Live and Let Die is a 1973 British spy film, the eighth in the James Bond series to be produced by Eon Productions, and the first to star Roger Moore as the fictional MI6 agent James Bond. Produced by Albert R. Broccoli and Harry Saltzman, it was the third of four Bond films to be directed by Guy Hamilton. Although the producers had wanted Sean Connery to return after his role in the previous Bond film Diamonds Are Forever, he declined, sparking a search for a new actor to play James Bond. Moore was signed for the lead role.
Live and Let Die | |
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British cinema poster for Live and Let Die, illustrated by Robert McGinnis | |
Directed by | Guy Hamilton |
Produced by | Harry Saltzman Albert R. Broccoli |
Screenplay by | Tom Mankiewicz |
Based on | Live and Let Die by Ian Fleming |
Starring |
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Music by | George Martin; Title song composed by Paul and Linda McCartney. Performed by Paul McCartney and Wings |
Cinematography | Ted Moore |
Edited by |
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Production company | Eon Productions |
Distributed by | United Artists |
Release date |
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Running time | 121 minutes |
Country | United Kingdom |
Language | English |
Budget | $7 million |
Box office | $161.8 million |
The film is adapted from the novel of the same name by Ian Fleming. In the film, a Harlem drug lord known as Mr. Big plans to distribute two tons of heroin for free to put rival drug barons out of business and then become a monopoly supplier. Mr. Big is revealed to be the alter ego of Dr. Kananga, a corrupt Caribbean dictator, who rules San Monique, a fictional island where the heroin poppies are secretly farmed. Bond is investigating the deaths of three British agents, leading him to Kananga, and is soon trapped in a world of gangsters and voodoo as he fights to put a stop to the drug baron's scheme.
Live and Let Die was released during the height of the blaxploitation era, and many blaxploitation archetypes and clichés are depicted in the film, including derogatory racial epithets ("honky"), black gangsters, and pimpmobiles. It departs from the former plots of the James Bond films about megalomaniac super-villains, and instead focuses on drug trafficking, a common theme of blaxploitation films of the period. It is set in African American cultural centres such as Harlem and New Orleans, as well as the Caribbean Islands. It was also the first James Bond film featuring an African American Bond girl romantically involved with 007, Rosie Carver, who was played by Gloria Hendry. The film was a box office success and received generally positive reviews from critics. It was also nominated for the Academy Award for Best Original Song for "Live and Let Die", written by Paul and Linda McCartney and performed by their band Wings.
Screenplay
Three MI6 agents are killed under mysterious circumstances within 24 hours in the United Nations headquarters in New York City, New Orleans and the Caribbean nation of San Monique, while monitoring the operations of the island's dictator, Dr. Kananga. James Bond—Agent 007—is sent to New York to investigate. Kananga is also in New York, visiting the United Nations. Just after Bond arrives, his driver is shot dead by Whisper, one of Kananga's men, while taking Bond to meet Felix Leiter of the CIA. Bond is nearly killed in the ensuing car crash.
A trace on the killer's licence plate eventually leads Bond to Mr. Big, a ruthless gangster who runs a chain of restaurants throughout the United States. It is here that Bond first meets Solitaire, a beautiful tarot reader who has the power of the Obeah and can see both the future and remote events in the present. Mr. Big demands that his henchmen kill Bond, but Bond overpowers them and escapes unscathed. Bond flies to San Monique, where he meets Rosie Carver, a CIA double agent. They meet up with a friend of Bond's, Quarrel Jr., who takes them by boat near Solitaire's home. Bond suspects Rosie of working for Kananga and she is killed by Kananga to stop her confessing the truth to Bond. Inside Solitaire's house, Bond uses a stacked tarot deck of cards that show only "The Lovers" to trick her into thinking that fate is meant for them; Bond then seduces her. Solitaire loses her ability to foretell the future when she loses her virginity to Bond, and she decides to cooperate with Bond-based both upon her attraction to him as well as her having grown tired of being controlled by Kananga.
Bond and Solitaire escape by boat and fly to New Orleans. There, Bond is captured by Mr. Big who removes his prosthetic face and is revealed to be Kananga. He has been producing heroin, and is protecting the poppy fields by exploiting the San Monique locals' fear of voodoo priest Baron Samedi, as well as the occult. Through his alter ego Mr. Big, Kananga plans to distribute the heroin free of charge at his restaurants, which will increase the number of addicts. He intends to bankrupt other drug dealers with his giveaway, then charge high prices for his heroin later in order to capitalise on the huge drug dependencies he has cultivated.
Angry at her for having sex with Bond and that her ability to read tarot cards is now gone, Kananga turns Solitaire over to Baron Samedi to be sacrificed. Meanwhile, Kananga's one-armed henchman, Tee Hee Johnson, leaves Bond to be eaten by alligators at a farm in the Louisiana backwoods. Bond escapes by running along the animals' backs to safety. After setting a drug lab on fire, he steals a speedboat and escapes, pursued by Kananga's men, as well as Sheriff J.W. Pepper and the Louisiana State Police.
Bond travels to San Monique and sets timed explosives throughout the poppy fields. He rescues Solitaire from the voodoo sacrifice and throws Samedi into a coffin of venomous snakes. Bond and Solitaire escape below ground into Kananga's lair. Kananga captures them both and proceeds to lower them into a shark tank. However, Bond escapes and forces Kananga to swallow a compressed-gas pellet used in shark guns, causing his body to inflate and explode.
