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King Arthur is a 2004 Irish-British-American historical adventure film directed by Antoine Fuqua and written by David Franzoni. It stars Clive Owen as the title character, Ioan Gruffudd as Lancelot and Keira Knightley as Guinevere.

King Arthur
Theatrical release poster
Directed byAntoine Fuqua
Produced byJerry Bruckheimer
Written byDavid Franzoni
StarringClive Owen
Keira Knightley
Ioan Gruffudd
Stephen Dillane
Stellan Skarsgård
Ray Winstone
Hugh Dancy
Til Schweiger
Mads Mikkelsen
Music byHans Zimmer
CinematographySlawomir Idziak
Edited byConrad Buff
Jamie Pearson
Production
company
Touchstone Pictures
Jerry Bruckheimer Films
World 2000 Entertainment
Green Hills Productions
Distributed byBuena Vista Pictures
Release date
July 7, 2004 (2004-07-07)
Running time
126 minutes
142 minutes (Director's cut)
CountryUnited States
United Kingdom
Ireland
LanguageEnglish
Scottish Gaelic
Budget$120 million
Box office$203.6 million

The film is unusual in reinterpreting Arthur as a Roman officer rather than a medieval knight. Despite these departures from the source material, the Welsh Mabinogion, the producers of the film attempted to market it as a more historically accurate version of the Arthurian legends, supposedly inspired by new archaeological findings. The film also replaces the sword in the stone story with a more dark and tragic backstory of how Arthur got his sword Excalibur. The film was shot in Ireland, England, and Wales.

Screenplay

Arthur (Clive Owen) is a Roman cavalry officer, also known as Artorius Castus, the son of a Roman father and a Celtic mother, who commands a unit of Sarmatian auxiliary cavalry in Britain at the close of the Roman occupation in 467 A.D. Arthur is loyal to Rome and a devout Christian, but follows the teachings of Pelagius, which many consider heretical. He and his men guard Hadrian's Wall against the Woads, a group of Britons who are rebels against Roman rule, led by the mysterious Merlin (Stephen Dillane).

Arthur and his remaining knights Lancelot (Ioan Gruffudd), Bors (Ray Winstone), Tristan (Mads Mikkelsen), Gawain (Joel Edgerton), Galahad (Hugh Dancy) and Dagonet (Ray Stevenson) expect to be discharged from their service to the Empire after faithfully fulfilling a fifteen-year commitment.

However, on the night when they are to receive their freedom, Bishop Germanus (Ivano Marescotti) sends them on a final and possibly suicidal mission to rescue an important Roman family living north of Hadrian's Wall. Marius Honorius (Ken Stott) faces impending capture by the invading Saxons, who are invading from mainland Europe, led by their king Cerdic (Stellan Skarsgård) and his son Cynric (Til Schweiger). According to Germanus, Marius' son Alecto is the Pope's favourite godson and may be "destined to be Pope one day". Though angry, the knights follow Arthur once more, but only after he and Lancelot argue over Arthur's deeply held beliefs.

At the remote estate, Arthur discovers that Marius has immured pagans, including a Woad named Guinevere (Keira Knightley) and a small boy named Lucan. Arthur defies Marius and frees the captives before deciding to take everyone, along with Marius' family, back to Hadrian's Wall.

One night, Guinevere takes Arthur to meet with Merlin, the leader of the Woads and her father. At first, Arthur thinks Guinevere has betrayed him, but Merlin has come in peace. In a flashback, it is revealed that, when Arthur was a boy, his mother Igraine died in a Woad attack, and that, hoping to be able to rescue his mother from a burning building, Arthur ran to his father Uther Pendragon's burial mound to pull from it the legendary sword that marked it, Excalibur. Merlin suggests an alliance between the Woads and the Sarmatian knights against the invading Saxons.

