from the Nixon funeral service.
The film was nominated for four Academy Awards: Best Actor (Anthony Hopkins), Best Supporting Actress (Joan Allen), Best Original Score (John Williams) and Best Original Screenplay.
This was Stone's second of three films about the American presidency, made four years after JFK, about the assassination of John F. Kennedy, and followed 13 years later by W., about George W. Bush.
Screenplay
In 1972 the White House Plumbers break into The Watergate and are subsequently arrested.
Eighteen months later in December 1973, Richard Nixon's Chief of Staff, Alexander Haig (Powers Boothe), brings Nixon (Anthony Hopkins) audio tapes for Nixon to listen. The two men discuss the Watergate scandal and the resulting chaos. After discussing the death of J. Edgar Hoover, Nixon uses profanity when discussing John Dean, James McCord and others involved in Watergate. As Haig turns to leave, Nixon asks Haig why he hasn't been given a pistol to commit suicide like an honorable soldier.
Nixon starts the taping system which triggers memories that begin a series of flashbacks within the film. The first begins on June 23, 1972 about one week after the breakin, during a meeting with H. R. Haldeman (James Woods), John Ehrlichman (J.T. Walsh) and Dean (David Hyde Pierce). Ehrlichman and Dean leave, and Nixon speaks the "smoking gun" tape to Haldeman.
The film covers most aspects of Nixon's life and political career and implies that Nixon and his wife abused alcohol and prescription medications. Nixon's health problems, including his bout of phlebitis and pneumonia during the Watergate crisis, are also shown, and his various medicants are sometimes attributed to these health issues. The film also hints at some kind of responsibility, real or imagined, that Nixon felt towards the John F. Kennedy assassination through references to the Bay of Pigs Invasion, the implication being that the mechanisms set into place for the invasion by Nixon during his term as Dwight D. Eisenhower's vice-president spiraled out of control to culminate in Kennedy's assassination and, eventually, Watergate.
The film ends with Nixon's resignation and departure from the lawn of the White House on the helicopter, Marine One. Real life footage of Nixon's state funeral in Yorba Linda, California plays out over the extended end credits, and all living ex-presidents at the time—Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, and then-president Bill Clinton—are shown in attendance.
First Family
- Anthony Hopkins as Richard Nixon
- Joan Allen as Pat Nixon
- Annabeth Gish as Julie Nixon Eisenhower
- Marley Shelton as Tricia Nixon Cox
White House Staff and Cabinet
- James Woods as H. R. Haldeman
- Woods talked Stone into giving him the part, a role that the director had planned to offer Ed Harris.
- J. T. Walsh as John Ehrlichman
- Paul Sorvino as Henry Kissinger
- Powers Boothe as Alexander Haig
- E. G. Marshall as John N. Mitchell
- David Paymer as Ron Ziegler
- David Hyde Pierce as John Dean
- Kevin Dunn as Charles Colson
- Saul Rubinek as Herbert G. Klein
- Fyvush Finkel as Murray Chotiner
- Tony Plana as Manolo Sanchez (Nixon's valet)
- James Karen as William P. Rogers
- Richard Fancy as Melvin Laird
The Nixon Family
- Mary Steenburgen as Hannah Milhous Nixon
- Tony Goldwyn as Harold Nixon
- Tom Bower as Francis Nixon
- Sean Stone as Donald Nixon
- Joshua Preston as Arthur Nixon
- Corey Carrier as adolescent Richard Nixon
- David Barry Gray as young adult Richard Nixon
White House Plumbers
- Ed Harris as E. Howard Hunt
- John Diehl as G. Gordon Liddy
- Robert Beltran as Frank Sturgis
Other cast members
- Bob Hoskins as J. Edgar Hoover
- Brian Bedford as Clyde Tolson
- Madeline Kahn as Martha Beall Mitchell
- Edward Herrmann as Nelson Rockefeller
- Dan Hedaya as Trini Cardoza, based upon Bebe Rebozo
- Bridgette Wilson as Sandy
- Ric Young as Mao Zedong
- Boris Sichkin as Leonid Brezhnev
- Sam Waterston as Richard Helms (scenes present only in director's cut)
- Larry Hagman as "Jack Jones"
- Unlike some other characters in the film who represent actual people, Jack Jones, a billionaire investment banker and real estate tycoon, is a composite character, who is emblematic of "big business" in general. The character may be a reference to Nixon's meetings with Clint Murchison, Sr., although he also illuminates Nixon's relationships with Howard Hughes, H. L. Hunt and other entrepreneurs.
