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Mulan is a 1998 American animated musical action adventure film produced by Walt Disney Feature Animation for Walt Disney Pictures. It is based on the Chinese legend of Hua Mulan, and was Disney's 36th animated feature. It was directed by Tony Bancroft and Barry Cook, with story by Robert D. San Souci and screenplay by Rita Hsiao, Philip LaZebnik, Chris Sanders, Eugenia Bostwick-Singer, and Raymond Singer. Ming-Na Wen, Eddie Murphy, Miguel Ferrer and BD Wong star in the English version, while Jackie Chan provided the voice of Captain Li Shang for the Chinese dubs of the film. The film's plot takes place in China during the Han dynasty, where Fa Mulan, daughter of aged warrior Fa Zhou, impersonates a man to take her father's place during a general conscription to counter a Hun invasion.

Mulan
Theatrical release poster
Directed by
  • Barry Cook
  • Tony Bancroft
Produced byPam Coats
Screenplay by
  • Rita Hsiao
  • Philip LaZebnik
  • Chris Sanders
  • Eugenia Bostwick-Singer
  • Raymond Singer
Based onHua Mulan
Starring
  • Ming-Na Wen
  • Eddie Murphy
  • BD Wong
  • Miguel Ferrer
  • June Foray
  • James Hong
  • Pat Morita
  • George Takei
Music by
  • Jerry Goldsmith
  • Matthew Wilder
Edited byMichael Kelly
Production
company
  • Walt Disney Pictures
  • Walt Disney Feature Animation
Distributed byBuena Vista Pictures
Release date
  • June 19, 1998 (1998-06-19)
Running time
87 minutes
CountryUnited States
LanguageEnglish
Budget$90 million
Box office$304.3 million

Released during the Disney Renaissance, Mulan was the first of three features produced primarily at the Disney animation studio at Disney-MGM Studios in Orlando, Florida. Development for the film began in 1994, when a number of artistic supervisors were sent to China to receive artistic and cultural inspiration. Mulan was well received by critics and the public, grossing $304 million, earning Golden Globe and Academy Award nominations, and winning several Annie Awards including Best Animated Feature. A 2004 direct-to-video sequel, Mulan II, followed. A live-action adaptation of the film directed by Niki Caro will be released on March 27, 2020.

Screenplay

The Huns, who are led by the ruthless Shan Yu, invade Han China by breaching the Great Wall. The Chinese emperor orders a general mobilization, with conscription notices requiring one man from each family to join the Chinese army. When Fa Mulan hears that her elderly father Fa Zhou, the only man in their family and an army veteran, is once more to go to war, she becomes anxious and apprehensive due to his weakening health. Taking her father's old armor, she disguises herself as a man so that she can enlist instead of her parent. The family quickly learn of her departure, and Mulan's grandmother prays to the family ancestors for Mulan's safety. The ancestors order their "great stone dragon" to protect Mulan; a small dragon named Mushu, a disgraced former guardian, is sent to awaken the stone dragon, but accidentally destroys it in the process, which Mushu conceals from the ancestors and resolves to protect Mulan himself.

Reporting to the training camp, Mulan is able to pass as a man, although her military skills are initially lacking. Mushu provides clumsy guidance to Mulan on how to behave like a man. Under the command of Captain Li Shang, she and her fellow recruits Yao, Ling, and Chien-Po gradually become trained warriors. Desiring to see Mulan succeed, Mushu creates a fake order from Shang's father, General Li, ordering Shang to follow the main imperial army into the mountains. The reinforcements set out, but arrive at a burnt-out encampment and discover that General Li and his troops have been massacred by the Huns.

