In The Land Of Blood And Honey full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In Sarajevo, 1992, Ajla Ekme?i? is an ethnic Bosniak artist and single mother of an infant child. One evening, she meets her boyfriend, ethnic Serb police officer Danijel Vukojevi?, at a club. They enjoy the evening together, but many of the patrons are killed and Danijel is badly injured when the club is destroyed by artillery fire, signifying the opening salvo of the Bosnian War.

Some months later, Ajla and her sister Lejla prepare to flee the now besieged city, but their neighborhood is occupied by the Army of Republika Srpska before they can escape. The men are separated from the women, and then taken away to be executed, while Ajla and several other younger, more attractive women are taken away on buses to a Serb rape camp.

In the camp, the soldiers instruct the women on what life will be like and then ask the women what sort of duties they can perform. A doctor named Esma volunteers to perform medical services but an officer rapes her in front of the other women to demoralize them. Before another soldier can do the same to Ajla, the camp's commander takes her away, where it is revealed he is none other than Danijel.

The former couple struggle to grasp the magnitude of their predicament, especially given that inter-ethnic relationships are forbidden, and any evidence of such a relationship could compromise both Danijel and his father Nebojša, a General of the VRS Main Staff. Danijel ultimately agrees to shelter her from sexual abuse at the hands of the other soldiers under the pretense of her being his "personal property." They begin an intense love affair, but Ajla is deeply disturbed by the horrors of the camp, and she subsequently makes numerous attempts to escape, all of which fail. The escape attempts greatly anger Danijel and compound his paranoia; he frequently lashes out at her.

Danijel's unit is involved in ethnic cleansing massacres directed by Nebojša, although these tactics do little to change the situation at the front line. A frustrated Nebojša learns of Ajla's existence and the special treatment she receives; he chastises his son for being affectionate towards "the enemy." Danijel remains coy, insisting he is doing his patriotic duty. Fearing the repercussions if their relationship is exposed, he allows Ajla to escape.

Ajla shelters herself in the forest outside the city, where she is found by Bosniak guerrilla forces, who take her back to their camp. In the camp, she happily reunites with Lejla, though this happiness is short-lived when Lejla informs her that her baby died some months earlier, sending her into inconsolable grief. Over a campfire, the guerrillas lament the paradoxical insanity of the war, one in particular pointing out that he feels he hates Serbs, yet his own mother is a Serb. Lejla blames Danijel, who has gained notoriety for his prominence in the siege amongst the anti-Serb forces. At this moment, Ajla informs the camp she was his prisoner, and the guerrillas concoct a plan for her to return to the camp and act as a mole.

Ajla returns to the camp claiming it's the safest place for her, leading a confused but grateful Danijel to rekindle their relationship. Shortly after her return, a soldier in the camp, Darko, is killed by an improvised explosive device, orphaning his infant child. Nebojša, learning of her return, immediately suspects her involvement. While Danijel is at the front line, Nebojša visits Ajla and orders her to paint a portrait of him. While she paints, he criticizes the "Muslim decadence" of such a career, which contrasts starkly with his own mother, a lifelong farm labourer widowed during World War II. Ajla counters that her grandfather was a Partisan, and that he taught her as a child that the constituent peoples of Yugoslavia are all equal irrespective of ethnicity. Nebojša smirks at her observation then leaves her alone with a soldier, Petar, who violently rapes her.

Danijel returns from the front line to find a distraught Ajla crying in the shower. Believing that she has cheated on him, he assaults her, but then sees his father's unfinished portrait and knows what has transpired. Danijel lures Petar to a hill above the city, then kills him. He then confronts his father, who attacks him and berates him for disgracing the family, saying "your mother would turn over in her grave if she knew you liked to fuck Muslim whores."

A sense of normalcy descends on Ajla and Danijel up until the events at Srebrenica. As NATO forces prepare to launch an offensive against the Serbs, Nebojša convenes a meeting with other commanders at a church. Danijel narrowly avoids being killed alongside his father when a massive explosion destroys the church (whether or not Ajla had a role in the attack is left ambiguous).

In conjunction with the bombing, ARBiH forces simultaneously launch a counter-offensive. Danijel hastily organizes his troops to halt their advance, but the Serb forces are decimated and most of his men are killed. Danijel returns to the now abandoned camp and finds Ajla patiently waiting. Believing she helped orchestrate the attack, he beats her, then shoots and kills her.

Danijel wanders through the wreckage of the city, which is now near liberation. Perhaps realizing what the war has driven him to become, and that it was all for nothing, he breaks down in tears on the street. UNPROFOR personnel arrest him shortly afterwards.

