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Godzilla is a 2014 American monster film directed by Gareth Edwards. The film is a reboot of Toho's Godzilla franchise and is the 30th film in the Godzilla franchise, the first film in Legendary's MonsterVerse, and the second Godzilla film to be completely produced by a Hollywood studio. The film stars Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, and Bryan Cranston.

Godzilla
Theatrical release poster
Directed byGareth Edwards
Produced by
  • Thomas Tull
  • Jon Jashni
  • Mary Parent
  • Brian Rogers
Screenplay byMax Borenstein
Story byDavid Callaham
Based onGodzilla
by Toho
Starring
  • Aaron Taylor-Johnson
  • Ken Watanabe
  • Elizabeth Olsen
  • Juliette Binoche
  • Sally Hawkins
  • David Strathairn
  • Bryan Cranston
Music byAlexandre Desplat
CinematographySeamus McGarvey
Edited byBob Ducsay
Production
company
  • Legendary Pictures
Distributed by
  • Warner Bros. Pictures
  • (Worldwide)
  • Toho
  • (Japan)
Release date
  • May 8, 2014 (2014-05-08) (Dolby Theatre)
  • May 16, 2014 (2014-05-16) (United States)
Running time
123 minutes
CountryUnited States
LanguageEnglish
Budget$160 million
Box office$529.1 million

The project began as an IMAX short film in 2004 but was transferred to Legendary in 2009 to be redeveloped as a feature film. The film was officially announced in March 2010 and Edwards was announced as the director in January 2011. Principal photography began in March 2013 in the United States and Canada and ended in July 2013.

Godzilla was released on May 16, 2014 to positive reviews, and was a box office success, grossing $200 million domestically and $529.1 million worldwide. The film's success prompted Toho to produce a reboot of their own and Legendary to proceed with a shared cinematic franchise, with Godzilla: King of the Monsters set to be released in 2019 and Godzilla vs. Kong to be released in 2020.

Screenplay

In 1954, Godzilla, an ancient alpha predator, is lured to an island in an attempt to kill it with a nuclear bomb. In 1999, Monarch scientists Ishiro Serizawa and Vivienne Graham investigate a giant skeleton unearthed by a collapsed uranium mine in the Philippines. They find two giant spores; one dormant and one hatched with a trail that leads out of the cave to the sea. In Japan, the Janjira Nuclear Power Plant experiences unusual seismic activity; Supervisor Joe Brody sends his wife Sandra with other technicians into the reactor. A tremor breaches the reactor, leaving Sandra and her team unable to escape while the plant collapses.

15 years later, Joe and Sandra's son Ford, a U.S. Navy explosive ordnance disposal officer, returns from a tour of duty to his wife Elle and young son Sam in San Francisco but has to immediately depart for Japan after Joe is detained for trespassing in the Janjira quarantine zone. Joe is determined to find out the cause of the meltdown, and he persuades Ford to accompany him to their old home to retrieve vital data. They discover that the zone is not contaminated by radiation and retrieve the data but are discovered by soldiers and taken to a facility in the plant's ruins. The facility harbors a massive, glowing chrysalis that had been feeding off the plant's reactors for the past 15 years and emitting stronger electro-magnetic pulses over time. A giant winged insect-like creature emerges and escapes, destroying the facility. Joe is severely wounded and dies as he, Ford, Serizawa, and Graham are taken to the U.S.S. Saratoga. The incident is reported around the world as an earthquake.

Serizawa and Graham join a U.S. Navy task force led by Admiral William Stenz to search for the creature, dubbed "MUTO" (Massive Unidentified Terrestrial Organism). Serizawa and Graham reveal to Ford that a 1954 deep sea expedition awakened Godzilla and nuclear tests in the 1950s were really attempts to kill him and when this didn't work project Monarch was established to secretly study Godzilla and similar monsters. They also reveal that in 1999 the MUTO traveled from the Philippine mine to Janjira and caused the meltdown. Ford reveals that Joe had monitored echolocation signals that indicated the MUTO was communicating with something, presumably Godzilla.

The MUTO attacks a Russian submarine and drops it in Hawaii to eat the sub's nuclear material. Godzilla arrives, causing a tsunami in Honolulu and engages the MUTO in battle until it flees. Serizawa deduces that the MUTO was communicating with something else, prompting the military to investigate the other spore stored in the Yucca Mountain nuclear waste repository in Nevada. However, the second, bigger, wingless MUTO, has already emerged, and attacks Las Vegas. The scientists deduce that the second MUTO is a female and was the one the male was communicating with, their signals being a mating call.