Leiter puts Bond and Solitaire on a train leaving the country. Tee Hee sneaks aboard and attempts to kill Bond, but Bond cuts the wires of his prosthetic arm and throws him out the window. As the film ends, a laughing Samedi is revealed to be perched on the front of the speeding train.
- Roger Moore as MI6 agent James Bond 007: A British agent who is sent on a mission to investigate the murder of three fellow agents.
- Yaphet Kotto as Dr. Kananga and Mr. Big. A corrupt Caribbean Prime Minister who doubles as a drug lord.
- Jane Seymour as Solitaire: Kananga's psychic and the love interest of Bond.
- Julius Harris as Tee Hee Johnson: Kananga's primary henchman who has a pincer for a hand.
- David Hedison as Felix Leiter: Bond's CIA colleague. Leiter is also investigating Mr. Big.
- Gloria Hendry as Rosie Carver: A CIA agent in San Monique.
- Clifton James as Sheriff J.W. Pepper: An uncouth Louisiana sheriff.
- Geoffrey Holder as Baron Samedi: Kananga's henchman who has ties to the Voodoo occult.
- Bernard Lee as M: The Head of the Secret Intelligence Service
- Roy Stewart as Quarrel Jr.: Bond's ally in San Monique and son of Quarrel from Dr. No.
- Earl Jolly Brown as Whisper: Kananga's henchman who only whispers.
- Tommy Lane as Adam: One of Dr. Kananga's henchmen who pursues 007 through the Louisiana Bayou
- Lois Maxwell as Miss Moneypenny: M's secretary.
- Lon Satton as Harry Strutter: CIA agent who assists Bond in New York.
- Madeline Smith as Miss Caruso: An Italian agent whom Bond briefly romances and only appears in the beginning of the film.
- Michael Ebbin as Dambala: One of Kananga's henchmen in San Monique and a voodoo priest of sorts that kills his victims with a snake.
Writing
While filming Diamonds Are Forever, Live and Let Die was chosen as the next Ian Fleming novel to be adapted because screenwriter Tom Mankiewicz thought it would be daring to use black villains, as the Black Panthers and other racial movements were active at this time.
Guy Hamilton was again chosen to direct, and since he was a jazz fan, Mankiewicz suggested he film in New Orleans. Hamilton did not want to use Mardi Gras since Thunderball featured Junkanoo, a similar festivity, so after more discussions with the writer and location scouting with helicopters, he decided to use two well-known features of the city, the jazz funerals and the canals.
To develop a better feel of how Voodoo was practised, Saltzman and Broccoli escorted Hamilton, Mankiewicz and production designer Syd Cain to scout New Orleans further and then the islands of the West Indies. Haiti was an important destination of the tour and not only did Fleming connect it with the religion, there were many practitioners available to witness. Despite viewing actual demonstrations, due to political unrest in the country at the time, it was decided not to film in Haiti.
While searching for locations in Jamaica, the crew discovered a crocodile farm owned by Ross Kananga, after passing a sign warning that "trespassers will be eaten." The farm was put into the script and also inspired Mankiewicz to name the film's villain after Kananga.
Richard Maibaum later claimed he was asked to write the film but declined because he was too busy. He disliked the final film saying "to process drugs in the middle of the jungle is not a Bond caper."
Casting
Broccoli and Saltzman tried to convince Sean Connery to return as James Bond, but he declined. At the same time United Artists approached actors Adam West and Burt Reynolds. Reynolds told the studios that Bond should be played by an Englishman and turned the offer down. Among the actors to test for the part of Bond were Julian Glover, John Gavin, Jeremy Brett, Simon Oates, John Ronane, and William Gaunt. The main frontrunner for the role was Michael Billington. United Artists was still pushing to cast an American to play Bond but producer Albert R. Broccoli insisted that the part should be played by a British actor and put forward Roger Moore. After Moore was chosen, Billington remained on the top of the list in the event that Moore would decline to come back for the next film. Billington ultimately played a brief role in the pre-credit sequence of The Spy Who Loved Me (1977). Moore, who had been considered by the producers before both Dr. No and On Her Majesty's Secret Service, was ultimately cast. He tried not to imitate either Connery's or his own prior performance as Simon Templar in The Saint, and Mankiewicz fitted the screenplay into Moore's persona by giving more comedic scenes and a light-hearted approach to Bond.
Mankiewicz had thought of turning Solitaire into a black woman, with Diana Ross as his primary choice. However, Broccoli and Saltzman decided to stick to Fleming's description of a white woman, and after thinking of Catherine Deneuve, Jane Seymour, who was in the TV series The Onedin Line, was cast for the role. Yaphet Kotto was cast while doing another movie for United Artists, Across 110th Street. Kotto reported one of the things he liked in the role was Kananga's interest in the occult, "feeling like he can control past, present and future".
Mankiewicz created Sheriff J.W. Pepper to add a comic relief character. Portrayed by Clifton James, Pepper appeared again in The Man with the Golden Gun. Live and Let Die is also the first of two films featuring David Hedison as Felix Leiter, who reprised the role in Licence to Kill. Hedison had said "I was sure that would be my first and last", before being cast again.
Madeline Smith, who played Miss Caruso, sharing Bond's bed in the film's opening, was recommended for the part by Roger Moore after he had appeared with her on TV. Smith said that Moore was extremely polite to work with, but she felt very uncomfortable being clad in only blue bikini panties while Moore's wife was on set overseeing the scene.
Live and Let Die was the only Bond film until Casino Royale (2006) not to feature 'Q', played at this stage by Desmond Llewelyn. He was then appearing in the TV series Follyfoot, but was written out of three episodes to appear in the film.
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