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Hancock is a 2008 American superhero comedy film directed by Peter Berg and starring Will Smith, Charlize Theron, and Jason Bateman. It tells the story of a vigilante superhero, John Hancock (Smith) from Los Angeles whose reckless actions routinely cost the city millions of dollars. Eventually one person he saves, Ray Embrey (Bateman), makes it his mission to change Hancock's public image for the better.

Hancock
Theatrical release poster
Directed byPeter Berg
Produced by
  • Akiva Goldsman
  • James Lassiter
  • Michael Mann
  • Will Smith
Written by
  • Vince Gilligan
  • Vincent Ngo
Starring
  • Will Smith
  • Charlize Theron
  • Jason Bateman
Music byJohn Powell
CinematographyTobias A. Schliessler
Edited by
  • Colby Parker Jr.
  • Paul Rubell
Production
company
  • Relativity Media
  • Overbrook Entertainment
  • Weed Road Pictures
  • Forward Pass
  • Blue Light
Distributed byColumbia Pictures
Release date
  • June 16, 2008 (2008-06-16) (Paris)
  • July 2, 2008 (2008-07-02) (United States)
Running time
92 minutes
CountryUnited States
LanguageEnglish
Budget$150 million
Box office$624.4 million

The story was originally written by Vincent Ngo in 1996. It languished in "development hell" for years and had various directors attached, including Tony Scott, Michael Mann, Jonathan Mostow, and Gabriele Muccino before going into production in 2007. Hancock was filmed in Los Angeles with a production budget of $150 million.

In the United States, the film was rated PG-13 by the Motion Picture Association of America after changes were made at their request in order to avoid an R rating, which it had received twice before. The film was released on July 2, 2008 in the United States by Columbia Pictures. Hancock received mixed reviews from critics and grossed $624 million worldwide, becoming the fourth highest-grossing film of 2008.

Screenplay

John Hancock is an alcoholic who possesses superpowers, including flight, invulnerability, and superhuman strength. While performing superhero-like acts in Los Angeles, he is often ridiculed and hated by the public for his drunken and careless acts, and becomes enraged when referred to as an "asshole." Hancock rescues Ray Embrey, a public relations specialist, from an oncoming train, which he irrationally derails to save Ray. Thankful and seeing him as a career opportunity, Ray offers to help improve Hancock's public image. Hancock meets Ray's family, his son Aaron, who is a fan, and his wife Mary, who takes an immediate dislike to Hancock.

Ray encourages Hancock to issue a public apology, and then go to prison for a time, until Los Angeles needs him properly. Hancock reluctantly agrees, struggling to fit in prison, and quickly causes trouble when he assaults two fellow inmates that refuse to leave him alone. Hancock is visited by Ray's family, encouraging him to be patient. Los Angeles' crime rate rises, and Hancock is eventually released to help, wearing a combat outfit. He foils a bank robbery orchestrated by Red Parker, Hancock slicing off his hand to prevent him from activating a detonation switch. He is praised as a hero, and becomes popular.

Hancock reveals to Ray and Mary that he is amnesiac and an immortal, waking up in a hospital eighty years ago with no memory of his identity. He also learns Mary isn't Aaron's biological mother, and is Ray's second wife. Carrying a drunk Ray home, Hancock kisses Mary, only for her to toss him through the wall, revealing she has superpowers too. The next day, Hancock and Mary speak in private. Mary claims they have lived for three thousand years, are the last of their kind, and are siblings. Hancock disbelieves her about the last fact, and flies away to inform Ray, only for Mary to chase him and incite a violent battle across the city. Ray witnesses the fight, later confronting the duo. Mary admits Hancock used to be her husband in another life.

That night, Hancock stops a liquor store robbery, only to be shot multiple times, and is hospitalized. Mary appears, explaining that when the immortals paired up, they would slowly lose their powers, becoming mortals. The last time Hancock and Mary were together was eighty years before, when Hancock was attacked; his amnesia is a result of the attack. Parker, who escaped prison with several other criminals, attacks the hospital to get revenge. Mary is caught in the crossfire and injured. Hancock recovers, killing the criminals, but is further injured. Parker tries to kill him, but Ray kills Parker with a fire axe. Hancock throws himself out of the hospital, taking great leaps and bounds to restart Mary's heart, before flying off towards the Moon.

A month later Ray and his family receive a call from Hancock, revealing he has imprinted the Moon's surface with Ray's AllHeart marketing logo. In a mid-credits scene, Hancock approaches a criminal in New York City, who calls him an asshole.

