Let Me In 2010 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In March 1983, in Los Alamos, New Mexico, a disfigured man is taken to the hospital. An unnamed police detective tries to question him about a recent murder. While the detective answers a call outside the room, the disfigured man jumps out of the window, leaving behind a note that reads "I'm sorry Abby."

Two weeks earlier, Owen, an unhappy and lonely 12-year-old boy who is neglected by his divorcing parents, sees a young girl, Abby, and an older man moving in next door. Owen and Abby become close friends and start communicating by Morse code through the walls of their apartments. At school, a teenage bully named Kenny and two of his friends constantly terrorize Owen, who lies to his mother about it but tells Abby the truth. Abby encourages him to retaliate, and pledges to protect him.

Abby's companion, Thomas, abducts a local teenager and drains his blood into a jug, only to accidentally spill all of the jug's contents. Starving, Abby attacks a neighbor and drinks his blood, killing him and forcing Thomas to dispose of the body.

On another night, Thomas hides in the back of another car, but is discovered. In the ensuing struggle, the car falls into a ditch and flips over. Trapped, Thomas pours concentrated sulfuric acid on his face, rendering his features unrecognizable and bringing the story back to the first scene. Abby learns what happened and visits Thomas, who lets her drink his blood before falling to his death. That night, Owen is awakened by Abby, who insists he verbally invite her in. She spends the night in his bed and agrees to be his girlfriend.

The next day, Owen's class goes ice-skating on a river. Cornered by the bullies, Owen hits Kenny with a metal pole, splitting his left ear. At the same moment, the students spot the neighbor's body encased in the ice.

Later, Owen tries to make a blood pact with Abby. Seeing blood, Abby reveals her vampire form and flees, feeding on another neighbor. The next night, Abby admits to Owen that she is a vampire and that Thomas was not her father. Owen discovers an aged photo of her with Thomas as a young boy. Scared, Owen wants to leave, but he is stopped by Abby, who won't answer his demands on letting him out. Owen finally leaves after asking what is Abby going to do to him.

Owen sneaks out to spend the night at Abby's. In the morning, the detective forces his way into Abby's apartment and finds her asleep, only to be distracted by Owen. Abby wakes and attacks the detective, killing him. Abby tells Owen she will have to leave town. They share a kiss and he watches tearfully as she enters a taxi and leaves.

During swim class, Kenny, Jimmy (Kenny's older brother), and their friends ambush Owen and begin to drown him, only to be dismembered by Abby. The next day, Owen leaves town on a train, traveling with a large trunk. From inside, a message in Morse code is tapped out. Owen smiles and taps out a response.

Development

According to Hammer Films executive producer Nigel Sinclair, interest in the project initially began in the middle of 2007, before the original Let the Right One In had screened for audiences.

The rights for the English-language film were later acquired by Hammer Films at the 2008 Tribeca Film Festival, where Let the Right One In won the "Founders Award for Best Narrative Feature," and Matt Reeves was quickly introduced as the director. John Nordling and Carl Molinder, the Swedish producers of the original film, were both involved as producers for the adaptation. Tomas Alfredson, the director of the Swedish film, was initially asked to direct the remake, but he turned it down stating that "I am too old to make the same film twice and I have other stories that I want to tell." Hammer Films producer Simon Oakes initially referred to the film with "If you call it a faithful remake, I think that's true to say that's what it is. It's not a reimagining; the same beats , maybe the scares are a little bit more scary." He later said, "I call it his version. I don't call it his remake or his re-imagining of it." The decision to make a new film adaptation has been criticized by Tomas Alfredson. He has stated on numerous occasions that he is not in favor of remaking his film. "If one should remake a film, it's because the original is bad. And I don't think mine is," he said. Producer Donna Gigliotti said, "We're incredibly admiring of the original, but to be honest with you, that picture grossed $2 million. It's not like we're remaking Lawrence of Arabia." Producer Simon Oakes made it clear that the plot of Let Me In would closely resemble that of the original film, except that it will be made "very accessible to a wider audience."

Writer John Ajvide Lindqvist, on the other hand, says that Reeves told him that he "will make a new film based on the book, and not remake the Swedish film" and so "it'll be something completely different, but it's going to be really interesting to see." Reeves expressed his intent to retain the book's early 1980s setting and his admiration for the book and Alfredson's adaptation. "It's a terrific movie and a fantastic book. I think it could be a really touching, haunting and terrifying film. I'm really excited about what it could be", he said. In response to the criticism he said, "I can understand because of people's love of the film that there's this cynicism that I'll come in and trash it, when in fact I have nothing but respect for the film. I'm so drawn to it for personal and not mercenary reasons ... I hope people give us a chance." When Reeves was initially approached, he at first was against the idea but after reading the novel gained a better appreciation for the story,

I said… that we shouldn't remake it. I read the book too and was completely taken with it and I was really intrigued how personal the story felt. I thought John Lindqvist had written this terrific story, and he also adapted it for the film... I wrote Lindqvist and told him that it wasn't just that I was drawn to the story because it was a brilliant genre story—which it is—but also because of the personal aspect of it. It really reminds me of my childhood.

—?Matt Reeves

Adapting and writing

In adapting the film, a few adjustments were made, such as changing the names of the protagonists to Owen and Abby, and moving the setting from the Stockholm suburb of Blackeberg to "a small New Mexico town." Reeves was also asked to change the ages of the main characters, but he refused, saying that "would ruin the essence of the story and change everything completely…we need that childlike innocence." He also told his actors to not watch the original film beforehand so "we could make our own version but stay very true to the essence of the story." The filmmakers have noted that "they intend to forge a unique identity for Let Me In, placing it firmly in an American context", while at the same time paying respect to the original. In comparing his adaptation to the Swedish one, Reeves admitted to not adding many different details from the book that weren't in the original film, stating that "the story was so big that you couldn't really add a lot of stuff in without taking away the focus of the coming of age story so I tried to have allusions and references to stuff in the book." Reeves also admitted to borrowing elements from the Swedish film, stating "There are things that adapted brilliantly in the movie and I borrowed from that because I thought he did a great adaptation. But there are some things that hopefully don't detract and fit into the context of the story. It's a mixture of details from the book, the original film and things that grew out of adapting it." In adapting the story for American audiences, Reeves stated that keeping the 1980s time period within the film was critical in exploring the theme of good and evil. He used Ronald Reagan's "evil empire speech" as an example of American thought during that period. Reeves stated, "The idea of Reagan's 'evil empire' speech and that whole sort of school of thought was that evil was something that was outside of us. Evil was 'Other,' it was over there, it was the Soviets". Reeves felt that this idea was central to the main character Owen, as he "would be grappling with these very, very dark feelings but being in a kind of American town where there was that sort of mindset and religiousness. How would you fit in? How would you fee