Inside Llewyn Davis full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In February 1961, Llewyn Davis is a struggling folk singer in New York City's Greenwich Village. His recent solo album Inside Llewyn Davis is not selling; he has no money and is sleeping on the couches of friends and acquaintances. He plays The Gaslight Cafe one night, then gets punched out in the alley.

Llewyn wakes up in the apartment of two friends, the Gorfeins. When he leaves, the Gorfeins' cat escapes and Llewyn is locked out. Llewyn takes the cat to the apartment of Jim and Jean Berkey. Jean reluctantly agrees to let Llewyn stay that night. Jean tells Llewyn she is pregnant, with a possibility it is Llewyn's child. The next morning, the Gorfeins' cat escapes again. Later, Jean asks Llewyn to pay for an abortion, though she is upset she just might be losing Jim's child.

Llewyn visits his sister hoping to borrow money; instead, she gives him a box of his belongings, but he tells her to trash it. She mentions that he could make money by going back to the Merchant Marine. On Jim's invitation, Llewyn records a space travel-themed novelty song with Jim and Al Cody. Needing money for the abortion, Llewyn agrees to an immediate $200 rather than royalties. Llewyn is setting up Jean's appointment when the gynecologist informs him there is no charge, as a previous girlfriend did not go through with the abortion Llewyn had paid for.

While talking to Jean at a café, Llewyn spots what he believes to be the Gorfeins' cat and returns it that evening. Asked to play after dinner, he reluctantly performs "Fare Thee Well", a song he had recorded with Mike. When Mrs. Gorfein starts to sing Mike's harmony, Llewyn becomes angry and yells at her. Mrs. Gorfein leaves the table crying, then returns with the cat, having realized that it is not theirs. Llewyn leaves with the cat.

Llewyn rides with two musicians driving to Chicago: the laconic beat poet Johnny Five and the odious jazz musician Roland Turner. During the trip Llewyn discloses that his musical partner, Mike Timlin, died by suicide.

At a roadside restaurant, Roland collapses from a heroin overdose. The three stop on the side of the highway to rest. When a police officer tells them to move on, he suspects that Johnny is drunk and tells him to get out of the car. Johnny resists and is arrested. Without the keys, Llewyn abandons the car, leaving the cat and the unconscious Roland behind. In Chicago, Llewyn auditions for Bud Grossman, who says Llewyn is not suited to be a solo performer but suggests he might incorporate him in a new trio he is forming. Llewyn rejects the offer and hitchhikes back to New York. Driving, he hits what he fears may be the same cat.

Back in New York, Llewyn uses his last $148 for back dues to rejoin the Merchant Marine union, and visits his ailing father. He searches for his seaman's license so he can ship out with the Merchant Marine, but it was in the box his sister finally trashed. Llewyn goes back to the Union Hall to replace it, but he cannot afford the $85 fee. He visits Jean and she tells him she got him a gig at the Gaslight.

At the Gaslight, Llewyn learns that Pappi, the manager, also had sex with Jean. Llewyn, angered by this, heckles a woman as she performs, and is thrown out. He then goes to the Gorfeins' apartment, where they graciously welcome him. There, he learns that the novelty song is likely to be a major hit, with massive royalties. He is amazed to see that their actual cat, Ulysses, has found his way home.

Returning to an expanded version of the film's opening scene, Llewyn performs at the Gaslight. Pappi teases Llewyn about his heckling the previous evening and tells him that a friend of his is waiting in the alley. As he leaves, Llewyn watches a young Bob Dylan perform. Behind the Gaslight, Llewyn is beaten by a shadowy suited man for heckling his wife, the previous night's performer. Llewyn watches as the man leaves in a taxi and he bids him "Au revoir".