Over the scientists' objections, Stenz approves a plan to use nuclear warheads with more power than the bombs used in the 1950s to lure the monsters to the ocean and destroy them. Ford returns to the U.S. and joins the team delivering the warheads by train, but the female MUTO intercepts the train and devours most of the warheads. The remaining warhead is airlifted with Ford to San Francisco and is activated after Godzilla appears at the Golden Gate Bridge, but the male MUTO snatches it and takes it to the female, who forms a nest around it in the Chinatown area.

While Godzilla and the MUTOs battle, Ford and a strike team enter the city via HALO jump to find and disarm the warhead. Unable to access the timer, the team gets the warhead on a boat for disposal at sea. Ford blows up the MUTO nest, distracting the MUTOs enough to allow Godzilla to emerge victorious in the end after which he collapses on the shore. With the team killed by the female MUTO, Ford gets the boat out to sea before falling unconscious. He is rescued before the warhead explodes and reunites with his family at an emergency shelter the following morning. Godzilla suddenly awakens and returns to the sea, with the media hailing him as "King of the Monsters - savior of our city?".

 
 
 
Taylor-Johnson, Olsen, and Cranston promoting the film at the 2013 San Diego Comic-Con International.
  • Aaron Taylor-Johnson as Ford Brody
The son of Joe and Sandra Brody. After the nuclear plant's collapse, he grows up in the United States and becomes a lieutenant in the United States Navy as an explosive ordnance disposal technician. When Taylor-Johnson first met with Edwards, they talked for six hours about the archetype of the character. Taylor-Johnson stated that Edwards brought a level of "intimacy" to the film and praised him for treating it like a "big budget art film". He stated, "I think he went for the right balance of sensitivity and testosterone. I've probably been more emotionally challenged in this film than in any independent drama or thriller". Taylor-Johnson went through training to achieve military etiquette, and said he performed "quite a lot of the stunts". The role of Ford was reportedly offered to Joseph Gordon-Levitt in 2012, but he declined. By 2013, Henry Cavill, Scoot McNairy, and Caleb Landry Jones comprised the shortlist for the role before Legendary took interest in Taylor-Johnson. CJ Adams portrays Brody as a young boy.
  • Ken Watanabe as Dr. Ishiro Serizawa
A scientist for Project Monarch. Watanabe was initially skeptical about a new Hollywood Godzilla film but changed his mind after a meeting with Edwards, stating, "If you are telling the Godzilla story, you cannot separate it from the nuclear element, and the first thing I asked was whether there was going to be the nuclear element, as that now, in Japan, is a really sensitive problem. I was worried about how I could use that and how I could make that okay, but Gareth understood those feelings." Watanabe's character is named after the director of various Godzilla films, Ishir? Honda, and after the scientist who killed Godzilla in the original 1954 film, Dr. Daisuke Serizawa.
  • Bryan Cranston as Joe Brody
Ford's father and former lead engineer at the Janjira nuclear plant until its destruction in 1999. Cranston has said that Edwards' approach to the film and to its characterization is what drew him to the project. He stated, "The most important thing about this version of Godzilla is the characterization. The characters in this are real, well drawn. takes the time to really establish who these people are, that you root for them, that you invest in these characters, and that you care for them. That's the best part of it." Cranston additionally added, "I wouldn't be here if it was just, 'Look out, this monster is crushing everything!' Instead of trying to humanize the beast what this film does - and, I think, rightfully so - is humanize the people. You root for them and sympathize with their plight". Cranston also joined the film because he has been a fan of Godzilla since childhood, stating, "Godzilla was always my favorite monster when I was young. He was unapologetic." Cranston had to wear a wig for his scenes due to finishing Breaking Bad days before filming Godzilla. Cranston was initially ready to decline the offer after being approached, assuming the film was going to be "silly", however, director Edwards' passion for the film and his previous film Monsters impressed Cranston enough to read the script and join the film. Despite his positive opinion on the film, Cranston would later opine that killing off Joe Brody early was a "narrative mistake".
  • Elizabeth Olsen as Elle Brody
Ford's wife and a nurse at San Francisco General Hospital. Olsen agreed to join the film after being impressed with Edwards' previous film, Monsters and Edwards' enthusiasm for the film and Godzilla's history.
  • Juliette Binoche as Sandra Brody
A nuclear regulations consultant at the Janjira nuclear plant. She is married to Joe Brody and is the mother of Ford Brody. Binoche agreed to join the film after reading a "beautiful" letter from Edwards and because she wanted to "please" her son, who is also a fan of Godzilla, however, Edwards has stated that her character's death scene is what convinced her (and Cranston) to join the film. Binoche later revealed that Quentin Tarantino admitted to crying during her character's death scene,

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