As the reinforcements solemnly leave the mountains, they are ambushed by the Huns, but Mulan cleverly uses a cannon to cause an avalanche, which buries most of the invaders. An enraged Shan Yu slashes her in the chest, and her deception is revealed when the wound is bandaged. Instead of executing Mulan as the law requires, Shang spares her life, but nonetheless expels her from the army. Mulan is left to follow alone as the recruits depart for the imperial city to report the news of the Huns' destruction. However, it is discovered that several Hun warriors, including Shan Yu, have survived the avalanche, and Mulan catches sight of them as they make their way to the city, intent on capturing the emperor.

At the imperial city, Mulan is unable to convince Shang about Shan Yu's survival. The Huns capture the emperor and seize the palace. With Mulan's help, Yao, Ling, and Chien-Po pose as concubines, and are able to enter the palace. With the help of Shang, they defeat Shan Yu's men; as Shang prevents Shan Yu from assassinating the Emperor, Mulan lures the Hun leader onto the roof, where she engages him in single combat. Meanwhile, acting on Mulan's instructions and signal, Mushu fires a large skyrocket at Shan Yu. The rocket strikes and propels him into a fireworks launching tower, where he dies in the resulting explosion.

Mulan is praised by the Emperor and the assembled inhabitants of the city, who bow to her in an unprecedented honor. While she accepts the crest of the Emperor and the sword of Shan Yu as gifts, she politely declines his offer to be his advisor, and asks to return to her family. Mulan returns home and presents these gifts to her father, who is overjoyed to have Mulan back safely. Having become enamored with Mulan, Shang soon arrives under the pretext of returning her helmet, but accepts the family's invitation to stay for dinner. Mushu is reinstated as a Fa family guardian by the ancestors amid a returning celebration.

 
From left to right: Cri-Kee; Mushu; Fa Mulan; Kahn
  • Ming-Na Wen as Mulan (singing voice provided by Lea Salonga)
  • Eddie Murphy as Mushu
  • BD Wong as Captain Li Shang (singing voice provided by Donny Osmond)
  • Miguel Ferrer as Shan Yu
  • June Foray as Grandmother Fa (singing voice provided by Marni Nixon)
  • Harvey Fierstein as Yao
  • Gedde Watanabe as Ling (singing voice provided by Matthew Wilder)
  • Jerry Tondo as Chien-Po
  • James Hong as Chi-Fu
  • Soon-Tek Oh as Fa Zhou
  • Pat Morita as The Emperor of China
  • George Takei as First Ancestor
  • Miriam Margolyes as The Matchmaker
  • Freda Foh Shen as Fa Li
  • James Shigeta as General Li
  • Frank Welker as Cri-Kee and Khan (Mulan's horse)
  • Chris Sanders as Little Brother (Mulan's dog)
  • Mary Kay Bergman as various ancestors

Kelly Chen, Coco Lee and Xu Qing voiced Mulan in the Cantonese, Taiwanese Mandarin and Mainland standard versions of the film respectively, while Jackie Chan provided the voice of Li Shang in all three Chinese versions and appeared in the version of promotional music videos of "I'll Make a Man Out of You".

Development

In 1989, Walt Disney Feature Animation Florida had opened with 40 to 50 employees, with its original purpose to produce cartoon shorts and featurettes. However, by late 1993, following several animation duties on Beauty and the Beast, Aladdin, and The Lion King, Disney executives were convinced to allow the Feature Animation Florida studios to produce their first independent film. Around that same time, Disney Feature Animation developed an interest into Asian-themed legends beginning with the optioning several books by children's book author Robert D. San Souci who had a consulting relationship with Disney executive Jay Dyer. Around that same time, a short straight-to-video film titled China Doll about an oppressed and miserable Chinese girl who is whisked away by a British Prince Charming to happiness in the West was in development. Thomas Schumacher asked Souci if he had any additional stories, in which Souci turned in a manuscript of a book based on the Chinese poem "The Song of Fa Mu Lan". Ultimately, Disney decided to combine the two separate projects.

