Story of movie Ingagi : This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations. (March 2017) (Learn how and when to remove this template message) |
Ingagi is a 1930 Pre-Code exploitation film. It purports to be a documentary about "Sir Hubert Winstead" of London on an expedition to the Belgian Congo, and depicts a tribe of gorilla-worshiping women encountered by the explorer. The film claims to show a ritual in which African women are given over to gorillas as sex slaves, but in actuality was mostly filmed in Los Angeles, using white actresses in blackface in place of natives. It was produced and distributed by Nat Spitzer's Congo Pictures, which had been formed expressly to make the film. Although marketed under the pretense of being an ethnographic film, the premise was a fabrication, leading the Motion Picture Producers and Distributors Association to retract any involvement with the film.
| Ingagi | |
|---|---|
Theatrical poster to Ingagi | |
| Directed by | William Campbell |
| Produced by | William D. Alexander Nat Spitzer (executive) |
| Written by | Adam Shirk |
| Starring | Charlie Gemora as Ingagi |
| Music by | Edward Gage |
| Cinematography | L. Gillingham |
| Distributed by | Congo Pictures |
Release date |
|
Running time | 75 min |
| Country | United States |
| Language | English |
| Box office | $4 million |
The film trades heavily on its nudity and on the suggestion of sex between a woman and a gorilla. Its success motivated RKO Radio Pictures to invest in the 1933 film, King Kong. RKO owned several of the theatres where Ingagi was shown, including one of the first, the Orpheum Theatre in San Francisco, where it opened April 5, 1930.
The later Son of Ingagi (1940) is not a sequel but is the first all-black cast horror movie and features a house haunted by a female mad scientist and her missing link monster.
The film is not lost, contrary to popular belief due to it not being released on home video or shown on television. Three nitrate prints are held at The Library of Congress.
- Berenstein, Rhona J. "White Heroines and Hearts of Darkness: Race, Gender and Disguise in 1930s Jungle Films", in Film History Vol. 6 No. 3 (Autumn 1994), Exploitation Films, pp. 314–339 (Published by Indiana University Press); Stable URL: https://www.jstor.org/stable/3814926
- Doherty, Thomas Patrick. Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press, 1999.