Story of movie Lady In The Lake : Lady in the Lake is a 1947 American film noir that marked the directorial debut of Robert Montgomery, who also stars in the film. The picture also features Audrey Totter, Lloyd Nolan, Tom Tully, Leon Ames and Jayne Meadows. The murder mystery was an adaptation of the 1943 Raymond Chandler novel The Lady in the Lake. The film was Montgomery's last for Metro-Goldwyn-Mayer, after eighteen years with the studio.
| Lady in the Lake | |
|---|---|
French theatrical release poster | |
| Directed by | Robert Montgomery |
| Produced by | George Haight |
| Screenplay by | Steve Fisher |
| Based on | The Lady in the Lake 1943 novel by Raymond Chandler |
| Starring | Robert Montgomery Audrey Totter Lloyd Nolan |
| Narrated by | Robert Montgomery |
| Music by | David Snell |
| Cinematography | Paul Vogel |
| Edited by | Gene Ruggiero |
| Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 105 minutes |
| Country | United States |
| Language | English |
| Budget | $1,026,000 |
| Box office | $2,657,000 |
Montgomery's ambition was to create a cinematic version of the first-person narrative style of his Philip Marlowe novels. With the exception of a couple of times when Montgomery (in character) addresses the audience directly, the entire film is shot from the viewpoint of the central character, Marlowe. The audience sees only what he does. MGM promoted the film with the claim that it was the first of its kind and the most revolutionary style of film since the introduction of the talkies. The movie was also unusual for having virtually no instrumental soundtrack, the music in the film being instead provided by a wordless vocal chorus.
The film did not use Raymond Chandler's own 195-page MGM screenplay adaptation, dated 7/5/45, but instead used a 125-page version written by Steve Fisher, which was filmed two years later. The film's script changes the novel's midsummer setting to Christmastime, frequently using holiday themes as an ironic counterpoint to the grim aspects of the story. The opening credits are shown on a series of Christmas cards, which turn out to be concealing a gun.
Screenplay
Tired of the low pay of his profession, hard-boiled Los Angeles private detective Phillip Marlowe submits a murder story to Kingsby Publications. He is invited to the publishers’ offices to discuss his work but soon realizes it is merely a ploy. A few days before Christmas, publishing executive Adrienne Fromsett hires him to locate the wife of her boss, Derace Kingsby.
One month earlier, Kingsby’s wife, Chrystal, had sent her husband a telegram saying she was heading to Mexico to divorce him and marry a man named Chris Lavery. But according to Fromsett, Lavery says he has not seen Chrystal for two months, and the telegram appears to be fake. It becomes obvious to Marlowe that Fromsett wants her boss for herself (for his money, as she later admits).
Marlowe goes to see Lavery, who claims to know nothing about any trip to Mexico. Lavery, however, says that Mrs. Kingsby WAS a beautiful woman before revising it to "is." He sucker-punches the detective. Marlowe wakes up in jail. He is questioned by Captain Kane and a belligerent Lieutenant DeGarmot. Marlowe refuses to divulge anything, and Kane releases him.
Marlowe learns that a woman's body has been recovered from a lake owned by Kingsby, and that Kingsby's caretaker, Mr. Chess, was charged with the murder of his wife Muriel. Fromsett suspects that Chrystal is the real killer, as she and Muriel hated each other. Little Fawn Lake was also where Chrystal was last seen. Marlowe learns that Muriel was an alias for a woman named Mildred Haviland and that she was hiding from a tough cop, whose description fits DeGarmot.
Marlowe goes to see Lavery again. Inside the unlocked house, he encounters Lavery's landlady, Mrs. Falbrook, holding a gun she claims to have just found. Upstairs, he finds Lavery dead, shot several times. He also finds a handkerchief with the monogram "A F".
Before calling the police, Marlowe goes to the publishing house to confront Fromsett, interrupting a Christmas party. In private, she denies killing Lavery. Kingsby, learning that Fromsett had hired Marlowe to find Chrystal, tells her theirs will be strictly a business relationship from now on. A furious Fromsett fires the private eye. Kingsby immediately hires him to find his wife.
Marlowe informs the police of Lavery's death. At the scene, he suggests that Muriel was hiding from DeGarmot. The two men scuffle. Kane takes Marlowe into custody, releasing him only out of Christmas spirit.
Marlowe obtains more information on Muriel from a newspaper contact. She had been a suspect in the suspicious death of her previous employer's wife. The investigating detective, DeGarmot, ruled that death a suicide; the victim's parents strongly disagreed.
Marlowe finds the parents have been intimidated into keeping silent. His car is then run off the road by DeGarmot. Regaining consciousness after the crash, Marlowe gets to a telephone and call Fromsett for help. She takes him back to her apartment, where she claims that she has fallen in love with him. They spend Christmas Day together while he recovers from his injuries.
Kingsby receives a telegram from his wife, asking for money. Marlowe agrees to drop it off, as Kingsby is being followed by police detectives. Placing his trust in Fromsett, Marlowe instructs her to have the police follow him after ten minutes, following a trail of rice he will leave.
The woman Marlowe meets turns out to be Mildred Haviland, alias Mrs. Falbrook, alias Muriel. She killed Chrystal (the "lady in the lake"), in addition to her former employer's wife and Lavery.
DeGarmot was in love with Haviland and helped her cover up the first murder. Then she fled from him and married Chess.
Haviland pulls a gun on Marlowe in her apartment. DeGarmot tracks them down, having overheard Fromsett speaking to Captain Kane and following Marlowe's trail of rice. He plans to kill them both with Havelend's gun and stage it to look like she and Marlowe shot each other. DeGarmot then shoots a pleading Mildred several times. Kane arrives just in time to gun down his own crooked cop. Marlowe and Fromsett decide to leave for New York City to start a new life together.
- Robert Montgomery as Phillip Marlowe
- Audrey Totter as Adrienne Fromsett
- Lloyd Nolan as Lt. DeGarmot
- Tom Tully as Police Captain Fergus K. Kane
- Leon Ames as Derace "Derry" Kingsby
- Jayne Meadows as Mildred Haviland
- Richard Simmons as Chris Lavery
- Morris Ankrum as Eugene Grayson
- Lila Leeds as Receptionist
- Robert Williams as Artist
- Kathleen Lockhart as Mrs. Grayson
- "Ellay Mort" as Chrystal Kingsby. This is an inside joke, as the character is never seen in the film; the name is a homonym of the French "elle est morte", which means "she is dead".
MGM bought the rights to Chandler's novel for a reported $35,000. In order to simulate the protagonist walking, John Arnold, executive head of photography at MGM, developed a new sort of camera dolly, with four independent wheels, allowing the dolly to walk through doors, up stairs, etc.
Montgomery tried a technique that had often been talked about in Hollywood but never used in a major film: he used the camera as the protagonist (Philip Marlowe) of the film. Other characters talk directly to the camera. The voice of Marlowe is that of Montgomery, but his face is shown only in reflections. Reviews of the film were not appreciative of the new approach. Most critics gave the director credit for trying an experimental technique but felt the experiment had been a failure.
Author and film critic Leonard Maltin awarded the film two and a half out of four stars, commending its first person perspective storytelling, but criticized its confusing plot and dated presentation.
According to MGM records the film earned $1,812,000 in the US and Canada and $845,000 elsewhere resulting in a profit of $598,000.
Lux Radio Theater broadcast a 60 minute radio adaptation of the movie on February 9, 1948 with Montgomery and Totter reprising their roles. A recording of the production is available as a streaming audio.
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