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Knocked Up is a 2007 American romantic comedy film written, directed, and co-produced by Judd Apatow, and starring Seth Rogen, Katherine Heigl, Paul Rudd, and Leslie Mann. It follows the repercussions of a drunken one-night stand between a slacker and a just-promoted media personality that results in an unintended pregnancy.

Knocked Up
Theatrical release poster
Directed byJudd Apatow
Produced by
  • Judd Apatow
  • Shauna Robertson
  • Clayton Townsend
Written byJudd Apatow
Starring
  • Seth Rogen
  • Katherine Heigl
  • Paul Rudd
  • Leslie Mann
  • Jason Segel
  • Jay Baruchel
  • Jonah Hill
  • Martin Starr
Music by
  • Loudon Wainwright III
  • Joe Henry
CinematographyEric Alan Edwards
Edited by
  • Craig Alpert
  • Brent White
Production
company
Apatow Productions
Distributed byUniversal Pictures
Release date
  • June 1, 2007 (2007-06-01)
Running time
129 minutes
CountryUnited States
LanguageEnglish
Budget$30 million
Box office$219.1 million

The film was released on June 1, 2007 to box office success, grossing $219 million worldwide, and acclaim from critics. A spin-off sequel, This Is 40, was released in 2012.

Screenplay

Alison Scott (Katherine Heigl) is a career-minded woman who has just been given an on-air role with E! and is living in the pool house with her sister Debbie's (Leslie Mann) family. Ben Stone (Seth Rogen) is laid-back and sardonic. He lives off funds received in compensation for an injury and sporadically works on a celebrity porn website with his roommates (Jay Baruchel, Jonah Hill, Jason Segel and Martin Starr), in between smoking marijuana or going off with them at theme parks such as Knott's Berry Farm. While celebrating her promotion, Alison meets Ben at a local nightclub. After a night of drinking, they end up having sex. Due to a misunderstanding, they don't use protection: Alison uses the phrase "Just do it already" to encourage Ben to put the condom on, but he misinterprets this to mean to dispense with using one. The following morning, they quickly learn over breakfast that they have little in common and go their separate ways, which leaves Ben visibly upset.

Eight weeks later, Alison experiences morning sickness during an interview with James Franco and realizes she could be pregnant. She contacts Ben for the first time since their one-night stand to tell him. Although insensitive at first, Ben says he will be there to support Alison. While he is still unsure about being a parent, his father (Harold Ramis) is excited. Alison's mother (Joanna Kerns) tries to persuade her daughter to have an abortion, but Alison decides to keep the child. Later, Alison and Ben decide to give a relationship a chance. The couple's efforts include Ben making an awkward marriage proposal with an empty ring box, promising to get her one someday. Alison thinks it's too early to think about marriage, because she is more concerned with hiding the pregnancy from her bosses, believing that they will fire her if they ever found out. After a somewhat promising beginning, tensions surface in the relationship.

Alison is increasingly worried about Ben's lack of responsibility and commitment, and has doubts about the longevity of their relationship. These thoughts are due to her sister's unhappy marriage. Debbie's husband, Pete (Paul Rudd), works as a talent scout for rock bands, but he leaves at odd hours in the night, which makes her suspect he is having an affair. Upon investigating, she learns that he is actually part of a fantasy baseball draft, and that he has been doing other activities such as going to the movies on his own, which he explains he participates in to be free from Debbie's controlling manner. This results in their separation, and when Ben expresses amusement at Pete's deception, it leads to a heated argument with Alison as they drive to her doctor. Angered, she ejects him from her car and abandons him in the middle of a busy street. He tracks her down to her appointment and they both start another argument, leading to their own breakup. Ben and Pete decide to go on a road trip to Las Vegas.

Under the heavy influence of psychedelic mushrooms, they realize their loss and decide to take responsibility for their relationships. Simultaneously, Debbie drags a timid Alison out partying with her, but they are refused admission to a nightclub by its apologetic bouncer (Craig Robinson) on account of Debbie's age and Alison's pregnancy, leading to Debbie's tearful laments about her life and her desire to have Pete back. They reconcile at their daughter's birthday party, but when Ben tries to work things out with Alison, she doesn't want to get back together. Alison's boss finds out about her pregnancy, and sees an opportunity to boost ratings with female viewers by having Alison interview pregnant celebrities. After a talk with his father, Ben decides to take responsibility and goes to great effort to change his ways, including moving out of his friends' house, getting an office job as a web designer, and creating a baby's room in his new apartment.

He also starts reading the pregnancy books that he had purchased early on. When Alison goes into labor and is unable to contact her doctor, she calls Ben, as Debbie and Pete are at Legoland. Ben discovers that the gynecologist they had been seeing (Loudon Wainwright) is out of town, at a Bar Mitzvah, despite having assured them that he never took vacations. Ben calls him and leaves a furious voicemail, threatening murder. During labor, Alison apologizes for doubting Ben's commitment and admits that she never thought the man who got her pregnant would be the right one for her. When Debbie and Pete arrive at the hospital, Ben adamantly refuses to allow her to be at Alison's side, insisting that it's his place. Debbie is both furious and impressed that Ben took charge of the situation and begins to change her formerly negative opinion about him. The couple welcomes a baby girl (a boy in the alternate ending) and settle down happily together in a new apartment in Los Angeles.

