King Kong is a 1976 American monster film produced by Dino De Laurentiis and directed by John Guillermin. It is a remake of the 1933 film of the same name about a giant ape that is captured and imported to New York City for exhibition. Featuring special effects by Carlo Rambaldi, it stars Jeff Bridges, Charles Grodin and Jessica Lange in her first film role.
King Kong | |
---|---|
Theatrical release poster by John Berkey | |
Directed by | John Guillermin |
Produced by | Dino De Laurentiis |
Screenplay by | Lorenzo Semple Jr. |
Based on | King Kong by James Creelman Ruth Rose Merian C. Cooper Edgar Wallace |
Starring | Jeff Bridges Charles Grodin Jessica Lange |
Music by | John Barry |
Cinematography | Richard H. Kline |
Edited by | Ralph E. Winters |
Production company | Dino De Laurentiis Corporation |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 134 minutes |
Country | United States |
Language | English |
Budget | $24 million |
Box office | $90.6 million |
The film was the fifth highest-grossing film of 1977 according to box office statistics compiled during its release by Variety. It won the Academy Award for Best Visual Effects and was also nominated for Best Cinematography and Best Sound. Of the three King Kong films, it is the only one to feature the World Trade Center instead of the Empire State Building. A sequel titled King Kong Lives was released in 1986.
Screenplay
In 1976, Fred Wilson, an executive of the Petrox Oil Company, forms an expedition based on infrared imagery which reveals a previously undiscovered Indian Ocean island hidden by a permanent cloud bank. Wilson believes that the island holds vast untapped deposits of oil, a potential fortune which he is determined to secure for Petrox. Unknown to Wilson or the crew, Jack Prescott, a primate paleontologist who wants to see the island for himself, has stowed away on the expedition's vessel, the Petrox Explorer. Prescott reveals himself when he warns the crew that the cloud bank may be caused by some unknown, and potentially dangerous, phenomenon. Wilson orders Prescott locked up, believing him to be a corporate spy from a rival oil company. While being escorted to lock-up, Prescott spots a life raft which, upon inspection, is found to be carrying the beautiful and unconscious Dwan. After conducting a thorough background check on the 'spy', Wilson realizes that he is telling the truth and appoints Prescott as the expedition's official photographer, requesting that, due to his medical training, he be present when Dwan revives. When she does regain consciousness, Dwan states that she is an aspiring actress who was aboard a director's yacht, which suddenly and inexplicably exploded.
When the Petrox Explorer arrives at the island, the team discovers a primitive tribe of natives who live within the confines of a gigantic wall. The tribal chief shows an immediate interest in the blonde Dwan, offering to trade several of the native women for her, an offer firmly rejected by Jack. The team then learn that while the island does indeed contain large deposits of oil, it is of such low quality that it is unusable. Later that night, the natives secretly board the ship and kidnap Dwan, drugging her and offering her as a sacrifice to a giant ape known as Kong. Kong frees Dwan from the stronghold and retreats into the depths of the island.
Although an awesome and terrifying sight, the soft-hearted Kong quickly becomes infatuated by Dwan, whose rambling monologue both calms and fascinates the monstrous beast, taming his baser, more violent instincts. After Dwan falls into mud, Kong takes her back to a waterfall to wash her and dry her with great gusts of his warm breath.
In the meantime, Jack and First Mate Carnahan lead several crew members on a rescue mission to save Dwan. The search party encounters Kong while crossing a log bridge. Enraged by the intrusion into his territory, Kong rolls the huge log, sending Carnahan and all but one of the team plummeting to their deaths; Jack and Crewman Boan are the only ones to survive. While Boan returns to the village to alert the others at Jack's insistence, Jack presses on looking for Dwan. Kong takes Dwan to his lair. As he starts to undress her, a giant snake appears and attacks them. While the distracted Kong is fighting the snake, Jack arrives and rescues Dwan. After killing the snake, Kong chases them back to the native village. Smashing down the huge gates, he falls into a pit trap that Wilson and the crew have dug, where he is overcome by chloroform.
After learning that the oil cannot be refined, Wilson has instead decided to salvage the expedition by transporting the captive Kong to America as a promotional gimmick for Petrox. When they reach New York City, Kong is put on display, bound in chains with a large cage around his body from the neck down and a large crown on his head. When Kong sees a group of reporters pushing and shoving Dwan for interviews, the ape, believing that Dwan is being harmed, breaks free of his bonds. A stampede ensues as panic engulfs the throng, with people crushed and trampled as Kong strides through the crowd. Wilson, trying to flee, loses his footing and is crushed underfoot by Kong.
Jack and Dwan flee across the Queensboro Bridge to Manhattan and take refuge in an abandoned bar, where Jack notices a similarity between the Manhattan skyline (notably the World Trade Center Twin Towers) and the mountainous terrain of Kong's island. He runs downstairs to call the mayor's office and tells them to let Kong climb to the top of the World Trade Center. Before Jack can return, Kong, using his keen sense of smell, discovers Dwan and snatches her from the bar, then makes his way to the World Trade Center with Jack and the National Guard in pursuit.