Marius then betrays the group, takes Lucan hostage and attempts to kill Dagonet but is shot by Guinevere with an arrow. While moving on to the south, Alecto informs Arthur that Germanus executed Pelagius after being insulted by his teachings of equality. Tristan returns from scouting the area and tells Arthur that a Saxon army is close behind them. The knights stay behind to delay the Saxons and allow the refugees to escape. They soon encounter the Saxons at an ice-covered lake bordered on each side by steep cliffs. Greatly outnumbered, Arthur, Guinevere and the knights attempt to repel them with arrows. The battle is won when Dagonet runs to the middle of the ice and breaks it with an axe at the cost of his life. Many Saxons are also killed, and the rest are forced to turn back.

Upon their return to the wall, Germanus awards the knights their discharge papers and Dagonet is buried. Guinevere attempts to persuade Arthur to remain in Britain and defend the people from the Saxons. The pair have sex in Arthur's room prior to the Saxon army's arrival. Despite Lancelot's pleas, Arthur decides to stay and defend the wall, sending his knights away to live the rest of their lives in freedom.

Now in command of the Woad forces, Arthur prepares to face the Saxon army. As the knights are leading the evacuation, they hear the Saxon drums and turn back to join Arthur.

In the climactic "Battle of Badon Hill" set just south of Hadrian's Wall, the Woads catapult flaming missiles at the Saxon army. When the hosts meet, Guinevere engages in combat with Cynric. Cerdic fights and kills Tristan before facing off with Arthur. Meanwhile, Cynric savagely mauls Guinevere overwhelming her but is then engaged by Lancelot. Cynric shoots Lancelot with a Saxon crossbow. Lancelot then throws his sword into Cynric and kills him. Lancelot dies with Guinevere at his side. Arthur kills Cerdic and the Saxons are defeated.

While he realizes that his ideal Rome exists only in his dreams, Arthur despairs over the deaths of his men. The film ends with the marriage of Arthur and Guinevere, after which Merlin proclaims him to be their king. United by their defeat of the Saxons and the retreat of the Romans, Arthur promises to lead the Britons against future invaders. Three horses that had belonged to Tristan, Dagonet and Lancelot run free across the landscape, as the closing narrative from Lancelot describes how fallen knights live on in tales passed from generation to generation.

  • Clive Owen as Arthur
  • Ioan Gruffudd as Lancelot
  • Mads Mikkelsen as Tristan
  • Joel Edgerton as Gawain
  • Hugh Dancy as Galahad
  • Ray Winstone as Bors the Younger
  • Ray Stevenson as Dagonet
  • Keira Knightley as Guinevere
  • Stephen Dillane as Merlin
  • Stellan Skarsgård as Cerdic
  • Til Schweiger as Cynric
  • Sean Gilder as Jols
  • Pat Kinevane as Horton
  • Ivano Marescotti as Bishop Germanus
  • Ken Stott as Marius Honorius
  • Lorenzo De Angelis as Alecto
  • Stefania Orsola Garello as Fulcinia
  • Alan Devine as British Scout
  • Charlie Creed-Miles as Ganis
  • Johnny Brennan as Lucan
  • David Murray as Merlin's Lieutenant
  • Dawn Bradfield as Vanora

The film was produced by Jerry Bruckheimer and directed by Antoine Fuqua; David Franzoni, the writer of the original draft script for Gladiator, wrote the screenplay. The historical consultant for the film was John Matthews, an author known for his books on esoteric Celtic spirituality, some of which he co-wrote with his wife Caitlin Matthews. The research consultant was Linda A. Malcor, co-author of From Scythia to Camelot: A Radical Reinterpretation of the Legends of King Arthur, the Knights of the Round Table, and the Holy Grail, in which possible non-Celtic sources for the Arthurian legends are explored.

The film's main set, a replica of a section of Hadrian's Wall, was the largest film set ever built in Ireland, and was located in a field in County Kildare. The replica was one kilometre long, which took a crew of 300 building workers four and a half months to build. The fort in the film was based on the Roman fort named Vindolanda, which was built around 80 AD just south of Hadrian's Wall in what is now called Chesterholm in Northern England.