  • Seth Rogen as Ben Stone
  • Katherine Heigl as Alison Scott
  • Paul Rudd as Pete
  • Leslie Mann as Debbie
  • Jason Segel as Jason
  • Jay Baruchel as Jay
  • Jonah Hill as Jonah
  • Martin Starr as Martin
  • Charlyne Yi as Jodi
  • Iris Apatow as Charlotte
  • Maude Apatow as Sadie
  • Harold Ramis as Harris Stone
  • Joanna Kerns as Mrs. Scott
  • Alan Tudyk as Jack
  • Kristen Wiig as Jill
  • Bill Hader as Brent
  • Ken Jeong as Dr. Kuni
  • J. P. Manoux as Dr. Angelo
  • Tim Bagley as Dr. Pellagrino
  • B. J. Novak as Doctor
  • Mo Collins as Doctor
  • Loudon Wainwright as Dr. Howard
  • Adam Scott as Nurse
  • Craig Robinson as Club Doorman
  • Tami Sagher as Wardrobe Lady
  • Stormy Daniels as Lap Dancer

Themselves (uncredited)

  • Jessica Alba
  • Steve Carell
  • Andy Dick
  • James Franco
  • Eva Mendes
  • Ryan Seacrest
  • Dax Shepard

Casting

Several of the major cast members return from previous Judd Apatow projects: Seth Rogen, Martin Starr, Jason Segel, and James Franco all starred in the short-lived, cult television series Freaks and Geeks which Apatow produced. From the Apatow-created Undeclared (which also featured Rogen, Segel and Starr) there are Jay Baruchel and Loudon Wainwright III. Paul Feig, who co-created Freaks and Geeks, starred in the Apatow-written movie Heavyweights and directed the Apatow-produced Bridesmaids also makes a brief cameo as the Fantasy Baseball Guy. Steve Carell, who makes a cameo appearance as himself, played the main role in Apatow's The 40-Year-Old Virgin which also starred Rogen and Rudd, as well as appearing in the Apatow-produced Anchorman. Finally, Leslie Mann, who also appeared in The 40-Year-Old Virgin, is married to Apatow and their two daughters play her children in the movie.

Anne Hathaway was originally cast in the role of Alison in the film, but dropped out due to creative reasons that Apatow attributed to Hathaway's disagreement with plans to use real footage of a woman giving birth. Jennifer Love Hewitt and Kate Bosworth auditioned for the part after Hathaway dropped out, but ended up losing out to Katherine Heigl.

The closing credits roll over cast members' baby photos. The image of Joanna Kerns as a young mother was previously famous from its use in opening credits of Growing Pains’ first few seasons.

Bennett Miller, the director of Capote, appears in a mockumentary DVD feature called "Directing the Director", in which he is allegedly hired by the studio to supervise Apatow's work, but only interferes with it, eventually leading the two into a fist fight.

Box office performance

The film opened at #2 at the U.S. box office, grossing $30,690,990 in its opening weekend, behind Pirates of the Caribbean: At World's End's second weekend. The film grossed $148,768,917 domestically and $70,307,601 in foreign territories, totalling $219,076,518. The film also spent eight weeks in the box office top ten, the longest streak amongst May–June openers in 2007. A company that specializes in tracking responses to advertising spanning multiple types of media attributed the film's unexpected financial success to the use of radio and television ads in combination.

Critical response

Knocked Up received critical acclaim upon its release. On Rotten Tomatoes, the film holds a rating of 90%, based on 247 reviews, with an average rating of 7.7/10. The website's critical consensus reads, "Knocked Up is a hilarious, poignant and refreshing look at the rigors of courtship and child-rearing, with a sometimes raunchy, yet savvy script that is ably acted and directed." On Metacritic, the film has a score of 85 out of 100, based on 38 critics, indicating "universal acclaim".

The Los Angeles Times praised the film's humor despite its plot inconsistencies, noting that, "probably because the central story doesn't quite gel, it's the loony, incidental throwaway moments that really make an impression." Chris Kaltenbach of The Baltimore Sun acknowledged the comic value of the film in spite of its shortcomings, saying, "Yes, the story line meanders and too many scenes drone on; Knocked Up is in serious need of a good editor. But the laughs are plentiful, and it's the rare movie these days where one doesn't feel guilty about finding the whole thing funny."

In another such review, Variety magazine, while calling the film predictable, said that Knocked Up was "explosively funny." On the television show Ebert & Roeper, Richard Roeper and guest critic David Edelstein gave Knocked Up a "two big thumbs up" rating, with Roeper calling it "likeable and real," noting that although "at times things drag a little bit.... still Knocked Up earns its sentimental moments."

A more critical review in Time magazine noted that, although a typical Hollywood-style comedic farce, the unexpected short-term success of the film may be more attributable to a sociological phenomenon rather than the quality or uniqueness of the film per se, positing that the movie's shock value, sexual humor and historically taboo themes may have created a brief nationwide discussion in which movie-goers would see the film "so they can join the debate, if only to say it wasn't that good."

Alleged copyright infringement

Canadian author Rebecca Eckler wrote in Maclean's magazine about the similarities between the movie and her book, Knocked Up: Confessions of a Hip Mother-to-Be, which was released in the U.S. in March 2005. She pursued legal action against Apatow and Universal Pictures on the basis of copyright infringement. In a public statement, Apatow said, "Anyone who reads the book and sees the movie will instantly know that they are two very different stories about a common experience."

Another Canadian author, Patricia Pearson, also publicly claimed similarities between the film and her novel, Playing House. She declined to sue and declared Eckler's lawsuit to be frivolous.

Accusations of sexism

Mike White (longtime associate of Judd Apatow and screenwriter for School of Rock, Freaks and Geeks, Orange County, and Nacho Libre) is said to have been "disenchanted" by Apatow's later films, "objecting to the treatment of women and gay men in Apatow's recent movies", saying of Knocked Up, "At some point it starts feeling like comedy of the bullies, rather than the bullied."

In early reviews, both Slate's Dana Stevens and the

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