Kong climbs to the roof of the South Tower of the World Trade Center, where he is attacked by soldiers armed with flamethrowers. Kong manages to evade them with a spectacular leap across to the roof of the North Tower. He rips pieces of equipment from the roof and throws them at the soldiers, killing them when he throws a tank of flammable material. Ignoring Jack's earlier request for safe, live capture, military helicopters are sent in to kill Kong (most likely since Petrox is facing major indictment). After ensuring Dwan's safety, Kong fights the attacking helicopters, downing one of them. Dwan desperately pleads for the military to break off their assault, but the pilots continue attacking. The relentless hail of bullets finally brings down Kong. As Dwan approaches Kong and puts out her hand to touch him, he rolls over the edge of the roof, crashing to the plaza hundreds of feet below. Dwan rushes down to comfort him and tearfully watches him take his last breath. An enormous crowd gathers around Dwan and the giant ape's body. Jack fights his way through the crowd to get to Dwan, but is stopped short by police as she is surrounded by journalists and paparazzi, despite her cries to him.
- Jeff Bridges as Jack Prescott
- Jessica Lange as Dwan
- Charles Grodin as Fred S. Wilson
- John Randolph as Captain Ross
- René Auberjonois as Roy Bagley
- Ed Lauter as First Mate Carnahan
- Julius Harris as Crewman Boan
- Jack O'Halloran as Joe Perko
- Dennis Fimple as Sunfish
- Jorge Moreno as Garcia
- Mario Gallo as Timmons
- John Lone as Chinese Cook
- John Agar as City Official
- Sid Conrad as Petrox Chairman
- Keny Long as Ape Masked Man
- Garry Walberg as Army General
- George Whiteman as Army Helicopter Pilot
- Wayne Heffley as Air Force Colonel
- Rick Baker as King Kong (suit performance, uncredited)
There are two different accounts for how the remake for King Kong came about. In December 1974, Michael Eisner, then an executive for ABC, watched the original film on television and struck on the idea for a remake. He pitched the idea to Barry Diller, the chairman and CEO of Paramount Pictures, who then enlisted veteran producer Dino De Laurentiis to work on the project. However, De Laurentiis claimed the idea to remake King Kong was solely his own when he saw a Kong poster in his daughter's bedroom as he woke her up every morning. When Diller suggested doing a monster film with him, De Laurentiis proposed the idea to remake King Kong. Diller and De Laurentiis provisionally agreed that Paramount would pay half of the film's proposed $12 million budget in return for the distribution rights in the United States and Canada if the former could purchase the film rights of the original film.
De Laurentiis later contacted his friend Thomas F. O'Neil, president of General Tire and RKO-General, who informed him that the film rights were indeed available. Later, De Laurentiis and company executive Frederic Sidewater entered formal negotiations with Daniel O'Shea, a semi-retired attorney for RKO-General, who requested a percentage of the film's gross. On May 6, 1975, De Laurentiis paid RKO-General $200,000 plus a percentage of the film's gross. After finalizing the agreement with Paramount, De Laurentiis and Sidewater began meeting with foreign distributors and set the film's release for Christmas 1976.
Writing
Lorenzo Semple, Jr. on writing King Kong
After moving his production company to Beverly Hills, De Laurentiis first met with screenwriter Lorenzo Semple, Jr., who at the time was writing Three Days of the Condor. Impressed with his work on the film, De Laurentiis contacted Semple about writing King Kong, in which Semple immediately signed on. During their collaboration on the project, De Laurentiis already had two ideas in mind—that the film would set in present day and the climax would set on top of the newly constructed World Trade Center.
Because of the risen sophistication in audiences' tastes since the original film, Semple sought to maintain a realistic tone, but infuse the script with a sly, ironic sense of humor that the audiences could laugh at. Having settled on the mood, Semple retained the basic plotline and set pieces from the original film, but updated and reworked other elements of the story. Inspired by the then-ongoing energy crisis and a suggestion from his friend Jerry Brick, Semple changed the expedition to being mounted by Petrox Corporation, a giant petroleum conglomerate whom suspected that Kong's island has unrefined oil reserves. In its original story outline, Petrox would discover Kong's island from a map hidden in the secret archives at the Vatican Library.
In a notable departure from the original film, Semple dropped the dinosaurs that are present with Kong on the island. The reasons for the dropped subplot was due to the increased attention on Kong and Dwan's love story and financial reasons as De Laurentiis did not want to use stop-motion animation in the film. Nevertheless, a giant snake was incorporated into the film.
A fast writer, Semple completed a forty-page outline within a few days and delivered it in August 1975. While De Laurentiis was pleased with Semple's outline, he expressed displeasure with the Vatican Library subplot, which was immediately dropped. It would later be replaced with Petrox discovering the island through obtained classified photos taken by a United States spy satellite. Within a month, the 140-page first draft incorporated the character of Dwan (who according to the script was originally named Dawn until she switched the two middle letters to make it more memorable), the updated rendition of Ann Darrow from the 1933 film. For its second draft, the script was reduced to 110 pages. The final draft was completed by December 1975.
Casting
Meryl Streep has said that she was considered for the role of Dwan, but was deemed too unattractive by producer Dino De Laurentiis. Dwan was also proposed to Barbra Streisand but she turned it down. The role eventually went to Jessica Lange, then a New York fashion model with no prior acting experience.
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