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Greed is a 1924 American silent film, written and directed by Erich von Stroheim and based on the 1899 Frank Norris novel McTeague. It stars Gibson Gowland as Dr. John McTeague, ZaSu Pitts as Trina Sieppe, his wife, and Jean Hersholt as McTeague's friend and eventual enemy Marcus Schouler. The film tells the story of McTeague, a San Francisco dentist, who marries his best friend Schouler's girlfriend Trina. Shortly after their engagement, Trina wins a lottery prize of $5,000, at that time a substantial sum. Schouler jealously informs the authorities that McTeague had been practicing dentistry without a license, and McTeague and Trina become impoverished. While living in squalor, McTeague becomes a violent alcoholic and Trina becomes greedily obsessed with her winnings, refusing to spend any of them, despite how poor she and her husband have become. Eventually McTeague murders Trina for the money and flees to Death Valley. Schouler catches up with him there for a final confrontation.

Greed
Theatrical release poster
Directed byErich von Stroheim
Produced byErich von Stroheim
Abe Lehr
Irving Thalberg
Written byErich von Stroheim
Contractually credited:
June Mathis
Based onMcTeague
by Frank Norris
StarringGibson Gowland
ZaSu Pitts
Jean Hersholt
Music byWilliam Axt
CinematographyBen F. Reynolds
William H. Daniels
Edited byErich von Stroheim and Frank Hull (42-reel and 24-reel versions)
Rex Ingram and Grant Whytock (18-reel version)
June Mathis and Joseph W. Farnham (10-reel version)
Production
company
The Goldwyn Company–Metro-Goldwyn
Distributed byMetro-Goldwyn-Mayer
Release date
  • December 4, 1924 (1924-12-04)
Running time
462 minutes (original cut)
140 minutes (original release)
239 minutes (reconstruction)
CountryUnited States
LanguageSilent film
English intertitles
Budget$665,603
Box office$274,827

Greed was one of the few films of its time to be shot entirely on location, with Stroheim shooting approximately 85 hours of footage before editing. Two months alone were spent shooting in Death Valley for the film's final sequence, and many of the cast and crew became ill. Stroheim used sophisticated filming techniques such as deep-focus cinematography and montage editing. He considered Greed to be a Greek tragedy, in which environment and heredity controlled the characters' fates and reduced them to primitive bêtes humaines (human beasts).

During editing on Greed, the production company merged into Metro-Goldwyn-Mayer, putting Irving Thalberg in charge of the film's post-production. Thalberg had fired Stroheim a few years earlier at Universal Pictures. Originally almost eight hours long, Greed was edited against Stroheim's wishes to about two-and-a-half hours. Only twelve people saw the full-length 42-reel version, now lost; some of them called it the greatest film ever made. Stroheim later called Greed his most fully realized work and was hurt both professionally and personally by the studio's re-editing of it.

The uncut version has been called the "holy grail" for film archivists, amid repeated false claims of the discovery of the missing footage. In 1999 Turner Entertainment created a four-hour version of Greed that used existing stills of cut scenes to reconstruct the film. Greed was a critical and financial failure upon its initial release, but by the 1950s it began to be regarded as one of the greatest films ever made; filmmakers and scholars have noted its influence on subsequent films.

Screenplay

I never truckled, I never took off the hat to fashion and held it out for pennies. By God, I told them the truth. They liked it or they didn't like it. What had that to do with me? I told them the truth; I knew it for the truth then and I know it for the truth now.

—Frank Norris, quoted from his essay "The True Reward of the Novelist", in a title card at the beginning of Greed.

John McTeague is a miner working in Placer County, California. A traveling dentist calling himself Dr. "Painless" Potter visits the town, and McTeague's mother begs Potter to take her son on as an apprentice. Potter agrees and McTeague eventually becomes a dentist, practicing on Polk Street in San Francisco.

Marcus Schouler brings Trina Sieppe, his cousin and intended fiancée, into McTeague's office for dental work. Schouler and McTeague are friends and McTeague gladly agrees to examine her. As they wait for an opening, Trina buys a lottery ticket. McTeague becomes enamored with Trina and begs Schouler for permission to court Trina. After seeing McTeague's conviction, Schouler agrees. Trina eventually agrees to marry McTeague and shortly afterwards her lottery ticket wins her $5,000. Schouler bitterly claims that the money should have been his, causing a rift between McTeague and Schouler. After McTeague and Trina wed, they continue to live in their small apartment with Trina refusing to spend her $5,000.