Set in 1961, Inside Llewyn Davis was inspired by the cultural disconnection within a New York–based music scene, where the songs seemed to come from all parts of the United States except New York, but whose performers included Brooklyn-born Dave Van Ronk and Ramblin' Jack Elliott. Well before writing the script, the Coens began with a single idea, of Van Ronk being beaten up outside of Gerde's Folk City in the Village. The filmmakers employed the image in the opening scenes, then periodically returned to the project over the next couple of years to expand the story using a fictional character. One source for the film was Van Ronk's posthumously published (2005) memoir, The Mayor of MacDougal Street. According to the book's co-author, Elijah Wald, the Coens mined the work "for local color and a few scenes". The character is a composite of Van Ronk, Elliot, and other performers from the New York boroughs who performed in the Village at that time. Joel Coen remarked that "the film doesn't really have a plot. That concerned us at one point; that's why we threw the cat in."

Shooting was complicated by an early New York spring, which interfered with the bleak winter atmosphere that prevails throughout the film, and by the difficulty of filming several cats, who, unlike dogs, ignore the desires of filmmakers. On the advice of an animal trainer, the Coens put out a casting call for an orange tabby cat, which is sufficiently common that several cats would be available to play one part. Individual cats were then selected for each scene based on what they were predisposed to do on their own.

Producer Scott Rudin, who worked with the Coens on No Country for Old Men and True Grit, collaborated on the project. StudioCanal helped finance it without an American distributor in place. "After shooting in New York City and elsewhere last year ... the brothers finished the movie at their own pace", wrote Michael Cieply in a January 2013 New York Times interview with Joel Coen ahead of a private, pre-Grammys screening in Los Angeles. "They could have rushed it into the Oscar season but didn't." On February 19, CBS Films announced it had picked up the U.S. domestic distribution rights for about $4 million. StudioCanal has rights to international distribution and foreign sales.

Music

Dave Van Ronk's music served as a starting point for the Coens as they wrote the script, and many of the songs first designated for the film were those he had recorded. Van Ronk biographer Elijah Wald said that the character of Llewyn Davis "is not at all Dave, but the music is". (The cover of Davis's solo album, Inside Llewyn Davis, resembles that of Inside Dave Van Ronk. Both feature the artist in a doorway, wearing a tweed jacket and smoking a cigarette. One difference between the two covers is that there is a cat in the doorway on the cover of Inside Dave Van Ronk. Other songs emerged in conversations between the Coens and T Bone Burnett, who produced the music in association with Marcus Mumford. Burnett had previously worked with the Coens on the music and soundtrack for The Big Lebowski and O Brother, Where Art Thou?, the latter of which sold about 8 million copies in the United States. The Coens viewed the music in Inside Llewyn Davis as a direct descendant of the music in O Brother.

The humorous novelty song "Please Mr. Kennedy", a plea from a reluctant astronaut, appears to be a fourth generation derivative of the 1960 song "Mr. Custer", also known as "Please Mr. Custer", about the Battle of the Little Bighorn, sung by Larry Verne and written by Al De Lory, Fred Darian, and Joseph Van Winkle. A Tamla-Motown single followed in 1961: "Please Mr. Kennedy (I Don't Want to Go)", a plea from a reluctant Vietnam War draftee, sung by Mickey Woods and credited to Berry Gordy, Loucye Wakefield and Ronald Wakefield. In 1962 using a similar theme, The Goldcoast Singers recorded "Please Mr. Kennedy" on its Here They Are album, with writing credits to Ed Rush and George Cromarty. The Llewyn Davis version credits Rush, Cromarty, Burnett, Timberlake, and the Coens.

Isaac, Timberlake, Mulligan, Driver and others performed the music live. The exception was "The Auld Triangle", which was lip-synced, with Timberlake singing bass. (Timberlake's vocal range was on display in the film. Critic Janet Maslin, listening to a soundtrack recording, confused Timberlake's voice with Mulligan's, which she thought resembled that of Mary Travers.)

Inside Llewyn Davis had its worldwide premiere on May 19 at the 2013 Cannes Film F