- George Plimpton as the President's lawyer
Origins
Eric Hamburg, former speechwriter and staff member of the House Foreign Affairs Committee, got the idea of a film about Nixon after having dinner with Oliver Stone. Originally, Oliver Stone had been developing two projects — the musical Evita and a movie about Panamanian dictator Manuel Noriega. When they both did not get made, Stone turned his attention to a biopic about Richard Nixon. The former President's death on April 22, 1994, was also a key factor in Stone's decision to make a Nixon film. He pitched the film to Warner Bros., but, according to the director, they saw it, "as a bunch of unattractive older white men sitting around in suits, with a lot of dialogue and not enough action".
In 1993, Hamburg mentioned the idea of a Nixon film to writer Stephen J. Rivele with the concept being that they would incorporate all of the politician's misdeeds, both known and speculative. Rivele liked the idea and had previously thought about writing a play exploring the same themes. Hamburg encouraged Rivele to write a film instead and with his screenwriting partner, Christopher Wilkinson, they wrote a treatment on November 1993. They conceived of a concept referred to as "the Beast", which Wilkinson describes as "a headless monster that lurches through postwar history," a metaphor for a system of dark forces that resulted in the assassinations of John F. Kennedy, Robert F. Kennedy, and Martin Luther King Jr., the Vietnam War, and helped Nixon's rise to power and his fall from it as well. Stone said in an interview that Nixon realizes that "the Beast" "is more powerful than he is. We can't get into it that much, but we hint at it so many times — the military-industrial complex, the forces of money". In another interview, the director elaborates,
I see the Beast in its essence as a System ... which grinds the individual down ... it's a System of checks and balances that drives itself off: 1) the power of money and markets; 2) State power, Government power; 3) corporate power, which is probably greater than state power; 4) the political process, or election through money, which is therefore in tow to the System; and 5) the media, which mostly protects the status quo and their ownership's interests.
It was this concept that convinced Stone to make Nixon and he told Hamburg to hire Rivele and Wilkinson. Stone commissioned the first draft of the film's screenplay in the fall of 1993. Rivele and Wilkinson delivered the first draft of their script on June 17, 1994, the anniversary of the Watergate scandal. Stone loved the script but felt that the third act and the ending needed more work. They wrote another draft and delivered it on August 9, the 20th anniversary of Nixon's resignation.
Pre-production
Stone immersed himself in research with the help of Hamburg. With Hamburg and actors Hopkins and James Woods, Stone flew to Washington, D.C. and interviewed the surviving members of Nixon's inner circle: lawyer Leonard Garment and Attorney General Elliot Richardson. He also interviewed Robert McNamara, a former Secretary of Defense under the Kennedy and Johnson administrations. The director also hired Alexander Butterfield, a key figure in the Watergate scandal who handled the flow of paper to the President, as a consultant to make sure that the Oval Office was realistically depicted, former deputy White House counsel John Sears, and John Dean, who made sure that every aspect of the script was accurate and wrote a few uncredited scenes for the film. Butterfield also appears in a few scenes as a White House staffer. To research their roles, Powers Boothe, David Hyde Pierce and Paul Sorvino talked to their real-life counterparts, but J.T. Walsh decided not to contact John Ehrlichman because he had threatened to sue after reading an early version of the script and was not happy with how he was portrayed. Hopkins watched a lot of documentary footage on Nixon. At night, he would go to sleep with the Nixon footage playing, letting it seep into his subconscious. Hopkins said, "It's taking in all this information and if you're relaxed enough, it begins to take you over."
Stone originally had a three-picture deal with Regency Enterprises which included JFK, Heaven and Earth, and Natural Born Killers. After the success of Killers, Arnon Milchan, head of Regency, signed Stone for three more motion pictures. Stone could make any film up to a budget of $42.5 million. When Stone told Milchan that he wanted to make Nixon, Milchan, who was not keen on the idea, told the director that he would only give him $35 million, thinking that this would cause Stone to abandon the project. Stone took the project to Hungarian financier Andrew G. Vajna who had co-financing deal with Disney. Vajna's company, Cinergi Pictures, were willing to finance the $38 million film. This angered Milchan who claimed that Nixon was his film because of his three-picture deal with Stone and he threatened to sue. He withdrew after Stone paid him an undisclosed amount. Stone was finalizing the film's budget a week before shooting was to begin. He made a deal with Cinergi and Disney's Hollywood Pictures in order to supply the $43 million budget. To cut costs, Stone leased the White House sets from Rob Reiner's film, The American President.
Casting
The studio did not like Stone's choice to play Nixon. They wanted Tom Hanks or Jack Nicholson — two of Stone's original choices. The director also considered Gene Hackman, Robin Williams, Gary Oldman and Tommy Lee Jones. Stone met with Warren Beatty but the actor wanted to make too many changes to the script. Stone cast Hopkins based on his performances in The Remains of the Day and Shadowlands. Of Hopkins, Stone said, "The isolation of Tony is what struck me. The loneliness. I
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