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Let the Right One In (Swedish: Låt den rätte komma in) is a 2008 Swedish romantic horror film directed by Tomas Alfredson, based on the 2004 novel of the same title by John Ajvide Lindqvist, who also wrote the screenplay. The film tells the story of a bullied 12-year-old boy who develops a friendship with a vampire child in Blackeberg, a suburb of Stockholm, in the early 1980s. Alfredson, unconcerned with the horror and vampire conventions, decided to tone down many elements of the novel and focus primarily on the relationship between the two main characters. Selecting the lead actors involved a year-long process with open castings held all over Sweden. In the end, the 11-year-olds Kåre Hedebrant and Lina Leandersson were chosen for the leading roles. They were subsequently commended by both Alfredson and film reviewers for their performances.

Let the Right One In
Theatrical release poster
Directed byTomas Alfredson
Produced by
  • Carl Molinder
  • John Nordling
Screenplay byJohn Ajvide Lindqvist
Based onLet the Right One In
by John Ajvide Lindqvist
Starring
  • Kåre Hedebrant
  • Lina Leandersson
  • Per Ragnar
  • Ika Nord
  • Peter Carlberg
Music byJohan Söderqvist
CinematographyHoyte van Hoytema
Edited by
  • Tomas Alfredson
  • Daniel Jonsäter
Production
companies
  • EFTI
  • Filmpool Nord
  • Sveriges Television
Distributed bySandrew Metronome
Release date
  • 26 January 2008 (2008-01-26) (Gothenburg)
  • 24 October 2008 (2008-10-24) (Sweden)
Running time
114 minutes
CountrySweden
LanguageSwedish
Budget
  • 29 million kr
  • ($4.5 million)
Box office$11.2 million

The film received critical acclaim and won several awards, including the "Founders Award for Best Narrative Feature" at the 2008 Tribeca Film Festival and the European Fantastic Film Festivals Federation's 2008 Méliès d'Or (Golden Méliès) for the "Best European Fantastic Feature Film", as well as four Guldbagge Awards from the Swedish Film Institute and the Saturn Award for Best International Film.

Screenplay

Oskar, a meek 12-year-old boy, resides with his mother Yvonne in the western Stockholm suburb of Blackeberg in 1981 and occasionally visits his father Erik in the countryside. During one such visit to his father, when Oskar and Erik are enjoying a cosy night playing games, a drunken neighbour arrives, and Erik starts to drink heavily with him, breaking up the father/son evening.

Oskar's classmates regularly bully him, and he spends his evenings imagining revenge, collecting clippings from newspapers and magazines about grisly murders. One night he meets Eli, who appears to be a pale girl of his age. Eli has recently moved into the next-door apartment with an older man, Håkan. Eli initially informs Oskar that they cannot be friends. Over time, however, they begin to form a close relationship, with Oskar lending his Rubik's Cube to Eli, and the two exchanging Morse code messages through their adjoining wall. Håkan requests that Eli stop seeing Oskar. After questioning Oskar about a cut on his cheek, Eli learns that the boy is being bullied by schoolmates and encourages him to stand up for himself. This inspires Oskar to enroll for weight-training classes after school.

Earlier, Håkan stops and kills a passerby on a busy footpath near a main road to harvest fresh blood for Eli, but he fails to return with any when he is interrupted by an approaching dog walker. Eli is prompted to waylay and kill a local man, Jocke, making his way home from a bar after having said goodnight to his best friend, Lacke. A local cat-loving recluse, Gösta, witnesses the attack from his flat. He does not believe what he has seen and decides not to report the incident. Håkan hides Jocke's body in an ice-hole in the local lake. Håkan later makes another well-prepared but incompetently executed effort to obtain blood for Eli by trapping a teenage boy in a changing room after school. The boy's friends are waiting for him to emerge, and go to see what is holding him up. Before he is discovered, Håkan pours concentrated hydrochloric acid onto his own face, disfiguring it to prevent the authorities from identifying him and tracing Eli. Eli learns that Håkan has been taken to the hospital and scales the building to access his restricted room. Håkan opens the window for Eli and offers his neck to her for feeding; after she has fed, Håkan falls out of the window onto the snow and dies. Now alone, Eli goes to Oskar's apartment and spends the night with him, during which time they agree to "go steady". While Eli states, "I'm not a girl", Oskar (ambiguously) either ignores this or accepts the unclear nature of the relationship.

During an ice skating field trip at the lake, some of Oskar's fellow students discover Jocke's body. At the same time, Oskar finally stands up to his tormentors and strikes the leader of the bullies, Conny, on the side of the head with a pole, splitting his ear. Some time later, Oskar shows Eli a private place he knows. Unaware that Eli is a vampire, Oskar suggests that they form a blood bond, and cuts his hand, asking Eli to do the same. Eli, thirsting for blood but not wanting to harm Oskar, laps up his spilled blood before running away. Lacke's girlfriend, Virginia, is subsequently attacked by Eli. Lacke turns up in time to interrupt the attack. Virginia survives, but soon discovers that she has become painfully sensitive to sunlight. Seeking Lacke, Virginia visits Gösta, only to be fiercely attacked by Gösta's cats. In the hospital, Virginia, who has realized what she has become, asks an orderly to open the blinds in her room. When the sunlight streams in, she bursts into flames.

On realizing Eli's true nature, Oskar confronts Eli, who admits to being a vampire. Oskar is initially upset by Eli's need to kill people for survival. However, Eli insists that their bloodthirsty natures are alike, in that Oskar wants to kill and Eli needs to kill, and encourages Oskar to "be me, for a little while."