Cinematic versus traditional portrayal

 
Guinevere's warrior persona is closer to the ancient Queen Medb (romanticised above) of the Irish Táin Bó Cúailnge than the Guinevere of Arthurian legend. By J.C. Leyendecker, 1916

The film's storyline is not taken from the traditional sources, but is a work of creative fiction. The only notable exception to this is the inclusion of the Saxons as Arthur's adversaries and the Battle of Badon Hill. Most traditional elements of Arthurian legend are dropped, such as the Holy Grail and Tristan's lover Iseult. The film barely includes the love triangle between Arthur, Lancelot and Guinevere; whilst Guinevere and Arthur are romantically involved, only a few sequences depict a possible relationship between Lancelot and Guinevere. The film does not feature Kay and Bedivere. Along with Gawain, they already appear as Arthur's companions in very early Welsh sources, like Culhwch and Olwen in the Mabinogion.

The knights' characterisations in Arthurian legend are also dropped. For example, the film's portrayal of a boorish and lusty Bors, the father of many children, differs greatly from his namesake whose purity and celibacy allowed him to witness the Holy Grail according to legend. The cinematic portrayal of Bors is therefore much closer to the traditional depiction of Sir Kay than his legendary namesake. Lancelot and Galahad are portrayed as having similar ages, whereas according to traditional versions they are father and son respectively (the film's approach is also found in modern Arthurian fiction — such as Bernard Cornwell's The Warlord Chronicles, in which they are brothers).

The cinematic portrayal of Guinevere as a Celtic warrior who joins Arthur's knights in battle is a drastic alteration from the demure "damsel in distress" of courtly romance. Although there is historical and mythological precedent for "sword-swinging warrior queens", such as the British Boudica of the Iceni, Gwenllian ferch Gruffydd of Wales, or the various Celtic war goddesses, the film's portrayal of Guinevere is actually closer to the Queen Medb of the Irish Táin Bó Cúailnge. However, no source, early or late, describes Guinevere as either a warrior or a rustic Celt; in fact, in Geoffrey of Monmouth's Historia Regum Britanniae, which contains one of the oldest accounts of the character, Guinevere has Roman blood while Arthur is an indigenous Celt.

Despite the film's alleged historical angle, Merlin was not originally part of the legends. It is generally agreed that he is based on two figures—Myrddin Wyllt (Myrddin the Wild), and Aurelius Ambrosius, a highly fictionalised version of the historical war leader Ambrosius Aurelianus. The former had nothing to do with Arthur and flourished after the Arthurian period. The composite Merlin was created by Geoffrey of Monmouth.

Differences between the film and the Arthurian legend

In the film, Arthur's father is a Roman general from the Imperial Roman army and his mother is a Celtic woman. In the historical notes of the legend, Arthur's father is Uther Pendragon, a famous Romano-British commander and one of Britain's earlier kings, and his mother is Igraine, a beautiful young woman who was once the wife of Gorlois, the Duke of Cornwall and one of Uther's loyal subjects.

Arthur's knights are described differently in the film and the legend. In the film, Lancelot, Tristan, Bors and the other Knights of the Round Table are Sarmatian knights fighting for the glory of the Roman Empire. In historical notes, the Knights of the Round Table are Britons, knights of Romano-Celtic Britain fighting for the freedom of Britain against the Saxons.

Other references to Arthurian legend

Dagonet, a self-sacrificing warrior in the film, has Arthur's court jester as his namesake. The character appears in Le Morte d'Arthur and Idylls of the King. Also in the film, Lancelot fights using two swords. This may be a reference to the ill-fated Sir Balin, the "Knight with Two Swords", but this epithet refers to his cursed sword rather than his fighting style.

Tristan has a pet hawk. In Welsh legends, a figure named Gwalchmai is commonly considered identical with Gawain (both are nephews of Arthur); a popular though unlikely proposed meaning of his name is "hawk of May".

The role of traitor, typically ascribed to Mordred, is given a smaller part in the form of a young British scout, played by Alan Devine, who betrays his people to the Saxons. The character is unnamed, but called "British Scout" in the credits. Tristan kills the traitor with an arrow from the other side of Hadrian's Wall during the climactic battle.

Relationship with other works

Italian historian and novelist Valerio Massimo Manfredi claimed that the movie was almost a plagiarism of his 2002 novel The Last Legion, due to several similarities between the two works.

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