Inseminoid full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

On a desolate planet, a team of 12 Xeno project scientists are conducting an archaeological excavation of the ruins of an ancient civilisation. Shortly after an underground tomb network is found to contain crystals and wall inscriptions, photographer Dean White (Dominic Jephcott) is engulfed in a rock blast and left incapacitated. Deciphering the alien language in the caves, xenolinguist Mitch (Trevor Thomas) theorises that the civilisation was built on the concept of dualism: the planet orbits a binary star, and a pair of twins seems to have ruled the race that once inhabited it. Medical assistant Sharon (Heather Wright) discovers that an energy field surrounds the crystals, which causes her to deduce that a "chemical intelligence" controlled life on the planet.

A mentally unbalanced Ricky Williams (David Baxt) is driven to re-enter the caves when a sample of crystals pulsates and the chemical intelligence exerts its influence through a mark on his arm. Thrown into a grille in a compromised environmental suit, Gail (Rosalind Lloyd) removes her helmet and freezes to death in the toxic atmosphere while trying to amputate her trapped foot with a chainsaw. Documentation officer Kate Frost (Stephanie Beacham) shoots Ricky with a harpoon gun before he opens both the inner and outer airlock doors and renders the air inside the base unbreathable.

Following the burial of Ricky and Gail, Mitch and Sandy (Judy Geeson) return to the caves to collect more crystals. A monstrous creature appears and dismembers Mitch before raping Sandy. Found distraught, Sandy receives treatment from Sharon and chief medical officer Karl (Barry Houghton), who discovers that the assault has triggered an accelerated pregnancy despite the regular intravenous injections of contraceptives given to the women in the team. When further explosions within the catacombs scuttle the chances of deeper investigation, the surviving members of the team are left with nothing to do but await the arrival of a Xeno rescue shuttle.

The intelligence assumes control of Sandy, who has been marked in the same way as Ricky. She stabs Barbra (Victoria Tennant) to death with a pair of scissors, demonstrating superhuman strength while committing the murder, and then mutilates Dean and the remains of Mitch, drinking their blood. The rest of the team seek refuge in the Operations Room as Sandy destroys essential machinery – including the base transmitter – with explosives. When the imbalance in Sandy's mind appears to correct itself, Karl, Sharon and Commander Holly McKay (Jennifer Ashley) attempt to sedate her to spare the unborn children. Sandy's madness returns and Holly and Karl are killed in an accident with heat-sealing apparatus, whereupon Sandy disembowels the corpses.

Senior officer Mark (Robin Clarke) radios Sandy – his romantic interest – from the Operations Room to stall for time as Kate and operations chief Gary (Steven Grives) depart to requisition chainsaws from a storage room. The ruse is uncovered and Sandy harpoons Gary outside the airlock, breathing the atmosphere to no ill effect as she mauls his flesh. Preparing for a final confrontation, Mark stumbles across Sandy's newborn, mutant twins. He entrusts them to Sharon as the mother blasts through the Operations Room door and destroys all the equipment inside, although it is evident that she no longer possesses unnatural strength. Crippled by an explosive charge, Kate is gored to death. In a last stand, Mark strangles and kills Sandy with a ripped-out cable. He returns to Sharon to discover one of the twins biting at her slit neck, before its sibling launches itself at him.

Twenty-eight days later, Xeno Auxiliary Module 047 lands on the planet to investigate the loss of contact with the team. With the base in ruins, the mission records destroyed and the scientists either murdered or missing, combat marksmen Corin (Kevin O'Shea) and Roy (Robert Pugh) abandon the search for survivors and pilot Jeff (John Segal) contacts Xeno control to request clearance to return. The final shots reveal that Sandy's children have stowed themselves away inside a storage compartment on board the shuttle.

Following the releases of Satan's Slave (1976), Prey (1978) and Terror (1979), Norman J. Warren had at first been attached to direct a film titled Gargoyles. When this production collapsed at the scripting stage, Warren and his producer, Richard Gordon, accepted a plot proposal from the husband-and-wife team of Nick and Gloria Maley, who had worked on Satan's Slave as members of the special effects department besides Star Wars (1977) and Superman (1978). The Maleys drafted their concept as a composite of their favourite science-fiction ideas and an opportunity to exhibit their best effects work, although the suggested title, Doomseeds, had to be changed to avoid confusion with the 1977 film Demon Seed. The script for the new Inseminoid, which indicates that the film is set two decades in the future in a militaristic universe, required amendments prior to filming, although the premise received Warren and Gordon's approval.

Casting

Producer Richard Gordon cast American actors Clarke and Ashley while on business in Hollywood. Prior to Inseminoid, Ashley had starred in minor films of such independent studios as Crown International Pictures, while Clarke had just completed filming on the 1980 film The Formula. Warren recalls that although Ashley "was not the greatest actress, she was very enthusiastic and very easy to work with." The professional relationship between Warren and Clarke broke down during the filming of sequences such as Dean's incapacitation inside the caves, when the director and actor disagreed about the extent to which Clarke needed to respond to the script when his character raises his voice to a shout. Warren asserts that Clarke's "high opinion of himself" made the actor "a nightmare to work with", and adds that he "could be extremely difficult, making every scene with him an uphill struggle."

Rapports between the director and other cast members proved to be positive: in particular, Geeson is credited as "an absolute dream to work with" and praised for her acting of the maddened expectant mother, which Warren argues avoids descending into unintentional humour. Gordon also offers a positive assessment, stating that Geeson accepted the demands of her part with enthusiasm and did not complain that it demeaned her as an actress.

Warren retains fond memories of Beacham's "very professional" performance, and remarks that, "with tongue firmly in cheek, she would often wind me up by asking what her motivation was for a particular action, just as I about to call 'Action!', knowing full well that my answer would be, 'Because it's in the script'." Beacham, a mother of two infant children, agreed to appear in the film to support her family: "I had to choose between a play that I really, really wanted to do, which would have paid me £65 a week, and this script for a film called Inseminoid. Hey! No choice. Two pink babies asleep upstairs! No choice!"

Filming

Agreeing to fund half of the proposed £1 million budget, the Hong Kong Shaw Brothers became partners in the film's production. Elder brother Sir Run Run Shaw is credited as the presenter of Inseminoid in the opening titles. With a production staff of 75, principal photography commenced on 12 May 1980. John Metcalfe, camera operator for Satan's Slave and Terror, assumed the role of cinematographer. His former role fell to the less experienced Dick Pope. Three weeks of location filming at the Chislehurst Caves in Kent preceded a one-week indoor session at Lee International Studios at Wembley Park in London. The second unit completed special effects and linking shots in a fifth week, based at Film House in Wardour Street. To simulate the desolate landscape of the alien planet in long shots, the production team departed for the island of Gozo, Malta for a final shoot of two days, capitalising on the strong Mediterranean sun to produce good lighting.

Opting to shoot using Mitchell cameras incorporating 35 mm Eastman Kodak film and anamorphic lenses, Warren recalls that the produced footage boasted "an incredibly sharp image and what I would term as the 'American' look." He remembers that the setting of the Chislehurst Caves rendered the subterranean complex more realistic than a potential in-studio alternative given