Monster Hunt full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

The film takes place in ancient China, where the Human race existed alongside the Monster race. They once shared the world in peace and harmony until the Humans drove the Monsters out from their home, for they sought total dominion over their lands. Recently, a civil war took place in the Monster Realm which resulted in the usurpation of the Monster King's throne from a treacherous minister, who later sought the Monster Queen and her unborn baby, and the Monster Queen fled to the Human Realm. The story begins with Song Tianyin, an unnerved young village mayor who becomes pregnant with the Monster Queen's baby, and he encounters an aspiring Monster-hunter named Huo Xiaolan, and they both embark on an adventure to protect the baby from villains of the Human and Monster worlds alike.

• Bai Baihe as Huo Xiaolan
• Jing Boran as Song Tianyin
• Jiang Wu as Luo Gang
• Elaine Jin
• Wallace Chung as Ge Qianhu
• Eric Tsang
• Sandra Ng
• Tang Wei
• Yao Chen
• Yan Ni
• Bao Jianfeng
• Wang Yuexin
• Guo Xiaodong
• Li Jingjing
• Cindy Tian
• Zhang Yuexuan

The main theme in Monster Hunt, according to Hui is acceptance (similar to the Shrek series which Hui was involved in). The message in the film is to understand and accept differences, to see the world through others' perspective and to foster more understanding between people and groups.

Development

Hui had long wanted to produce a movie in China. In an interview with the South China Morning Post he said that while overseeing sequences for the Gingerbread Man character in Shrek, he daydreamed about animating a character from a Hong Kong bakery, a Pineapple Bun Man. The idea for the film began in 2005 when Hui—who was living in Hollywood at that time—approached producer Bill Kong on the possibility of making an animated movie in China. But Kong who had no experience with animated film turned the proposal down. The two, who had known each other for 20 years, met as Kong used to distribute movies for DreamWorks Animation in China. But about three years later in 2008, Kong, while visiting Hollywood, invited Hui out for drinks on Sunset Boulevard and asked him if he could make a live-action film with computer graphics for him. Hui, who hadn't done any live-action movies simply said, "Sure, I'll give it a try." Kong introduced Hui to Hong Kong writer Alan Yuen to see what they could come up with. They started looking for comic books or other intellectual property to adapt, but to no avail. Alan finished the script alone by the summer of 2009 taking vague inspiration from monsters mentioned in classical Chinese literature, but with an original story.

The three took inspiration from an old Chinese book "Classic of Mountains and Seas" (Shan Hai Jing). "It's a weird book from old China, a bit like Nat Geo with descriptions of monsters living in the mountains. I kind of based the monsters on the descriptions in that book." Hui said. Although Hui admits that there wasn't any particular film he drew inspiration from for the film, he stated that Monster Hunt is partly influenced by various DreamWorks animated movies, Hollywood movies such as Men in Black, Jurassic Park, Crouching Tiger, Hidden Dragon, The Lord of the Rings film series and Indiana Jones franchise, Hong Kong films like CJ7 and Drunken Master II, works of Steven Spielberg and James Cameron and visual references at once recalling ancient Chinese landscape painting, a 1970s breakfast cereal called Freakies, and the Oddball Art of Mark Ryden. Kong took the first draft of the script to many friends in the film industry and all of the feedback was that it had potential but it would be too tough to make since the film would need visual effects because of its depiction of monsters. Finally, Hui and Yuen went to a Beijing-based visual effects house, Base FX, and made a four-minute test film in 2012. That gave the team confidence to move ahead.

Before Hui went to China, DreamWorks Animation sent him to India for 2 years. Upon arriving in China in early 2013, he began assembling his crew, even as he continued to do consulting work for DreamWorks Animation. On the experience of working in a live-action film Hui said, "It was all new to me. I still recall I was so excited to see a costume being made. Before that, all the Shrek costumes were inside a computer. You can't touch it. For this movie, you could touch the fabric. It was like a toy shop, so exciting." Hui and his team decided to make the monsters in the film look more friendly, humanlike and anthropomorphic—in contrary to typical monsters being vicious and scary—because they wanted them to carry emotions and get attached with the audience and the audience to liken the monsters.

Filming

The first filming lasted about 85 days, including holidays (over 3 months). Principal photography and production ended in December 2013 and by summer of 2014 the team was working on the special effects which was about 70% done. However, in August of the same year lead actor Kai Ko was arrested in Beijing for drug charges. Hui's initial reaction was that the incident and subsequent arrest of Ko would give him more time to work on the special effects even better. Despite no officials directly ordering the film to be reshot, in fall of the same year, producers Doris Tse and Kong informed Hui of the decision to reshoot 70% of the film with a new actor in place since Chinese authorities were unwilling to show the film with a drug-using headliner anytime soon. Kong admitted that it was a normal business decision and that there wasn't much heroism involved. However, such a massive undertaking would have to cost millions of dollars; they would have to refilm 70% and redo 25% of the special-effects work, call back the cast and crew, find a new leading man and rebuild sets. Hui admitted that he cried after hearing this due to the turmoil he endured.

The second filming took almost five weeks (32 days), finishing in late March 2015. Jing Boran, who had starred in one of Kong's other recent films, was so eager to help Kong and Hui that he volunteered to take over Kai Ko's role without collecting a salary. More than 90% of the original crew returned for the reshoots, with many also working for free or at a reduced rate. Every day, as he completed his shots, Hui would edit and send the footage to Base FX so that effects work could start immediately. In addition to redoing all the scenes that had previously contained Ko, Hui and Kong added several new sequences and new roles and cameos for some additional well-know