Kiki%27s Delivery Service full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

As is traditional for trainee witches, thirteen-year-old Kiki leaves home with her familiar spirit, a talking black cat named Jiji. She flies on her broomstick to the port city of Koriko. While searching for somewhere to live, Kiki is pursued by Tombo, a geeky boy obsessed with aviation who admires her flying ability.

In exchange for accommodation, Kiki helps Osono, the kindly and heavily pregnant owner of a bakery. She opens a "Witch Delivery Business", delivering goods by broomstick. Her first delivery goes badly; she is caught in a gust and loses the black cat toy she is supposed to deliver. Jiji pretends to be the toy until Kiki can retrieve the real item. She finds it in the home of a young painter, Ursula, who repairs and returns it to Kiki so she can complete the delivery and rescue Jiji.

Kiki accepts a party invitation from Tombo, but is delayed by her work and, exhausted, falls ill. When she recovers, Osono clandestinely arranges for Kiki to see Tombo again by assigning her a delivery addressed to him. After Kiki apologizes for missing the party, Tombo takes her for a test ride on the flying machine he is working on fashioned from a bicycle. Kiki warms to Tombo but is intimidated by his friends, and walks home.

Kiki becomes depressed and discovers she can no longer understand Jiji, who has befriended a pretty white cat. She has also lost her flying ability and is forced to suspend her delivery business. Kiki has a surprise visit from Ursula, who determines that Kiki's crisis is a form of artist's block. Ursula suggests that if Kiki can find a new purpose, she will regain her powers.

While Kiki is visiting a customer, she witnesses an airship accident on television which leaves Tombo hanging from one of the drifting vessel's mooring lines. Kiki regains her flying power and manages to rescue him. She regains her confidence, resumes her delivery service, and writes a letter home saying that she and Jiji are happy.

Several aspects of Kiki's behavior and appearance have been the focus of commentary. One major theme is Kiki's transition into adulthood. While being raised by loving parents who support her independence, Kiki is faced with problems common in adolescence such as finding a job, seeking acceptance, and taking care of herself. The concept of vulnerability is also examined closely in the film. Critic Mark Schilling noted a scene during Kiki's first night away from home, staying with the bakers: Early in the morning, she quickly steps out of her room into the outhouses and peers out to see the husband, Fukuo, stretching his muscles. After he leaves the scene, Kiki rushes back to her room and slams the door behind her while gasping for air. "The scene does absolutely nothing to advance the plot and the humor in it is low...but...it wordlessly — and eloquently — expresses Kiki's youth, vulnerability, and isolation."

Another theme is the transition from traditional to contemporary. Kiki is shown to balance both of these qualities. For instance, Kiki observes the tradition of witches wearing black, but adorns her hair with a bright red bow. Kiki also engages in other traditional methods, such as baking with a wood-burning stove and flying her mother's old broom.

Kiki's loss of her ability to fly is also the subject of discussion. It is considered the worst crisis Kiki has to face during the film. The loss of flight reflects the harm dealt to Kiki by her own self-doubts. However, this hardship is what causes Kiki to realize that being vulnerable does not always lead to failure. In essence, the experience demonstrates that such vulnerability can help one learn valuable lessons and better understand oneself. Kiki in fact does not face any external adversaries in the film, though some have argued that the crashing dirigible is a feasible example. Kiki also loses her ability to talk with her cat, Jiji.

In relation to Kiki's portrayal as a witch, some have drawn comparisons to historical or contemporary views on witches and witchcraft. The film incorporates some conventions from fairy-tales such as a black cat companion for Kiki, Kiki's use of a broom for flight, and her black dress. While girls with magical powers are common in Japanese television, Miyazaki noted that, "the witchcraft has always merely been the means to fulfill the dreams of young girls. They have always become idols with no difficulties." In contrast, Kiki cannot use her powers as a means of wish fulfillment.

Kiki has also been compared to other characters in Miyazaki's films. While there are overt differences in demeanor between Kiki and San from Princess Mononoke, a character who is motivated by anger, both characters take control over their own lives. This theme of remarkable independence is also seen in Miyazaki's earlier works, such as in Nausicaä in Nausicaä of the Valley of the Wind. Kiki is also compared to Chihiro of Spirited Away in the sense that they are both young girls attempting to seek independence without being rebellious. Chihiro is able to develop her independence through her friends and parents, just as Kiki leaves her village with her parents' blessings.

In 1987, Group Fudosha asked Kadono's publishers for the rights to adapt Kadono's novel into a feature film directed by either Hayao Miyazaki or Isao Takahata of Studio Ghibli. However, both of the chosen directors were busy, working on My Neighbor Totoro and Grave of the Fireflies respectively. Miyazaki accepted the role of producer while the studio continued to search for a director. Near the end of Totoro's production, members of Studio Ghibli were being recruited as senior staff for Kiki's Delivery Service. The character design position was given to Katsuya Kondo, who was working with Miyazaki on Totoro. Hiroshi Ohno, who would later work on projects such as Jin-Roh, was hired as art director at the request of Kazuo Oga.

Miyazaki chose Sunao Katabuchi as director. Katabuchi had worked with Miyazaki on Sherlock Hound; Kiki's Delivery Service would be his directorial debut. Studio Ghibli hired Nobuyuki Isshiki as script writer, but Miyazaki was dissatisfied by the first draft, finding it dry and too divergent from his own vision of the film. Since the novel was based in a fictional country in northern Europe, Miyazaki and the senior staff went to research landscapes and other elements of the setting. Their main stops were Stockholm and Visby at the Swedish island Gotland.

Upon their return to Japan, Miyazaki and the creative team worked on conceptual art and character designs. Miyazaki began significantly modifying the story, creating new ideas and changing existing ones. Majo no Takky?bin, the original children's book by Kadono that the movie was based on, is very different from Miyazaki's finished film. Kadono's novel is more episodic, consisting of small stories about various people and incidents Kiki encounters while making deliveries. Kiki overcomes many challenges in the novel based on "her good heart" and consequently expands her circle of friends. She faces no particular traumas or crises. Many of the more dramatic elements, such as Kiki losing her powers or the airship incident at the film's climax, are not present in the original story. However, in order to more clearly illustrate the themes of struggling with independence and growing up in the film, Miyazaki intended to have Kiki face tougher challenges and create a more potent sense of loneliness. One such challenge is Kiki's sudden loss of ability to fly. This event