Halloween 1978 Film full HD movie download free with screenpaly story, dialogue LYRICS and STAR Cast

On Halloween night 1963, in the town of Haddonfield, Illinois, six-year-old Michael Myers, dressed in a clown costume, stabs his older sister Judith to death with a knife in their home. Fifteen years later, on October 30, 1978, Michael escapes Warren County's Smith's Grove Sanitarium, when his psychiatrist, Dr. Samuel Loomis, and his colleague, Marion Chambers, arrive to escort Michael to court, stealing Loomis’ car in the process. Returning home to Haddonfield, Michael kills a mechanic for his overalls and steals a mask, knives, and rope from a local hardware store. The following day, on Halloween, Michael begins stalking high school student Laurie Strode after she drops off a key at his former house, so her father can sell it. Throughout the day, Laurie notices Michael following her, but her friends Annie Brackett and Lynda Van der Klok dismiss her concerns. Loomis arrives in Haddonfield in search of Michael, discovering that Judith Myers' headstone has been stolen from the local cemetery. He meets with Annie's father, Sheriff Leigh Brackett, and the two go to Michael's house, where Loomis attempts to warn the skeptical sheriff about the danger Michael poses. Sheriff Brackett patrols the streets while Loomis waits and watches the house, expecting Michael to return.

Later that night, Laurie babysits Tommy Doyle, while Annie babysits Lindsey Wallace just across the street, unaware that Michael has followed them. When Annie's boyfriend, Paul, calls her to come and pick him up, she takes Lindsey over to the Doyle house to spend the night with Laurie and Tommy. Annie is just about to leave in her car when Michael, who was hiding in the back seat, strangles her before slitting her throat. Soon after, Lynda and her boyfriend Bob Simms arrive at the Wallace house. After having sex, Bob goes downstairs to get a beer for Lynda, but Michael fatally stabs him. Michael then poses as Bob in a ghost costume and confronts Lynda, who teases him, to no effect. Annoyed, Lynda calls Laurie, but Michael strangles Lynda to death with the telephone wire just as Laurie picks up. Meanwhile, Loomis discovers the stolen car and begins searching the streets.

Suspicious, Laurie goes over to the Wallace house, and finds the bodies of Annie, Bob, and Lynda in an upstairs bedroom, as well as Judith Myers' headstone. Horrified, Laurie cowers in a hallway, when Michael suddenly appears and attacks her, slashing her arm. Barely escaping, Laurie races back to the Doyle house. Michael follows, but Laurie manages to fend him off long enough for Tommy and Lindsey to escape. Laurie defends herself by stabbing him with a knitting needle, a metal hanger, and his own knife, but Michael re-animates. Loomis sees the two children fleeing the house, and goes to investigate, finding Michael and Laurie fighting upstairs. Loomis shoots Michael six times, knocking him off the balcony; when Loomis goes to check Michael's body, he finds it missing. Loomis stares off into the night, while Laurie begins sobbing in terror. As various shots of the Doyle and Wallace houses are shown, a final shot of the Myers house is shown, as Michael's breathing is heard, indicating that he could be anywhere.

Themes

Some feminist critics, according to historian Nicholas Rogers, "have seen the slasher movies since Halloween as debasing women in as decisive a manner as hard-core pornography." Critics such as John Kenneth Muir state that female characters such as Laurie Strode survive not because of "any good planning" or their own resourcefulness, but sheer luck. Although she manages to repel the killer several times, in the end, Strode is rescued in Halloween and Halloween II only when Dr. Loomis arrives to shoot Myers.

Other feminist scholars such as Carol J. Clover argue that despite the violence against women, Halloween and other slasher films turned women into heroines. In many pre-Halloween horror films, women are depicted as helpless victims and are not safe until they are rescued by a strong masculine hero. Despite the fact that Loomis saves Strode, Clover asserts that Halloween initiates the role of the "final girl" who ultimately triumphs in the end. Strode fights back against Myers and severely wounds him. Had Myers been a normal man, Strode's attacks would have killed him; even Loomis, the male hero of the story, who shoots Michael repeatedly at near point blank range with a large caliber handgun, cannot kill him. Aviva Briefel argued that moments such as when Michael's face was temporarily revealed are meant to give pleasure to the male viewer. Briefel further argues that these moments are masochistic in nature and give pleasure to men because they are willingly submitting themselves to the women of the film; they submit themselves temporarily because it will make their return to authority even more powerful. Critics, such as Pat Gill, see Halloween as a critique of American social values. She remarks that parental figures are almost entirely absent throughout the film, noting that when Laurie is attacked by Michael while babysitting, "No parents, either of the teenagers or of the children left in their charge, call to check on their children or arrive to keen over them."

Another major theme found in the film is the dangers of premarital sex. Clover believes that killers in slasher films are fueled by a "psychosexual fury" and that all the killings are sexual in nature. She reinforces this idea by saying that "guns have no place in slasher films" and when examining the film I Spit on Your Grave she notes that "a hands-on killing answers a hands-on rape in a way that a shooting, even a shooting preceded by a humiliation, does not." Equating sex with violence is important in Halloween and the slasher genre according to Pat Gill, who made a note of this in her essay "The Monstrous Years: Teens, Slasher Films, and the Family". She remarks that Laurie's friends "think of their babysitting jobs as opportunities to share drinks and beds with their boyfriends. One by one they are killed ... by Michael Myers an asylum escapee who years ago at the age of six murdered his sister for preferring sex to taking care of him."

The dangers of suburbia is another major theme that runs throughout the film and the slasher genre at large: Pat Gill states that slasher films "seem to mock white flight to gated communities, in particular the attempts of parents to shield their children from the dangerous influences represented by the city." Halloween and slasher films, generally, represent the underside of suburbia. Myers was raised in a suburban household and after he escapes the mental hospital he returns to his hometown to kill again; Myers is a product of the suburban environment.

Michael is thought by some to represent evil in the film. This is based on the common belief that evil never dies, nor does evil show any remorse. This idea is demonstrated in the film when Dr. Loomis discusses Michael's history with the sheriff. Loomis states, "I spent eight years trying to reach him , and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply ... evil." Loomis also refers to Michael as "evil" when he hijacks his car at the sanitarium.

Carpenter himself dismisses the notion that Halloween is a morality play, regarding it as merely a horror film. According to Carpenter, critics "completely missed the point there". He explains, "The one girl who is the most sexually uptight just keeps stabbing this guy with a long knife. She's the most sexually frustrated. She's the one that's killed him. Not because she's a virgin but because all that sexually repressed energy starts coming out. She uses all those phallic symbols on the guy."

Aesthetic elements

Historian Nicholas Rogers notes that film critics contend that Carpenter's direction and camera work made Hallowee