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Jacob's Ladder is a 1990 American psychological horror film directed by Adrian Lyne, produced by Alan Marshall, written by Bruce Joel Rubin and starring Tim Robbins, Elizabeth Peña, and Danny Aiello. The film's protagonist, Jacob, is a Vietnam veteran whose experiences prior to and during the war result in strange, fragmentary visions and bizarre hallucinations that continue to haunt him. As his ordeal worsens, Jacob desperately attempts to figure out the truth.

Jacob's Ladder
Theatrical release poster
Directed byAdrian Lyne
Produced byAlan Marshall
Written byBruce Joel Rubin
Starring
  • Tim Robbins
  • Elizabeth Peña
  • Danny Aiello
Music byMaurice Jarre
CinematographyJeffrey L. Kimball
Edited byTom Rolf
Production
company
Carolco Pictures
Distributed byTriStar Pictures
Release date
  • November 2, 1990 (1990-11-02)
Running time
113 minutes
CountryUnited States
LanguageEnglish
Budget$25 million
Box office$26.1 million

Jacob's Ladder was made by Carolco Pictures ten years after being written by Rubin. It drew from several inspirations for its story and effects, including the short film An Occurrence at Owl Creek Bridge and the paintings of Francis Bacon. Though only moderately successful upon release, the film garnered a cult following and became a source of influence for various other works such as the horror video game franchise Silent Hill. A remake, also titled Jacob's Ladder, is currently in production for a planned 2019 release.

Screenplay

On 6 October 1971, an American combat medic, Jacob Singer, is with the 1st Air Cavalry Division, deployed in a village in Vietnam's Mekong Delta, when his close-knit unit comes under sudden attack. As many of Jacob's comrades are killed or wounded, others exhibit abnormal behavior with some suffering catatonia, convulsions, and seizures. Jacob flees into the jungle, only to be bayoneted by an unseen assailant.

Jacob awakens in the New York City Subway, where an inexplicably locked subway station exit results in him almost being hit by a train. The year is 1975, he works as a postal clerk, and lives in a rundown apartment in Brooklyn with his girlfriend, Jezzie. Jacob misses his old family and experiences visions of them, especially the youngest of his sons, Gabe, who had died in an accident before the war. He is increasingly beset by disturbing experiences and apparitions, including glimpses of faceless vibrating figures, and narrowly escapes being run over by a pursuing car. At a party thrown by friends, he appears to witness an enormous creature penetrating Jezzie before he collapses with a dangerous fever. First-person perspective apparent flashbacks to his time in Vietnam show Jacob, badly wounded, being discovered by American soldiers before being evacuated under fire in a helicopter.

One of Jacob's former platoon mates, Paul, contacts him to reveal he is suffering from similar experiences but is immediately killed when his car explodes. Commiserating after the funeral, other surviving members of the platoon confess that they have all been experiencing horrifying hallucinations. Believing that they are suffering the effects of a military experiment performed on them without their knowledge or consent, they hire a lawyer to investigate. However the lawyer quits the case after reading military files documenting that the soldiers were never in combat and were discharged for psychological reasons. Jacob's comrades soon back down while Jacob suspects they have been threatened into doing so. He is abducted by suited men who try to intimidate him. Jacob fights them and escapes but is injured and nearly paralyzed in the process. He is taken to a nightmarish hospital, where he is told he has been killed and this is home, but his chiropractor friend Louis comes to his rescue and heals him. Louis quotes the 14th-century Christian mystic, Meister Eckhart:

Eckhart saw Hell too. He said: "The only thing that burns in Hell is the part of you that won't let go of life, your memories, your attachments. They burn them all away. But they're not punishing you", he said. "They're freeing your soul. So, if you're frightened of dying and ... you're holding on, you'll see devils tearing your life away. But if you've made your peace, then the devils are really angels, freeing you from the earth."

Jacob is approached by a distressed man who was seen treating his wound in a medevac helicopter and who also dragged him away from Paul's burning car. Introducing himself as Michael Newman, he tells a story of having been a chemist with the Army's chemical warfare division where he designed a drug he called the Ladder, which when ingested massively increased aggression. To test its effectiveness, a dose was secretly given to Jacob's unit before the battle, causing some of them to turn on each other in a homicidal frenzy. Michael's revelation triggers a vision of his wounding in Vietnam, in which he sees that his attacker was a fellow American soldier. Jacob returns to his family's home, where he finds Gabe, who takes him by the hand and leads him up the staircase into a bright light. In a triage tent in 1971, military doctors declare Jacob dead.

  • Tim Robbins as Jacob "Professor" Singer
  • Elizabeth Peña as Jezebel "Jezzie" Pipkin
  • Danny Aiello as Louis "Louie" Denardo
  • Matt Craven as Michael Newman
  • Pruitt Taylor Vince as Paul Gruneger
  • Jason Alexander as Mr. Geary, the lawyer
  • Patricia Kalember as Sarah
  • Eriq La Salle as Frank
  • Ving Rhames as George
  • Brian Tarantina as Doug
  • Anthony Alessandro as Rod
  • Brent Hinkley as Jerry
  • S. Epatha Merkerson as Elsa
  • Kyle Gass as Tony
  • Lewis Black as Jacob's doctor
  • Perry Lang as Jacob's assailant
  • Macaulay Culkin (uncredited) as Gabe Singer
The horror of the movie would be in the revelation that hope is hell's final torment, that life is a dream that ends over and over with the final truth: that life was never real, that we are all creatures trapped in eternal suffering and damnation.

