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Hud is a 1963 film directed by Martin Ritt and starring Paul Newman, Melvyn Douglas and Patricia Neal. It was produced by Ritt and Newman's recently founded company, Salem Productions, and was their first film for Paramount Pictures. Hud was filmed on location on the Texas Panhandle, including Claude, Texas. Its screenplay was by Irving Ravetch and Harriet Frank, Jr. and was based on Larry McMurtry's 1961 novel, Horseman, Pass By. The film's title character, Hud Bannon, was a minor character in the original screenplay but was reworked as the lead role. With its main character an antihero, Hud was later described as a revisionist Western.

Hud
Theatrical release poster
Directed byMartin Ritt
Produced byIrving Ravetch
Martin Ritt
Screenplay byIrving Ravetch
Harriet Frank, Jr.
Based onHorseman, Pass By
by Larry McMurtry
StarringPaul Newman
Melvyn Douglas
Patricia Neal
Brandon deWilde
Music byElmer Bernstein
CinematographyJames Wong Howe
Edited byFrank Bracht
Distributed byParamount Pictures
Release date
  • May 29, 1963 (1963-05-29)
Running time
112 minutes
CountryUnited States
LanguageEnglish
Budget$2.35 million or $1.6 million
Box office$10 million

The film centers on the ongoing conflict between principled patriarch Homer Bannon and his unscrupulous and arrogant son, Hud, during an outbreak of foot-and-mouth disease putting the family's cattle ranch at risk. Lonnie, Homer's grandson and Hud's nephew, is caught in the conflict and forced to choose which character to follow.

Hud premiered at the Venice International Film Festival, and was a critical and commercial success at its general release. It was nominated for seven Academy Awards, winning three; Patricia Neal won Best Actress, Melvyn Douglas won Best Supporting Actor and James Wong Howe the Academy Award for Best Black and White Cinematography. Howe's use of contrast to create space and his selection of black-and-white was favored by critics. In later reviews, the film received additional praise.

Screenplay

Hud Bannon (Paul Newman) is ambitious and self-centered, the opposite of his deeply principled rancher father Homer (Melvyn Douglas). Also living on the Bannon ranch is Hud's teenage nephew, Lonnie (Brandon deWilde), who looks up to both men but is most impressed by Hud. Lonnie and Hud are attracted to the Bannons' housekeeper, Alma (Patricia Neal). Although she is attracted to Hud, Alma keeps her distance because she has been mistreated in the past by men like him.

 
Hud "courts" Alma

After the sudden, inexplicable death of a cow on the ranch, Homer sends Lonnie to town to bring Hud to the ranch for his opinion. Lonnie, finding Hud just in time to take the blame for Hud's tryst with a married woman, protests Hud's putting him in a dangerous situation as they return to the ranch, with Hud driving over Alma's flowers as they arrive. At the dead animal, Hud shoots several buzzards to scare the flock away against his father's protestations that they keep the land clean and shooting them is illegal. Hud states his immunity to laws that inconvenience him, setting the tone of his overall demeanor. Hud is annoyed by his father's decision to summon the state veterinarian, and suggests selling the animals to other ranchers before the news spreads; otherwise, government agents will kill all the cattle and destroy everything they have worked for. He blames his father for not realizing that the cheap Mexican cattle were sick before he bought them. Adhering to his principles, Homer ignores Hud's idea and waits for the veterinarian. Upon his arrival, the state veterinarian immediately issues a legally binding State Livestock Transfer Order directing the quarantine of the ranch for a possible foot-and-mouth disease outbreak. This freezes the movement of all livestock to or from the Bannon ranch, while they await the test results. Aware of the possibility of bankruptcy to the ranch, Homer nevertheless complies.

One night, Hud takes Lonnie out and they prevail in a drunken barroom brawl. Back at the ranch he reflects on the past (when he and Lonnie's father did the same thing), revealing his feelings about his brother Norman's death and his father's coldness to him. When they enter the house Homer confronts Hud, accusing his son of trying to corrupt Lonnie. They argue, with Hud accusing Homer of hypocrisy and resentment of him for Norman's death. Homer replies that his disappointment in Hud began before the accident; Hud cares about no one but himself, and is "not fit to live with". Hurt and angry, Hud retorts "My mama loved me, but she died" as he walks away. When Lonnie tells Homer that he was too harsh and other people act like him, Homer replies that one day he will have to decide for himself what is right and wrong.

 
Homer confronts Hud, as Lonnie looks on

After learning from Lonnie that Hud is trying to seize the ranch, Homer confronts Hud. Infuriated by his eroded inheritance, Hud threatens to have Homer declared legally incompetent so he can take over the ranch. Homer tells his son he will lose. He admits that he made mistakes raising Hud, and was too hard on him. When Hud accuses him of having a "shape up or ship out" policy, Homer wonders aloud how a man like Hud can be his son and storms off to his room. Hud, drunk, goes outside and tries to rape Alma before Lonnie comes to her aid.

