Juno Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

Sixteen-year-old Minnesota high-schooler Juno MacGuff discovers she is pregnant by her friend and longtime admirer, Paulie Bleeker. She initially considers an abortion. Going to a local clinic run by a women's group, she encounters a schoolmate outside who is holding a one-person protest for pro-life vigil. Once inside, however, a variety of factors lead Juno to leave. She decides to give the baby up for adoption instead. With the help of her friend Leah, Juno searches the ads in the Pennysaver and finds a couple she feels will provide a suitable home. She tells her father, Mac, and stepmother, Bren, who offer their support. With Mac, Juno meets the couple, Mark and Vanessa Loring, in their expensive home and agrees to a closed adoption.

Juno visits Mark a few times, with whom she shares tastes in punk rock and horror films. Mark, who has set aside his rock band youth (now confined to memorabilia displayed in the one room of the house that Vanessa has designated for Mark's personal belongings), works at home composing commercial jingles. Juno and Leah happen to see Vanessa in a shopping mall being completely at ease with a child, and Juno encourages Vanessa to talk to her baby in the womb, where it kicks for her.

As the pregnancy progresses, Juno struggles with the emotions she feels for the baby's father, Paulie, who is clearly in love with Juno. Juno maintains an outwardly indifferent attitude toward him, but when she learns he has asked another girl to the upcoming prom, she angrily confronts him. Paulie reminds Juno that it is at her request they remain distant and tells her she broke his heart.

Not long before her baby is due, Juno is again visiting Mark when their interaction becomes emotional. Mark then tells her he will be leaving Vanessa to figure his life out. Juno is horrified by this revelation, with Mark asking Juno "How do you think of me?", revealing he is starting to develop feelings for her. Vanessa arrives home, and Mark tells her he does not feel ready to be a father and there are still things he wants to do first. Juno watches the Loring marriage fall apart, then drives away and breaks down in tears by the side of the road. Returning to the Lorings' home, she leaves a note and disappears as they answer the door.

After a heartfelt discussion with her father, Juno accepts that she loves Paulie. Juno then tells Paulie she loves him, and Paulie's actions make it clear her feelings are very much reciprocated. Not long after, Juno goes into labor and is rushed to the hospital, where she gives birth to a baby boy. She had deliberately not told Paulie because of his track meet. Seeing her missing from the stands, Paulie rushes to the hospital, finds Juno has given birth to their son, and comforts Juno as she cries.

Vanessa comes to the hospital where she joyfully claims the newborn boy as a single adoptive mother. On the wall in the baby's new nursery, Vanessa has framed Juno's note, which reads: "Vanessa: If you're still in, I'm still in. —Juno." The film ends in the summertime with Juno and Paulie playing guitar and singing together, followed by a kiss.

Along with Knocked Up and Waitress, two other 2007 films about women facing unplanned pregnancies, Juno was interpreted by some critics as having a pro-life theme. Ann Hulbert of Slate magazine believed that Juno " both pro-life and pro-choice purism." Jeff Dawson of The Sunday Times believed that the film was inevitably placed in the "unwanted pregnancy subgenre" with Knocked Up and Waitress due to its subject matter but thought that its interpretation as a pro-life film only "muddied the waters". Hadley Freeman of The Guardian criticized Juno for "complet a hat-trick of American comedies in the past 12 months that present abortion as unreasonable, or even unthinkable—a telling social sign", though she noted, "I don't believe any of these films is consciously designed to be anti-abortion propaganda." A. O. Scott, writing for The New York Times, agreed that Juno has "an underlying theme, a message that is not anti-abortion but rather pro-adulthood." Ellen Page commented, "What I get most frustrated at is when people call it a pro-life movie, which is just absurd... The most important thing is the choice is there, and the film completely demonstrates that." Cody and Page have openly stated that they are pro-choice; Reitman thought that it was "fantastic" that pro-life and pro-choice groups were embracing the film. He said that "Juno seems to be a mirror, and people see themselves in it."

Other critics labeled Juno as feminist because of its portrayal of Juno as a confident and intelligent teenage girl. Wesley Morris of The Boston Globe concluded "Juno serves cool, intelligent girls something they rarely see in a movie: themselves." Cody said about writing the film, "Women are clever, women are funny, women are sharp, and I wanted to show that these girls were human and not the stereotypical teenage girls that we often see in the media" and "There was a lack of authentic teen girl characters ... I saw writing this screenplay as an opportunity to create an iconic female." Page praised the film for its positive depiction of teenage girls, describing Juno's character as "really refreshing and allow for new possibilities in what young women can be" and "honest but original, completely devoid of stereotype", while also highlighting that "Girls haven't had that sort of character before. We don't have our Catcher in the Rye." She criticized the media perception of her character as a "strong woman", arguing that if Juno were a male character, the "strength" of the character would not be considered remarkable. Reitman was interested in the personal/political conflict for Vanessa's character: "Feminism has paved the way for Vanessa's career, but ultimately Vanessa wants to be a full time mother."

Development

Diablo Cody was first approached to write a screenplay by film producer Mason Novick, who had previously landed her a book deal for her memoir, Candy Girl: A Year in the Life of an Unlikely Stripper, after discovering her blog about stripping. He persuaded her to adapt the book for the screen, but suggested that she first write a screenwriting sample to show studios; that sample became Juno. After deciding on an adoption storyline, Cody collected the stories of adoptees, birth parents and adoptive parents, including that of her then-husband, an adoptee who reunited with his birth parents after she wrote the film. She also found inspiration in the story of a close friend who had become pregnant in high school and used some details from her friend's experience in the film, such as mistreatment from an ultrasound technician. Much of Juno, however, was based on Cody's own high school experiences: She dated a tic-tac-loving boy similar to Paulie, she was best friends with a cheerleader like Leah, and she used a hamburger phone identical to the one that appears in the film. After writing the screenplay over seven weeks in the Starbucks section of a Target store in Crystal, Minnesota, Cody compared writing to breathing, seeing Juno as an extension of herself.

Novick sent Cody's screenplay to his friend Jason Reitman; by the time Reitman had read halfway through the script, he felt that if he did not direct the film, he would regret it for the rest of his life. Initially, Reitman found it difficult to acquire the script, because his first film, Thank You for Smoking, had not been released yet, so he did not have any feature film credits. Other directors, including Jon Poll, were considered, but Reitman was chosen and he interrupted work on his own spec script in order to direct Juno. Cody says she had a cynical attitude when writing Juno ("I didn't ever think this film would be produced") and, indeed, the film was delayed by financial problems.