Never Let Me Go 2010 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

The film begins with on-screen captions explaining that a medical breakthrough in 1952 has permitted the human lifespan to be extended beyond 100 years. It is narrated by 28-year-old Kathy H as she reminisces about her childhood at a boarding school called Hailsham, as well as her adult life after leaving the school. The first act of the film depicts the young Kathy, along with her friends Tommy and Ruth, spending their childhood at Hailsham in 1978. The students are encouraged to create artwork, and their best work gets into The Gallery run by a mysterious woman known only as Madame. One day, a new teacher, Miss Lucy, quietly informs the students of their fate: they are destined to be organ donors and will die, or "complete", in their early adulthood. Shortly afterward she is fired by the headmistress, Miss Emily, for sharing this revelation with the children. As time passes, Kathy falls in love with Tommy, but Ruth and Tommy begin a relationship and stay together throughout the rest of their time at Hailsham.

In the second act, Kathy, Ruth, and Tommy, now teenagers, are rehoused in cottages on a farm in 1985. They are permitted to leave the grounds on day trips, but are resigned to their eventual fate. At the farm, they meet former pupils of schools similar to theirs, and it is revealed that they are all clones. They also hear rumours of the possibility of "deferral" – a temporary reprieve from organ donation for donors who are in love and can prove it. Tommy becomes convinced that The Gallery at Hailsham was intended to look into their souls and that artwork sent to The Gallery will be able to confirm true love where it is present. The relationship between Tommy and Ruth becomes sexual, and jealousy causes Kathy and Ruth to break their friendship. The lonely Kathy leaves and becomes a "carer" – a clone who is given a temporary reprieve from donation as a reward for supporting and comforting donors as they are made to give up their organs. Tommy and Ruth's relationship ends.

In the third and final act, in 1994, Kathy is still working as a carer, and has watched many clones gradually die as their organs are harvested. Kathy, who has not seen Ruth or Tommy since the farm, discovers Ruth, frail after two donations. They find Tommy, who is also weakened by his donations, and drive to the sea. There, Ruth admits that she did not love Tommy, and only seduced him because she was afraid to be alone. She is consumed with guilt and has been searching for a way to help Tommy and Kathy. She believes that the rumours of "deferral" are true, and has found the address of the gallery owner, Madame, who she thinks may grant deferrals to couples in love. Ruth dies on the operating table shortly afterward.

Kathy and Tommy finally begin a relationship. Tommy explains to Kathy that he has been creating art in the hope that it will aid deferral. He and Kathy drive to visit Madame, who lives with the headmistress of Hailsham. The two teachers tell them that there is no such thing as deferral, and that Tommy's artworks will not help him. They explain that the purpose of The Gallery was not to look into their souls but to investigate whether the "all but human" clones even have souls at all; Hailsham was the last place to consider the ethical implications of the donor scheme. As they take in the news on their return journey, Tommy breaks down in an explosion of rage and frustration, and he and Kathy cling to each other in grief. The film ends with Tommy dying on the operating table. Kathy is left alone, waiting for her donations which will begin in a month. Contemplating the ruins of her childhood, she asks in voice-over whether her fate is really any different from the people who will receive her organs; after all, "we all complete".

• Carey Mulligan as Kathy H
  • Isobel Meikle-Small as young Kathy
• Keira Knightley as Ruth C
  • Ella Purnell as young Ruth
• Andrew Garfield as Tommy D
  • Charlie Rowe as young Tommy
• Sally Hawkins as Miss Lucy
• Charlotte Rampling as Miss Emily
• Nathalie Richard as Madame
• Domhnall Gleeson as Rodney
• Andrea Riseborough as Chrissie

Director Mark Romanek has said that, as in the novel, everyone has to uncover their relationship to our own mortality; we have two options: either go against it, or try to figure out a way around it like the character Tommy does. Romanek hoped the audience of Never Let Me Go would be reminded of what is important: love, behaviour and friendships. He recalled an email a person had written to him: "I saw your film and it made me cry and I haven't reacted to a film emotionally like that in years. And I called my father, cause I realized I hadn’t spoken to him in 3 weeks and I told him how much I love him and how much I appreciated what a good father he's been."

Andrew Garfield believes the story of Never Let Me Go is about humans, and exploring "what it is to have a soul, and how you prove what a soul is"; he says he enjoys the way the film is a "call to arms" about the positives of life. He adds that its message could hopefully remind people that they have a choice when they arise in the morning whether to pursue their own choice of activities for the day, or to do what they should do or are obliged to do. Keira Knightley feels that the film's story is alarming, but has said that the film is "more about humanity's ability to look the other way". "You know in fact that if your morals can go out the window if you think you can survive in a certain way, whatever your morals may be".

Development

Alex Garland, a long-time friend of Ishiguro, asked the author for the rights to the novel before he had finished reading it. Before the novel was published in 2005, Garland had already written a script for a possible film. He gave the screenplay to two producers, Andrew Macdonald and Allon Reich, and development started at that moment. "We are delighted to be shooting this special project, which Alex Garland first brought to us before the book's publication in 2005." The script for the film was 96 pages long, and divided into chapters. Director Mark Romanek was originally attached to The Wolfman, but when he was dropped from that production for an unknown reason, he accepted the offer to work on Never Let Me Go. The movie was made into a dystopian drama. Romanek was glad to get the opportunity to shoot this film: "From the moment I finished the novel, it became my dream to film it. Ishiguro's conception is so daring, so eerie and beautiful. Alex Garland's adaptation is sensitive and precise. The cast is perfect, the crew superb." The Seattle Times observed that the project was "something of a departure" for the novelist, noting that it merges Ishiguro's signature "elegant prose with a decidedly science-fiction theme".

Garland, who has explored science fiction themes in some of his previous work, was a sounding board for ideas for the novel and an early reader of the book. Ishiguro stated that, despite Garland's screenwriting skills and previous experience with film, they did not discuss the idea of a film until after the novel was complete. "I try not to think about things like that when writing a novel—in fact, quite the reverse", he stated. He said that he attempts to "go for something... very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium." Thus he was surprised when Garland, after reading a complete version of the book, said he would like to try to adapt it. Ishiguro recalled that Garland wrote a draft very quickly and immediately asked of his opinion of it "as a first go". Ishiguro was very satisfied with Garland's screenplay—which was changed very little from its initial draft to the filmed version—and with the final film. When asked to compare the experience with that of The Remains of the Day, he acknowledged that both were more hands-on with this film. Romanek said that he did not make Never Let Me Go a science fiction film; rather, he was presenting a love story with fictional science context mixed in. He described the film as telling a "love story where the science fiction is this subtle patina on the story." The filmmaker explained that had they done the film with "science fiction-y things", it would have been more openly, with props such as futuristic structures and devices.

Casting

Carey Mulligan plays the narrator, Kathy, an introverted, observant character who projects both innocence and knowingness, and who over the course of the story develops from a passionate, optimistic child to a wise and accepting young woman. Prior to her casting, Mulligan had already read the novel a few times, considering it to be a favourite of hers. She recalled that from when she first read the book three years ago she had wanted to play Kathy. The young actress said that she could not "bear the idea of anyone else" portraying Kathy, although she acknowledged that she thought other people would be able to do a better performance. She was certain that someone would make a film adaptation of the novel and had hoped that they would wait until she would be old enough to play the character. Romanek told The Los Angeles Times tha