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Grand Hotel is a 1932 American pre-code drama film directed by Edmund Goulding and produced by Metro-Goldwyn-Mayer. The screenplay by William A. Drake is based on the 1930 play of the same title by Drake, who had adapted it from the 1929 novel Menschen im Hotel by Vicki Baum. To date, it is the only film to have won the Academy Award for Best Picture without being nominated in any other category.

Grand Hotel
Original poster
Directed byEdmund Goulding
Produced byIrving Thalberg
Written byWilliam A. Drake
Based onGrand Hotel (play) 1930
by William A. Drake and Menschen im Hotel 1929
by Vicki Baum
StarringGreta Garbo
John Barrymore
Joan Crawford
Wallace Beery
Lionel Barrymore
Lewis Stone
Jean Hersholt
Music byWilliam Axt
Charles Maxwell
CinematographyWilliam H. Daniels
Edited byBlanche Sewell
Distributed byMetro-Goldwyn-Mayer
Release date
  • April 12, 1932 (1932-04-12) (US)
Running time
112 minutes
CountryUnited States
LanguageEnglish
Budget$750,000
Box office$2,250,000

The film was remade as Week-End at the Waldorf in 1945, and also served as the basis for the 1989 stage musical of the same title. Another remake, to be directed by Norman Jewison, was considered in 1977 which was to take place at Las Vegas' MGM Grand Hotel, but the project eventually fell through.

Grand Hotel has proven influential in the years since its original release. The line "I want to be alone", famously delivered by Greta Garbo, placed number 30 in AFI's 100 Years...100 Movie Quotes. Also, the phrase "Grand Hotel theme" has come to be used for any dramatic movie following the activities of various people in a large busy place, with some characters' lives overlapping in odd ways and some of them remaining unaware of one another's existence. In 2007, the film was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant."

Screenplay

 
Greta Garbo and John Barrymore in Grand Hotel
 
Wallace Beery and Joan Crawford

Doctor Otternschlag, a disfigured veteran of World War I and a permanent resident of the Grand Hotel in Berlin, observes, "People coming, going. Nothing ever happens" — after which a great deal transpires.

Baron Felix von Geigern, who squandered his fortune and supports himself as a card player and occasional jewel thief, befriends Otto Kringelein, a dying accountant who has decided to spend his remaining days in the lap of luxury. Kringelein's former employer, industrialist General Director Preysing, is at the hotel to close an important deal, and he hires stenographer Flaemmchen to assist him. She aspires to be an actress and shows Preysing some magazine photos for which she posed, implying she is willing to offer him more than typing if he advances her career.

Another guest is Russian ballerina Grusinskaya, whose career is on the wane. When the Baron is in her room to steal her jewelry and she returns from the theatre, he hides in her room and overhears as she talks to herself about wanting to end it all. He comes out of hiding and engages her in conversation, and Grusinskaya finds herself attracted to him. The following morning, the Baron returns Grusinskaya's jewels, and she forgives his crime. She invites him to accompany her to Vienna, an offer he accepts.

The Baron is desperate for money to pay his way out of the criminal group he had been working with. He and Kringelein get a card game going, and Kringelein wins everything, then becomes intoxicated. When he drops his wallet, the Baron stashes it in his pocket, intending to keep the winnings. However, after Kringelein begins to search for his lost belongings, the Baron – who desperately needs the money but has become very fond of Kringelein – pretends to have discovered the wallet and returns it to him.

As part of a desperate merger plan, Preysing must travel to London, and he asks Flaemmchen to accompany him. Later, when the two are in her room, which opens on to his, Preysing sees the shadow of the Baron rifling through his belongings. He confronts the Baron; the two struggle, and Preysing bludgeons the Baron with the telephone, killing him. Flaemmchen sees what happened and tells Kringelein, who confronts Preysing. He insists he acted in self-defense, but Kringelein summons the police and Preysing is arrested.

Grusinskaya departs for the train station, expecting to find the Baron waiting for her there. Meanwhile, Kringelein offers to take care of Flaemmchen, who suggests they seek a cure for his illness. As they leave the hotel, Doctor Otternschlag again observes, "Grand Hotel. Always the same. People come. People go. Nothing ever happens."

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Grand Hotel Trailer.
  • Greta Garbo as Grusinskaya, the dancer
  • John Barrymore as Baron Felix von Geigern
  • Joan Crawford as Flaemmchen, the stenographer
  • Wallace Beery as General Director Preysing
  • Lionel Barrymore as Otto Kringelein
  • Lewis Stone as Dr. Otternschlag
  • Jean Hersholt as Senf, the porter
  • Robert McWade as Meierheim
  • Purnell B. Pratt as Zinnowitz
  • Ferdinand Gottschalk as Pimenov
  • Rafaela Ottiano as Suzette
  • Morgan Wallace as Chauffeur
  • Tully Marshall as Gerstenkorn
  • Frank Conroy as Rohna
  • Murray Kinnell as Schweimann
  • Edwin Maxwell as Dr. Waitz
  • Allen Jenkins as Hotel Meat Packer
 
Eugenie Leontovich as Grusinskaya in the original Broadway production of Grand Hotel (1930)

Producer Irving Thalberg purchased the rights to Vicki Baum's novel Menschen im Hotel for $13,000 and then commissioned William A. Drake to adapt it for the stage. It opened on Broadway at the National Theatre on November 13, 1930 and ran for 459 performances. Pleased with its success, Thalberg had Drake and Béla Balázs write the screenplay and budgeted the project at $700,000. There was some controversy about Greta Garbo, with her strong Swedish accent, playing a Russian.

The film was also seen as an artistic achievement in its art direction and production quality. The art director, Cedric Gibbons, was one of the most important and influential in the history of American film. The lobby scenes were extremely well done, portraying a 360° desk. This allowed audiences to watch the hotel action from all around the characters. It changed the way sets were made from that point onward.

"I want to be alone"

As Grusinskaya, Greta Garbo delivers the line "I want to be alone" and, immediately following, "I just want to be alone." Soon after, in conversation with Baron Felix von Gaigern, she says "And I want to be alone." Referring to its legendary use as a characterization of her personal reclusive life, Garbo later insisted, "I never said I want to be alone; I only said 'I want to be let alone.' There is all the difference."

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