Lacke, who has lost everything because of Eli, tracks Eli down to the closed-off apartment. Breaking in, he discovers Eli asleep in the bathtub. He prepares to kill her, but Oskar, who was hiding inside the apartment, interferes; Eli immediately wakes up, jumps on Lacke and kills him, feeding on his blood. Eli thanks Oskar and kisses him in gratitude. However, an upstairs neighbor is angrily knocking on the ceiling due to the disturbance the fight has caused. Eli realizes that it is no longer safe to stay and leaves the same night.

The next morning, Oskar receives a phone call from Conny's friend, Martin, who lures Oskar out to resume the after-school fitness program at the local swimming pool. The bullies, led by Conny and his sadistic older brother Jimmy, start a fire to draw Mr Ávila, the teacher in charge, outside, and enter the pool area, ordering the other children to clear out. This leaves Oskar trapped alone in the pool. Jimmy forces Oskar under the water, threatening to stab his eye out if he does not hold his breath for three minutes. While Oskar is being held underwater, Eli arrives and rescues him by killing and dismembering the bullies, except for the most reluctant of their number, Andreas, who is left sobbing on a bench.

Later, Oskar is traveling on a train with Eli in a box beside him, safe from sunlight. From inside, Eli taps the word "kiss" to Oskar in Morse code, to which he taps back "puss" (small kiss in Swedish).

  • Kåre Hedebrant as Oskar
  • Lina Leandersson as Eli
    • Elif Ceylan as Eli (Voice)
    • Susanne Ruben as Aged Eli
  • Per Ragnar as Håkan
  • Henrik Dahl as Erik
  • Karin Bergquist as Yvonne
  • Peter Carlberg as Lacke
  • Ika Nord as Virginia
  • Mikael Rahm as Jocke
  • Karl Robert Lindgren as Gösta
  • Anders T. Peedu as Morgan
  • Pale Olofsson as Larry
  • Cayetano Ruiz as Magister Ávila
  • Patrik Rydmark as Conny
  • Johan Sömnes as Andreas
  • Mikael Erhardsson as Martin
  • Rasmus Luthander as Jimmy
  • Sören Källstigen as Erik's friend
  • Bernt Östman as Virginia's nurse
  • Kajsa Linderholm as Oskar's teacher

Development

 
The characteristic subway station of Blackeberg, which features in the film

The film project started in late 2004 when John Nordling, a producer at the production company EFTI, contacted Ajvide Lindqvist's publisher Ordfront to acquire the rights for a film adaptation of his novel, Let the Right One In: "At Ordfront they just laughed when I called, I was like the 48th they put on the list. But I called John Ajvide Lindqvist and it turned out we had the same idea of what kind of film we should make. It wasn't about money, but about the right constellation". A friend introduced Tomas Alfredson to the novel. While he normally does not like to receive books, because "it's a private thing to choose what to read", he decided after a few weeks to read it. The depiction of bullying in the novel affected Alfredson deeply. "It's very hard and very down-to-earth, unsentimental (...) I had some period when I grew up when I had hard times in school (...) So it really shook me", he told the Los Angeles Times. Ajvide Lindqvist already knew Alfredson's previous work, and he and Alfredson discovered that they "understood each other very well".

In addition to EFTI, co-producers included Sveriges Television and the regional production-centre Filmpool Nord. The production involved a total budget of around 29 million SEK, including support from the Swedish Film Institute and Nordisk Film- & TV Fond and WAG.

Screenplay

Lindqvist had insisted on writing the screenplay himself. Alfredson, who had no familiarity with the vampire and horror genres, initially expressed skepticism at having the original author do the adaptation, but found the end result very satisfying. Many of the minor characters and events from the book were removed, and focus directed primarily on the love story between the two leads. In particular, many aspects of the character Håkan, including him being a paedophile, were toned down, and his relationship with Eli was mostly left open to interpretation. Alfredson felt that the film could not deal with such a serious theme as pedophilia in a satisfying manner, and that this element would detract from the story of the children and their relationship. Still, the film provided a few hints, of which Alfredson mentions one in the director's comments (Håkan likes children, for the wrong reasons).

A key passage in the novel details what happens when a vampire enters a room uninvited, an action that traditional vampire lore usually prohibits. Alfredson originally wanted to omit this from the film, but Ajvide Lindqvist was adamant that it had to be included. Alfredson was initially nervous about the scene. He realized in post-production that the sound effects and music made it "American, in a bad way", and had to be removed for the scene to work. The end result, which shows Eli slowly beginning to bleed from her eyes, ears, and pores, received positive notices from many critics. Peter Bradshaw of The Guardian described it as a "haemophilia of rejection".

The novel presents Eli as an androgynous boy, castrated centuries before by a sadistic vampire nobleman. The film handles the issue of Eli's gender more ambiguously: a brief scene in which Eli changes into a dress offers a glimpse of a suggestive scar but no explicit elaboration. When Oskar asks Eli to become his girlfriend, Eli tries to tell Oskar "I'm not a girl". An actress plays Eli's character, but her voice was considered to be too high pitched, so it was dubbed by voice actress Elif Ceylan. According to an interview with the director, as the film was originally conceived, flashbacks explained this aspect in more detail, but these scenes were eventually cut. In the end, Ajvide Lindqvist was satisfied with the adaptation. When Alfredson showed him eight minutes of footage for the first time, he "started to cry because it was so damn beautiful". He subsequently described the film as a "masterpiece". "It doesn't really matter that didn't want to do it the way I wanted it in every respect. He could obviously never do that. The film is his creative process", he said.

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