When the herd tests positive for foot-and-mouth disease, the veterinarian orders them to be killed and buried on the ranch under state supervision to keep the disease from spreading. Hud points out that they could sell some oil leases to keep the ranch profitable, but Homer refuses as he only has pride in cattle, despite his ruinous decision to purchase the Mexican cattle.

Alma decides to leave the ranch. After Lonnie drops her off at the bus station, Hud sees her as she is waiting. He apologizes for his drunken assault but not his attraction to her, and he would remember her as "the one who got away". Driving back to the ranch, Lonnie sees his grandfather lying on the side of the road after a fall from his horse during a survey of the ranch. Hud pulls up behind Lonnie and, despite their efforts, he dies.

Lonnie is repelled by his uncle's treatment of Homer and Alma and leaves the ranch after his grandfather's funeral, uncertain if he will ever return. When he tells Hud to put his half of their inheritance in the bank, his uncle replies that Lonnie now sees him as Homer did. Hud goes back into the Bannon house alone; as he closes the door, the final fade-out is the window shade's pull-ring swaying.

  • Paul Newman as Hud Bannon, the arrogant, self-centered son of rancher Homer Bannon. To prepare for the role Newman worked for ten days on a Texas ranch, sleeping in a bunkhouse. For his Texas accent he was coached by Bob Hinkle, who coached James Dean for his role as Jett Rink in Giant.
  • Melvyn Douglas as Homer Bannon: Hud's father, Lonnie's grandfather and owner of the Bannon ranch. Although Paramount was doubtful about casting him due to his heart condition, Martin Ritt insisted that he was the right actor for the role.
  • Brandon deWilde as Lonnie Bannon, Hud's teenage nephew who idolizes him. DeWilde, a former child actor, was best known at the time for his award-winning role in Shane.
  • Patricia Neal as Alma Brown, the Bannons' housekeeper. Ritt decided to cast Neal (whom he had met at the Actors Studio) when he was impressed by her performance in The Untouchables episode, "The Maggie Storm Story". The actress signed for $30,000; although she had third billing and 22 minutes of screen time, the film had a major impact on her career.
  • Whit Bissell as Mr. Burris
  • Crahan Denton as Jesse
  • John Ashley as Hermy
  • Val Avery as Jose
  • George Petrie as Joe Scanlon
  • Curt Conway as Truman Peters
  • Sheldon Allman as Mr. Thompson
  • Pitt Herbert as Mr. Larker
  • Carl Low as Mr. Kirby
  • Robert Hinkle as Radio Announcer Frank
  • Don Kennedy as Charlie Tucker
  • Sharyn Hillyer as Myra
  • Yvette Vickers as Lily Peters

After working together on other projects, director Martin Ritt and Paul Newman co-founded Salem Productions and the company made a three-film deal with Paramount Studios. For its first film Salem hired husband-and-wife scriptwriters Irving Ravetch and Harriet Frank, Jr., who worked with Ritt and Newman on The Long, Hot Summer. Ravetch found Larry McMurtry's novel, Horseman, Pass By, in an airport shop during a Dallas stopover and presented the project to Ritt and Newman after reading a description of Hud Bannon. The partners met Ravetch and Frank at their home, approved the project and the writers adapted the script.

Although McMurtry's novel focuses on Lonnie Bannon, Ravetch and Frank expanded Hud's character to the lead role. Ritt wanted Hud to be an antihero who did not regret his actions at the end of the film. He was changed from Homer's stepson to his son, and the character of Homer's wife was eliminated. Newman and Ritt initially named the project Wild Desire, followed by The Winners, Hud Bannon Against the World, Hud Bannon and finally Hud. Ravetch and Frank accompanied Ritt and Newman through pre-production, casting and publicity design.

 
Hud tries to rape Alma.

Ritt asked that the housekeeper character (originally Halmea, a black woman) be renamed Alma and played by a white actress, because he thought a relationship between Hud and a black woman would not work. According to Ravetch and Frank, "Neither American film nor American society was quite ready for that back then". Although Halmea is raped by Hud in the novel, Ravetch and Frank added Lonnie's intervention to "highlight" his significance and keep Hud "human" and not "totally and simplistically evil". To accentuate the scene's violence, Hud's roughness was complemented by the use of shadows, while a camera was attached on Newman's back to create a "man's view angle" while he chased Neal. Film critic Pauline Kael described Neal's performance as "perhaps the first female equivalent of the white-negro".

Cinematographer James Wong Howe shot Hud in black-and-white to "elevate its dramatic propensities". Filmed in Panavision, Howe used high contrast with unbalanced light and dark tones. He highlighted the white ground and clear skies, making the shadows black. Dark tones were "overpowered" by light ones, creating a sense of "infinite space". For faces and structures, Howe used light reflected from the ground. The contrast between the environment and objects silhouetted against the background provides a sense of depth. Ritt's biographer, Carlton Jackson, wrote that in Hud "the scenery becomes a part of the thematic development itself". According to Texas Monthly, "Howe's austere rendition of Texas landscapes  remains one of the film's most distinctive pleasures".

Hud was shot over a four-week period in and around the Texas Panhandle, using the town of Claude as a setting.Hud 1963 Film

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