 
Trina and McTeague have a relationship that moves from romance to tragedy.

Schouler leaves the city to become a cattle rancher. Before he goes, he secretly, in order to ruin his former friend, reports McTeague for practicing dentistry without a license. McTeague is ordered to shut down his practice or face jail. Even though she has saved over $200 in addition to the original $5,000 from the lottery ticket, Trina is unwilling to spend her money. Money becomes increasingly scarce, with the couple forced to sell their possessions. McTeague finally snaps and bites Trina's fingers in a fit of rage. Later, he goes fishing to earn money, taking Trina's savings (now totaling $450).

Trina's bitten fingers become infected and have to be amputated. To earn money she becomes a janitor at a children's school. She withdraws the $5,000 from the bank to keep it close to her, eventually spreading it on her bed so she can sleep on it. McTeague then returns, having spent the money he took, and asks Trina for more. The following day McTeague confronts Trina at the school. After a heated argument McTeague beats Trina to death and steals her $5,000.

Now an outlaw, McTeague returns to Placer County and teams up with a prospector named Cribbens. Headed towards Death Valley, they find a large quantity of quartz and plan to become millionaires. Before they can begin mining, McTeague senses danger and flees into Death Valley with a single horse, the remaining money and one water jug. Several marshals pursue him, joined by Schouler. Schouler wants to catch McTeague personally and rides into Death Valley alone.

The oppressive heat slows McTeague's progress. Schouler's progress is also beginning to wane when he spies McTeague and moves in to arrest him. After a confrontation, McTeague's horse bolts and Schouler shoots it, puncturing the water container. The water spills onto the desert floor. The pair fight one last time, with McTeague proving the victor; however, Schouler has handcuffed himself to McTeague. The film ends with McTeague left in the desert with no horse and no water, handcuffed to a corpse and unable to reach the remaining money.

Sub-plots

Von Stroheim's original edit contained two main sub-plots that were later cut. The point of these sub-plots was to contrast two possible outcomes of Trina and McTeague's life together. The first depicted the lives of the junkman Zerkow and Maria Miranda Macapa, the young Mexican woman who collects junk for Zerkow and sold Trina the lottery ticket. Maria often talks about her imaginary solid gold dining set with Zerkow, who becomes obsessed by it. Eventually, believing she has riches hidden away, Zerkow marries her. He often asks about it, but she gives a different answer each time he mentions it. Zerkow does not believe her and becomes obsessed with prying the truth from her. He murders her and after having lost his mind, leaps into San Francisco Bay.

The second sub-plot depicts the lives of Charles W. Grannis and Miss Anastasia Baker. Grannis and Baker are two elderly boarders who share adjoining rooms in the apartment complex where Trina and McTeague live. Throughout their time at the apartment complex, they have not met. They both sit close to their adjoining wall and listen to the other for company, so they know almost everything about each other. They finally meet and cannot hide their long-time feelings for each other. When they reveal their love, Grannis admits he has $5,000, making him just as rich as Trina. But this makes little difference to them. Eventually, they marry and a door connects their rooms.

I intended to show men and women as they are all over the world, none of them perfect, with their good and bad qualities, their noble and idealistic sides and their jealous, vicious, mean and greedy sides. I was not going to compromise. I felt that after the last war, the motion picture going public had tired of the cinematographic 'chocolate éclairs' which had been stuffed down their throats and which had in a large degree figuratively ruined their stomachs with this overdose of Saccharose in pictures. Now, I felt, they were ready for a large bowl of plebeian but honest corned beef and cabbage'.

—Erich von Stroheim.

Background and writing

Greed is based on the American author Frank Norris's 1899 novel McTeague: A Story of San Francisco. Stroheim's interest in McTeague can be traced back to January 1920, when he told a journalist that he wanted to film the novel. He had himself lived in San Francisco in the early 1910s, living there in poverty like that of the story's characters. He eventually moved to Los Angeles, and worked his way up in the film industry from extra to acting in villainous or aristocratic roles in films By 1919, Stroheim had finally become a successful director in his own right at Universal Film Manufacturing Company, although one with a reputation of going over budget and over schedule.

Upon the appointment of Irving Thalberg as general manager at Universal, Stroheim's defiance of commercial and industrial norms was no longer tolerated. After Thalberg's p

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