Following the opening of the Feature Animation Florida studios, Barry Cook, who had served as a special-effects animator department since 1982, had directed the Roger Rabbit cartoon Trail Mix-Up produced at the satellite studio. Upon a lunch invitation with Thomas Schumacher, Cook was offered two projects in development: a Scottish folk tale with a dragon or Mulan. Knowledgeable about the existence of dragons in Chinese mythology, Cook suggested adding a dragon to Mulan, in which a week later, Schumacher urged Cook to drop the Scottish project and accept Mulan as his next project. Following this, Cook was immediately assigned as the initial director of the project, and cited influences from Charlie Chaplin and David Lean during production. While working as an animator on the gargoyles for The Hunchback of Notre Dame, Tony Bancroft was offered to co-direct the film following a recommendation from Rob Minkoff, co-director of The Lion King, to Schumacher, in which he accepted, and joined the creative team by early 1995.

In 1994, the production team sent a select group of artistic supervisors to China for three weeks to take photographs and drawings of local landmarks for inspiration; and to soak up local culture. Key members of the creative team at the time – Pam Coats, Barry Cook, Ric Sluiter, Robert Walker, and Mark Henn – were invited to travel to China as a research trip to study the landscape, people, and history of the original legend. From June 17 to July 2, 1994, the research trip flew to Beijing, China, which is where Pam Coats became inspired by the placement of flags on the Great Wall. They also toured Datong, Luoyang, Xi'an, Jiayuguan, Dunhuang, and Guilin.

Writing

In its earliest stages, the story was originally conceived as a Tootsie-like romantic comedy film where Mulan, who was a misfit tomboy that loves her father, is betrothed to Shang, whom she has not met. On her betrothal day, her father Fa Zhou carves her destiny on a stone tablet in the family temple, which she shatters in anger, running away to forge her own destiny. In November 1993, Chris Sanders, who had just finished storyboard work on The Lion King, was hoping to work on The Hunchback of Notre Dame until Schumacher appointed him to work on Mulan instead. Acting as Head of Story, Sanders grew frustrated with the romantic comedy aspect of the story, and urged producer Pam Coats to be more faithful to the original legend by having Mulan leave home because of the love for her father. This convinced the filmmakers to decide to change Mulan's character in order to make her more appealing and selfless.

Sequence Six – in which Mulan takes her father's conscription order, cuts her long hair, and dons her father's armor – served as a pivotal moment in the evolution of Mulan's character. Director Barry Cook explained that the sequence initially started as a song storyboarded by Barry Johnson and redrawn by character designer Chen-Yi Chang. Following the story changes to have Mulan leave to save her father, the song was dropped. Storyboard artist and co-head of story Dean DeBlois was tasked to revise the sequence, and decided to board the sequence with "minimal dialogue". Assisted with an existing musical selection from another film score courtesy of Sanders, the sequence reel was screened for Peter Schneider and Thomas Schumacher, both of whom were impressed. DeBlois stated, "Sequence Six was the first sequence that got put into production, and it helped to establish our 'silent' approach." Additionally, General Li was not originally going to be related to Shang at all, but by changing the story, the filmmakers were able to mirror the stories of both Shang's and Mulan's love for their fathers. As a Christian, Bancroft declined to explore Buddhism within the film.

Because there was no dragon in the original legend, Mulan did not have animal companions; it was Roy E. Disney who suggested the character of Mushu. Veteran story artist Joe Grant created the cricket character, Cri-Kee for, though animator Barry Temple admitted "the directors didn't want him in the movie, the story department didn't want him in the movie. The only people who truly wanted him in the movie were Michael Eisner and Joe Grant – and myself, because I was assigned the character. I would sit in meetings and they’d say, 'Well, where's the cricket during all this?' Somebody else would say, 'Oh, to hell the cricket.' They felt Cri-Kee was a character who wasn't necessary to tell the story, which is true." Throughout development on the film, Grant would slip sketches of Cri-Kee under the directors' door.

Casting

Before production began, the production team sought out

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