Hellraiser full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

In Morocco, Frank Cotton buys a puzzle box from a dealer. In a bare attic, when Frank solves the puzzle, hooked chains emerge and tear him apart. Later, the room is filled with swinging chains and covered with the remnants of his body. A black-robed figure picks up the box and returns it to its original state, restoring the room to normal.

Some time afterward, Frank's brother Larry moves into the house to rebuild his strained relationship with his second wife, Julia, who had an affair with Frank shortly before their marriage. Larry's teenage daughter, Kirsty, has chosen not to live with them and moves into her own place. Larry cuts his hand carrying a bed up the stairs, and lets his blood drip on the attic floor. The blood resurrects Frank as a skinless corpse, who is soon found by Julia. Still obsessed with Frank, she agrees to harvest blood for him so that he can be fully restored, and they can run away together. Julia begins picking up men in bars and bringing them back to the house, where she murders them. Frank consumes their blood, regenerating his body. Frank explains to Julia that he had exhausted all sensory experiences and sought out the puzzle box, with the promise that it would open a portal to a realm of new carnal pleasures. When solved, the "Cenobites" came to subject him to the extremes of sadomasochism.

Kirsty spies Julia bringing men to the house; believing her to be having an affair, she follows her to the attic, where she interrupts Frank's latest feeding. Frank attacks her, but Kirsty throws the puzzle box out the window, creating a distraction and allowing her to escape. Kirsty retrieves the box and flees, but collapses shortly thereafter. Awakening in a hospital, Kirsty solves the box, summoning the Cenobites and a bizarre monster called the Engineer, which Kirsty narrowly escapes from. The Cenobites' leader, Pinhead, explains that although they have been perceived as both angels and demons, they are simply "explorers" from another dimension seeking carnal experiences, and they can no longer differentiate between pain and pleasure. Although they attempt to force Kirsty to return to their realm with them, she informs Pinhead that Frank has escaped. The Cenobites agree to take Frank back and, in exchange, say they will consider giving Kirsty her freedom; however, the catch is that they need to hear Frank confess to his crimes and escape.

Kirsty returns home, where Frank has killed Larry and taken his identity by stealing his skin. Julia shows her what is purported to be Frank's flayed corpse in the attic, locking the door behind her. The Cenobites appear and, not fooled by the deception, demand the man who "did this". Kirsty tries to escape but is held by Julia and Frank. Frank reveals his true identity to Kirsty and, when his sexual advances are rejected, he decides to kill her to complete his rejuvenation. He accidentally stabs Julia instead and drinks her blood without remorse. Frank chases Kirsty to the attic and, when he is about to kill her, the Cenobites appear after hearing him confess to killing her father. Now sure he is the one they are looking for, they ensnare him with chains and tear him to pieces. They then ultimately attempt to abduct Kirsty. Ripping the puzzle box from Julia's dead hands, Kirsty banishes the Cenobites by reversing the motions needed to open the puzzle box. Kirsty's boyfriend shows up and helps her escape the collapsing house.

Afterward, Kirsty throws the puzzle box onto a burning pyre. A vagrant who has been stalking Kirsty walks into the fire and retrieves the box before transforming into a winged creature and flying away. The box ends up in the hands of the merchant who sold it to Frank, offering it to another prospective customer.

• Andrew Robinson as Larry Cotton
• Clare Higgins as Julia Cotton
• Ashley Laurence as Kirsty Cotton
• Sean Chapman as Frank Cotton
• Robert Hines as Steve
• Doug Bradley as Lead Cenobite
• Nicholas Vince as Chattering Cenobite
• Simon Bamford as 'Butterball' Cenobite
• Grace Kirby as Female Cenobite
• Oliver Smith as "Skinless" Frank / Frank the Monster

Having been dismayed at prior cinematic adaptations of his work, Barker decided to attempt to direct a film himself. Christopher Figg agreed to produce and New World Pictures agreed to fund the film for $900,000.

Hellraiser was filmed at the end of 1986 and was set to be made in seven weeks, but was extended over a nine- to ten-week period by New World. The film was originally made under the working title of Sadomasochists from Beyond the Grave. Barker also wanted to call the film Hellbound but producer Christopher Figg suggested Hellraiser instead. Barker spoke fondly in The Hellraiser Chronicles about the filming, stating that his memories of production were of "unalloyed fondness ... The cast treated my ineptitudes kindly, and the crew were no less forgiving." Barker admitted his own lack of knowledge on filmmaking, stating that he "didn't know the difference between a 10-millimetre lens and a 35-millimetre lens. If you'd shown me a plate of spaghetti and said that was a lens, I might have believed you." After filming, New World convinced Barker to relocate the story to the United States which required overdubbing to remove some British accents.

During production, Doug Bradley had trouble hitting his marks during his takes in make-up as he could not see through his black contact lenses and was afraid of tripping over Pinhead's skirts. The special effects of the unnamed creature, known as "The Engineer" in the novels, proved difficult as the creature was difficult to manoeuvre. Other issues included a rushed shoot of the Chinese restaurant scene with Kirsty and Larry, due to the lateness of the person responsible for letting the cast and crew into the establishment.

The film had two editors: Richard Marden and an uncredited Tony Randel. Barker originally wanted the electronic music group Coil to perform the music for the film, but that notion was rejected by New World. Editor Tony Randel then suggested Christopher Young as a replacement for Coil for the film's score. Young had previously composed scores for other horror films such as the 1985 slasher A Nightmare on Elm Street 2: Freddy's Revenge and the 1986 Tobe Hooper film Invaders from Mars.

Clive Barker had to make some cuts on the film after MPAA gave it an X rating. Following scenes were cut for R rating;

• Two and a half shots were excised from the first hammer murder, including a closeup of the hammer lodged in the victim's head.
• In the scene where Julia murders another man, the actor playing the victim felt that it made sense for him to do so naked. The nude murder scene was shot but, ultimately, replaced with a semi-clothed version.
• Close-ups of Kirsty sticking her hand into Frank's stomach, exposing his guts.
• Longer version of the scene where Frank is being torn into pieces by the Cenobites' hooks. Final shot where his head explodes and his brain messily splashes out was also cut.

In interview for Samhain magazine in July 1987, Barker mentioned some problems that censors had with more erotic scenes in the movie;

Well, we did have a slight problem with the eroticism. I shot a much hotter flashback sequence than they would allow us to cut in.... Mine was more explicit and less violent. They wanted to substitute one kind of undertow for another. I had a much more explicit sexual encounter between Frank and Julia, but they said no, let's take out the sodomy and put in the flick knife.

Barker also said on the commentary for the movie that the seduction scene between Julia and Frank was, initially, a lot more explicit; "We did a version of this scene which had some spanking in it and the MPAA was not very appreciative of that. Lord knows where the spanking footage is. Somebody has it somewhere…The MPAA told me I was allowed two consecutive buttock thrusts from Frank but three is deemed obscene!"

The score for Hellraiser was released in 1987. AllMusic stated that the score proved that Christopher Young "hadn't used up all of his ideas for the horror genre" and that Young had matched "Barker's stylish look with a gothic score that mixed in exciting synthesizer effects."