• Goran Kosti? as Danijel Vukojevi?
• Zana Marjanovic as Ajla Ekme?i?
• Vanessa Glodjo as Lejla
• Rade Šerbedžija as Nebojša Vukojevi?
• Fe?a Štukan as Petar
• Nikola ?uri?ko as Darko
• Branko ?uri? as Aleksandar
• Jelena Jovanova as Esma
• Alma Terzi? as Hana
• Ermin Bravo as Mehmet
• Boris Ler as Tarik
• Goran Jevti? as Mitar
• Miloš Timotijevi? as Durja
• Džana Pinjo as Nadja
• Dolya Gavanski as Maida

Jolie got the idea to write a script of a wartime love story after traveling to Bosnia and Herzegovina as a U.N. goodwill ambassador. While writing the script she consulted with Richard Holbrooke, a U.S. diplomat and high-ranking Clinton Administration official who was one of the architects of the Dayton Agreement that put an end to the Bosnian War, General Wesley Clark, who was the director for strategic plans and policy on the United States Department of Defense's Joint Chiefs of Staff during the war, and Tom Gjelten, a foreign correspondent for NPR. After finishing the screenplay, she secured a production team and financing for the project that was being called "Untitled Bosnian Love Story." When it came down for the production team to choose a director, Jolie realized she herself wanted to direct. When casting calls and auditions were held, her name was deliberately withheld from all aspects of the project. When it was revealed to the cast that Angelina Jolie wrote the script, a number of them expressed pleasant surprise.

In July 2010, with the film already in pre-production, the producers approached the Serbian tycoon and media magnate Željko Mitrovi? over the usage of the sound stages and studio sets owned by his Pink International Company's subsidiary Pink Films International in Šimanovci. However, he refused to do business with them, releasing a press statement: "I've held great affection and admiration for Angelina Jolie both as a person and as an artist, but unfortunately she's full of prejudice against the Serbs. I do not wish to be part of something that for the umpteenth time presents the Serbs as eternal bad guys."

The film was shot in Budapest and Esztergom during October and November 2010. The cast were entirely local actors from various parts of former Yugoslavia, many of whom lived through the war. Jolie said she spoke with the cast about their experiences during the war and tried to incorporate them into the film. The film was also shot in two versions – one in English, the other in Serbo-Croatian.

Jolie explained the reason she wrote and directed the film was to rekindle attention for the survivors of a war that took place in recent history. In an interview with Christiane Amanpour, Jolie said she felt a responsibility to learn about the conflict in great detail, adding, "This was, you know, the worst genocide since World War II in Europe ... What were we all doing? And did we do enough? And why do we not speak about this enough?" Responding to claims that her film was not balanced, she stated that "The war was not balanced. I can't understand people who are looking for a balance that did not exist. There are some people who don't want to be reminded of these things, some even who deny that these things even happened. Those people are going to be angry."

During production, it was falsely reported that the story was about a Bosnian woman falling in love with her Serbian rapist, prompting protests from the Bosnian Women Victims of War association and the revocation of the filming permit. Jolie denied the rumors and presented the script to Bosnia's ministry of culture, which then quickly reinstated the permit.

Plagiarism suit

In September 2011, the Bosnian Croat author Josip Kneževi?, aka James J. Braddock, accused Jolie of plagiarizing his story Slamanje duše (The Soul Shattering), which was published in December 2007. He claimed to have made repeated attempts to contact the film's producers during the production phase, but they ignored him. He then announced his intention to sue Jolie. On 2 December 2011, he filed a lawsuit against Jolie, GK Films, FilmDistrict, Scout Film (a production company based in Bosnia), and producer Edin Šarki? before the U.S. District Court in Chicago that has jurisdiction over Northern Illinois.

Asked to comment during an interview with Los Angeles Times, Jolie dismissed Kneževi?'s claims: "It's par for the course. It happens on almost every film. There are many books and documentaries that I did pull from, such as work by journalists Peter Maas and Tom Gjelten. It's a combination of many people's stories. But that particular book I've never seen."

In July 2012 the case was transferred to the District Court with jurisdiction over Central California. On 29 March 2013, judge Dolly Gee ruled that no breach of copyright had occurred thus deciding in favor of Jolie, concluding that the two stories were not similar because "Blood and Honey is primarily a story of betrayal, revenge and tragedy with little or no hope, while Slamanje duše focuses on family, love and strength". adding that "although Blood and Honey is also a story of love, it highlights the complications of romantic love during wartime", that "Braddock could not have invented the concept of rape as a war crime", and that similarities are not strong enough particularly in light of the fact that those overlapping concepts are commonplace in books and films depicting war".

Braddock appealed the decision, filing a motion with the United States Court of Appeals for the Ninth Circuit on 11 March 2014 on the basis that his work was translated incorrectly.