M 1931 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

A group of children are playing an elimination game in the courtyard of an apartment building in Berlin using a chant about a murderer of children. A woman sets the table for dinner, waiting for her daughter to come home from school. A wanted poster warns of a serial killer preying on children, as anxious parents wait outside a school.

Little Elsie Beckmann leaves school, bouncing a ball on her way home. She is approached by Hans Beckert, who is whistling "In the Hall of the Mountain King" by Edvard Grieg. He offers to buy her a balloon from a blind street-vendor and walks and talks with her. Elsie's place at the dinner table remains empty, her ball is shown rolling away across a patch of grass and her balloon is lost in the telephone lines overhead.

In the wake of Elsie's disappearance, anxiety runs high among the public. Beckert sends an anonymous letter to the newspapers, taking credit for the murders and promising that he will commit others; the police extract clues from the letter, using the new techniques of fingerprinting and handwriting analysis. Under mounting pressure from city leaders, the police work around the clock. Inspector Karl Lohmann instructs his men to intensify their search and to check the records of recently released psychiatric patients, focusing on any with a history of violence against children. They stage frequent raids to question known criminals, disrupting underworld business so badly that Der Schränker (The Safecracker) calls a meeting of the city's crime lords. They decide to organize their own manhunt, using beggars to watch the children. Meanwhile, the police search Beckert's rented rooms, find evidence that he wrote the letter there, and lie in wait to arrest him.

Beckert sees a young girl in the reflection of a shop window and begins to follow her, but stops when the girl meets her mother. He encounters another girl and befriends her, but the blind vendor recognizes his whistling. The blind man tells one of his friends, who tails the killer with assistance from other beggars he alerts along the way. Afraid that Beckert will get away, one man chalks a large M (for Mörder, "murderer" in German) on his palm, pretends to trip, and bumps into Beckert, marking the back of his overcoat.

Once Beckert realizes that the beggars are following him, he hides inside a large office building just before the workers leave for the evening. The beggars call Der Schränker, who arrives at the building with a team of other criminals. They capture and torture one of the watchmen for information and, after capturing the other two, search the building and catch Beckert in the attic. When one of the watchmen trips the silent alarm, the criminals narrowly escape with their prisoner before the police arrive. Franz, one of the criminals, is left behind in the confusion and captured by the police; Lohmann tricks him into admitting that the gang only broke into the building to find Beckert and revealing where he will be taken.

The criminals drag Beckert to an abandoned distillery to face a kangaroo court. He finds a large, silent crowd awaiting him. Beckert is given a "lawyer", who gamely argues in his defense but fails to win any sympathy from the improvised "jury". Beckert delivers an impassioned monologue, saying that he cannot control his homicidal urges, while the other criminals present break the law by choice, and further questioning why they as criminals believe they have any right to judge him by stating: "What right have you to speak? Criminals! Perhaps you are even proud of yourselves! Proud of being able to crack into safes, or climb into buildings or cheat at cards. All of which, it seems to me, you could just as easily give up, if you had learned something useful, or if you had jobs, or if you were not such lazy pigs. I can not help myself! I have no control over this evil thing that is inside me – the fire, the voices, the torment!"

Beckert pleads to be handed over to the police, asking: "Who knows what it is like to be me?". His "lawyer" points out that the presiding "judge" is wanted on three counts of Totschlag (manslaughter, a form of homicide in German law), and that it is unjust to execute an insane man. Just as the enraged mob is about to kill Beckert, the police arrive to arrest both him and the criminals.

As a panel of judges prepares to deliver a verdict at Beckert's real trial, the mothers of three of his victims weep in the gallery. Elsie's mother says that "No sentence will bring the dead children back", and that "One has to keep closer watch over the children". The screen fades to black as she adds, "All of you".

• Peter Lorre as Hans Beckert. M was Lorre's first major starring role, and it boosted his career, even though he was typecast as a villain for years after in films such as Mad Love and the film adaptation of Crime and Punishment. Before M, Lorre was mostly a comedic actor. After fleeing from the Nazis, he landed a major role in Alfred Hitchcock's first version of The Man Who Knew Too Much (1934), picking up English along the way.
• Otto Wernicke as Inspector Karl Lohmann. Wernicke made his breakthrough with M after playing many small roles in silent films for over a decade. After his part in M, he was in great demand due to the success of the film, including returning to the role of Karl Lohmann in The Testament of Doctor Mabuse and he played supporting roles for the rest of his career.
• Gustaf Gründgens as Der Schränker (The Safecracker). Gründgens received acclaim for his role in the film and established a successful career for himself under Nazi rule, ultimately becoming director of the Staatliches Schauspielhaus (National Dramatic Theatre).

Lang placed an advert in a newspaper in 1930 stating that his next film would be Mörder unter uns (Murderer Among Us) and that it was about a child murderer. He immediately began receiving threatening letters in the mail and was also denied a studio space to shoot the film at the Staaken Studios. When Lang confronted the head of Staaken Studio to find out why he was being denied access, the studio head informed Lang that he was a member of the Nazi party and that the party suspected that the film was meant to depict the Nazis. This assumption was based entirely on the film's original title and the Nazi party relented when told the plot.

M was eventually shot in six weeks at a Staaken Zeppelinhalle studio, just outside Berlin. Lang made the film for Nero-Film, rather than with UFA or his own production company. It was produced by Nero studio head Seymour Nebenzal who later produced Lang's The Testament of Dr. Mabuse. Other titles were given to the film before "M" was chosen; Eine Stadt sucht einen Mörder (A City searches for a Murderer) and Dein Mörder sieht Dich an (Your Murderer Looks At You). While researching for the film, Lang spent eight days inside a mental institution in Germany and met several child murderers, including Peter Kürten. He used several real criminals as extras in the film and eventually 25 cast members were arrested during the film's shooting. Peter Lorre was cast in the lead role of Hans Beckert, acting for the film during the day and appearing on stage in Valentine Katayev's Squaring the Circle at night.

Lang did not show any acts of violence or deaths of children on screen and later said that by only suggesting violence, he forced "each individual member of the audience to create the gruesome details of the murder according to his personal imagination".

M has been said, by various critics and reviewers, to be based on serial killer Peter Kürten—the Vampire of Düsseldorf—whose crimes took place in the 1920s. Lang denied that he drew from this case, in an interview in 1963 with film historian Gero Gandert; "At the time I decided to use the subject matter of M, there were many serial killers terrorizing Germany—Haarmann, Grossmann, Kürten, Denke, ". Inspector Karl Lohmann is based on then famous Ernst Gennat, director of the Berlin criminal police.

Leitmotif

M was Lang's first sound film and Lang experimented with the new technology. It has a dense and complex soundtrack, as opposed to the more theatrical "talkies" being released at the time. The soundtrack includes a narrator, sounds occurring off-camera, sounds motivating action and suspenseful moments of silence before sudden noise. Lang was also able to make fewer cuts in the film's editing, since sound effects could now be used to inform the narrative.

The film was one of the first to use a leitmotif, a technique borrowed from opera, associating a tune with Lorre's character, who whistles the tune "In the Hall of the Mountain King" from Edvard Grieg's Peer Gynt Suite No. 1. Later in the film, the mere sound of the song lets the audience know that he is nearby, off-screen. This association of a musical theme with a particular character or situation is now a film staple. Peter Lorre could not whistle and Lang himself is heard in the film.

<