  • Will Smith as John Hancock, an alcoholic superhero. Hancock is invulnerable, immortal, possesses superhuman strength, reflexes and stamina, highly developed regeneration, and can fly at supersonic speeds. He is also an amnesiac; his first memories are of waking up alone in a hospital in 1931. During his release, the duty nurse asked him for his "John Hancock", which he adopted as his current alias. Smith described the character, "Hancock is not your average superhero. Every day he wakes up mad at the world. He doesn't remember what happened to him and there's no one to help him find the answers." To give a realistic appearance of superhero flight, Smith was often suspended by wires 60 feet (18 m) above the ground and propelled at 40–50 miles per hour (64–80 km/h).
  • Charlize Theron as Mary Embrey, Ray's wife and Hancock's ex-wife who also has powers and abilities like him, but they are both becoming weak as they are close to each other. Theron described Mary, "She makes this conscious decision to live in suburbia and be this soccer mom to her stepson and be the perfect wife—she lives in this bubble. But when people do that it usually means they are hiding some characteristic inside themselves that scares them. That is Mary's case. She knows who she is and what she is capable of."
  • Jason Bateman as Ray Embrey, a corporate public relations consultant whose life Hancock saves. Bateman said, "My character sees life through rose-colored glasses so he doesn't understand how people can't see the positive side of Hancock. I like being the everyman. I like being the tour guide, the one who tethers whatever absurdity might be in a film and helps make that tangible to the audience."
  • Eddie Marsan as Kenneth "Red" Parker, Jr., a bank robber who later becomes Hancock's arch-nemesis. Having previously filmed the low-budget Happy-Go-Lucky, Marsan found the transition to the big-budget Hancock to be a shock. Marsan said, "I went from being in a car with Sally Hawkins in Happy-Go-Lucky to blowing up a bank in downtown LA."

Film producers Akiva Goldsman and Michael Mann appear as executives listening to Ray's lecture. Television host Nancy Grace also has a cameo appearance. Actors Johnny Galecki and Thomas Lennon also appear in the film. Mike Epps makes an uncredited cameo in the post-credits scene. Daeg Faerch appears as Michel, the young French American neighborhood bully who is thrown by Hancock in the air for his incessant swearing.

Development

told me the motivation for was that he loved Superman. It inspired him, and he wanted to do a version of Superman that was more real and challenging. He wanted to take the Superman genre and turn it upside down.

—Dustin Nguyen on his reclusive friend's spec script

Vincent Ngo wrote the spec script Tonight, He Comes in 1996. The draft, about a troubled 12-year-old, and a fallen superhero, was initially picked up by director Tony Scott as a potential project. Producer Akiva Goldsman came across the script, which he had considered a favorite, and encouraged Richard Saperstein, then president of development and production at Artisan Entertainment, to acquire it in 2002. Michael Mann was initially attached to direct Tonight, He Comes, but he instead opted to direct Miami Vice. Eventually, Artisan placed the project in turnaround, and it was acquired by Goldsman.

Vince Gilligan and John August rewrote Ngo's script, and Jonathan Mostow was attached to direct the film. Under Mostow's supervision, a ten-page treatment was written to be pitched to Will Smith to portray the lead role in the film. Neither Mostow nor Smith was yet committed to make the project an active priority at the time. Several studios pursued the opportunity to finance the film, and Columbia Pictures succeeded in acquiring the prospect in February 2005. A second draft was scripted by Gilligan following the finalization of the deal with Columbia. The film was initially slated for a holiday 2006 release.

In November 2005, Mostow and Smith committed to Tonight, He Comes, with production slated to begin in Los Angeles in summer 2006. Smith's salary in his pay or play contract for the film was $20 million and 20 percent of the film's gross. The actor had also set up a pay or play contract to film I Am Legend under Warner Bros. after completion of Tonight, He Comes. Mostow eventually departed from the project due to creative differences. Italian director Gabriele Muccino filled Mostow's vacancy in May 2006. Since Muccino was busy editing The Pursuit of Happyness starring Smith, which Muccino had directed, Smith switched projects to film I Am Legend first for its December 2007 release, and then film Tonight, He Comes afterward. Later in the month, Muccino left the project because of an incompatibility with filming the story. Since Muccino was preparing The Pursuit of Happyness, the studio had delayed the production start for Tonight, He Comes to summer 2007, enabling Warner Bros. to begin production of I Am Legend with Smith.

Filming

 
Hollywood Boulevard was one of the film's practical locations.

In October 2006, Peter Berg was attached to direct Tonight, He Comes with production slated to begin in May 2007 in Los Angeles, the story's setting. Berg had been midway through filming The Kingdom when he heard about the film and called Michael Mann, who had become one of its producers. The new director compared the original script's tone to Leaving Las Vegas (1995), calling it "a scathing character study of this suicidal alcoholic superhero". The director explained the rewrite, "We thought the idea was cool, but we did want to lighten it up. We all did." Before filming began, Tonight, He Comes was retitled John Hancock, and it was eventually shortened to Hancock.

Filming began on Hancock on July 3, 2007 in Los Angeles, having a production budget of $150 million.Hancock Film

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