–Bruce Joel Rubin

The film's title refers to the Biblical story of Jacob's Ladder, or the dream of a meeting place between Heaven and Earth (Genesis 28:12). Its little-known alternate title is Dante's Inferno, in a reference to Inferno by Dante Alighieri. Screenwriter and co-producer Bruce Joel Rubin perceived the film as a modern interpretation of the Liberation Through Hearing During the Intermediate State, the Tibetan Book of the Dead. Rubin said: "The inspiration in a sense is my entire spiritual upbringing. Once you have a meditative life you start to see that the world is really far different than what it appears to be. What appears to be finite is really couched in the infinite, and the infinite imbues everything in our lives." Before writing his scripts for Jacob's Ladder and Ghost, which too was released in 1990, the Jewish-born Rubin spent two years in a Tibetan Buddhist monastery in Nepal; previously, he has also written afterlife-themed Brainstorm and Deadly Friend.

Rubin's work on Jacob's Ladder began in 1980, sparked by his nightmare in which he dreamt about being trapped in a subway. For several years, Rubin tried to sell the script, without success; Thom Mount of Universal Pictures said he "loved it, but it was not for his studio". Directors Michael Apted, Sidney Lumet and Ridley Scott all expressed an interest in making the film, but still no major studio was ready to invest in Rubin's "too metaphysical" stories as "Hollywood does not make ghost movies". Eventually, after Deadly Friend was filmed by Wes Craven in 1986, Rubin's screenplays for both Jacob's Ladder and Ghost were picked by Paramount Pictures. In 1988, Adrian Lyne, who described Rubin's work as "certainly one of the best scripts I've ever read", decided then to direct it instead of an adaptation of The Bonfire of the Vanities as he had originally planned (incidentally, Tom Hanks, an actor originally considered by Lyne for the role of Jacob, ended up starring in Bonfire). The ownership and policy changes at Paramount resulted in the cancellation of the project; the executives had doubts about the film's ending and the scenes taking place in Vietnam. The independent film studio Carolco Pictures decided to take over the production of Jacob's Ladder, giving Lyne a greater creative control and a budget of $25 million. Rubin became the film's co-producer, along with Mario Kassar, Alan Marshall and Andrew G. Vajna.

I can see why people didn't want to make it for so long. It reads like a novel, and it's very intimidating because it's written so descriptively. Bruce had these very literal images of heaven and hell that I didn't know how to bring off. How do you introduce a character with horns?

–Adrian Lyne

Lyne, who downplayed Rubin's "intimidating" Old Testament themes, said that he prepared for making the film by watching "endless" documentary films about the war in Vietnam and reading "countless" chronicles of near-death experiences. The film's plot device of a long period of subjective time passing in an instant has been explored by several authors. A particularly strong inspiration for both Rubin and Lyne was Robert Enrico's 1962 short film An Occurrence at Owl Creek Bridge, one of Lyne's favourite movies, which was in turn based on Ambrose Bierce's 1890 short story of the same title.

Cast in the role of Jacob, Tim Robbins said the film presented for him "a great opportunity to go in a different direction. I love doing comedy, but I know I can do other things as well." The film's military advisor was Vietnam veteran Captain Dale Dye, who provided a five-day boot camp military training for the actors playing soldiers in the Vietnam storyline (including Robbins, Pruitt Taylor Vince, Eriq La Salle and Ving Rhames). The war scenes were filmed in the Puerto Rico area of Vega Baja, featuring the UH-1 helicopters provided by the Puerto Rico National Guard.

All of the film's special effect sequences were filmed in camera, with no use of post production effects. In several scenes of Jacob's Ladder, Lyne used a body horror technique in which an actor is recorded shaking his head around at a low frame rate, resulting in horrifically fast motion when played back. In the Special Edition's commentary track, Lyne said he was inspired by the art of the painter Francis Bacon when developing the effect. In his screenplay, Rubin used traditional imagery of demons and hell. However, Lyne decided to use images similar to thalidomide deformities to achieve a greater shock effect. After many heated arguments, Lyne managed to convert Rubin to his vision. Lyne and Rubin used the works of the artist H. R. Giger and the photographers Diane Arbus and Joel-Peter Witkin for inspiration; another influence came from the Brothers Quay's 1986 stop motion short film Street of Crocodiles.

Vietnam was really a means to an end. It was a plot device rather than something we were trying to make a huge issue of.

–Alan Marshall

In the film, Jacob is told by Michael that the horrific events he experienced on his final day in Vietnam were the product of an experimental drug called "the Ladder", which was used on troops without their knowledge. At the end of the film, a message is displayed saying that reports of testing of BZ, NATO code for a deliriant and hallucinogen known as 3-quinuclidinyl benzilate, on U.S. soldiers during the Vietnam War were denied by the Pentagon. Lyne said a part of the inspiration for this motif was Martin A. Lee's book Acid Dreams: The CIA, LSD and Sixties Rebellion, but noted that "nothing in the book suggests that the drug BZ — a super-hallucinogen that has a tendency to elicit maniac behavior — was used on U.S. troops."

According to Lyne's audio commentary, test screenings indicated th

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